歌曲 | Plastic Pattern People |
歌手 | Gil Scott-Heron |
专辑 | Small Talk at 125th and Lenox |
下载 | Image LRC TXT |
作词 : Scott-Heron | |
Glad to get high and see the slow motion world. | |
Just to reach, and touch, the half notes floating. | |
Worlds spinning orbit quicker than 9/8ths | |
Dave Brubeck | |
. | |
We come now, frantically searching for Thomas Moore, rainbow villages. | |
Up on suddenly, | |
Charlie Mingus | |
and our man | |
Abdul Malik | |
, | |
to add bass, to a bottomless pit of insecurity. | |
You may be plastic because you never meditate, | |
about the bottom of glasses, The third side of your universe. | |
Add on | |
Alice Coltrane | |
and her cosmic strains. | |
Still no vocal on blue black horizons. | |
Your plasticity is tested by a formless assault. | |
The sun can answer questions in tune, to all your sacrifices. | |
But why would our new jazz age give us no more mind expanding puzzles? | |
Enter | |
John | |
. | |
Blow from under, always, and never, so that the morning, the sun, | |
may scream of brain bending saxophones. | |
The third world arrives, with | |
Yusef Lateef | |
, and | |
Pharaoh Saunders | |
. | |
With oboes straining to touch the core of your unknown soul. | |
Ravi Shankar | |
comes, with strings attached, prepared to stabilize your seventh sense, | |
Your black rhythm. | |
Up and down a silly ladder run the notes, without the words. | |
Words are important for the mind, but the notes are for the soul. | |
Miles Davis | |
, So what? | |
Cannonball | |
, | |
Fiddler | |
, Mercy. | |
Dexter Gordon | |
, One Flight Up. | |
Donald Byrd | |
, playing Cristo, but what about words? | |
Would you like to survive on sadness? Call on | |
Ella | |
and Jose Happiness. | |
Drift with | |
Smokey | |
, Bill Medley, | |
Bobby Taylor | |
, and | |
Otis Redding | |
. | |
Soul music where frustrations are washed by drums, | |
Nina | |
and | |
Miriam | |
. | |
Congo, Mongo, Beat me, senseless, bongo, Tonto. | |
Flash through dream worlds of STP and LSD. | |
Speed kills and sometimes musics call, is frustrated. | |
And the black man is confused. | |
Our speed is our life pace, much too fast, not good. | |
I beg you to escape, and live, and hear all of the real. | |
Until a call comes for you to cry elsewhere. | |
We must all cry, but tell me. | |
Must our tears be white? |
zuo ci : ScottHeron | |
Glad to get high and see the slow motion world. | |
Just to reach, and touch, the half notes floating. | |
Worlds spinning orbit quicker than 9 8ths | |
Dave Brubeck | |
. | |
We come now, frantically searching for Thomas Moore, rainbow villages. | |
Up on suddenly, | |
Charlie Mingus | |
and our man | |
Abdul Malik | |
, | |
to add bass, to a bottomless pit of insecurity. | |
You may be plastic because you never meditate, | |
about the bottom of glasses, The third side of your universe. | |
Add on | |
Alice Coltrane | |
and her cosmic strains. | |
Still no vocal on blue black horizons. | |
Your plasticity is tested by a formless assault. | |
The sun can answer questions in tune, to all your sacrifices. | |
But why would our new jazz age give us no more mind expanding puzzles? | |
Enter | |
John | |
. | |
Blow from under, always, and never, so that the morning, the sun, | |
may scream of brain bending saxophones. | |
The third world arrives, with | |
Yusef Lateef | |
, and | |
Pharaoh Saunders | |
. | |
With oboes straining to touch the core of your unknown soul. | |
Ravi Shankar | |
comes, with strings attached, prepared to stabilize your seventh sense, | |
Your black rhythm. | |
Up and down a silly ladder run the notes, without the words. | |
Words are important for the mind, but the notes are for the soul. | |
Miles Davis | |
, So what? | |
Cannonball | |
, | |
Fiddler | |
, Mercy. | |
Dexter Gordon | |
, One Flight Up. | |
Donald Byrd | |
, playing Cristo, but what about words? | |
Would you like to survive on sadness? Call on | |
Ella | |
and Jose Happiness. | |
Drift with | |
Smokey | |
, Bill Medley, | |
Bobby Taylor | |
, and | |
Otis Redding | |
. | |
Soul music where frustrations are washed by drums, | |
Nina | |
and | |
Miriam | |
. | |
Congo, Mongo, Beat me, senseless, bongo, Tonto. | |
Flash through dream worlds of STP and LSD. | |
Speed kills and sometimes musics call, is frustrated. | |
And the black man is confused. | |
Our speed is our life pace, much too fast, not good. | |
I beg you to escape, and live, and hear all of the real. | |
Until a call comes for you to cry elsewhere. | |
We must all cry, but tell me. | |
Must our tears be white? |
zuò cí : ScottHeron | |
Glad to get high and see the slow motion world. | |
Just to reach, and touch, the half notes floating. | |
Worlds spinning orbit quicker than 9 8ths | |
Dave Brubeck | |
. | |
We come now, frantically searching for Thomas Moore, rainbow villages. | |
Up on suddenly, | |
Charlie Mingus | |
and our man | |
Abdul Malik | |
, | |
to add bass, to a bottomless pit of insecurity. | |
You may be plastic because you never meditate, | |
about the bottom of glasses, The third side of your universe. | |
Add on | |
Alice Coltrane | |
and her cosmic strains. | |
Still no vocal on blue black horizons. | |
Your plasticity is tested by a formless assault. | |
The sun can answer questions in tune, to all your sacrifices. | |
But why would our new jazz age give us no more mind expanding puzzles? | |
Enter | |
John | |
. | |
Blow from under, always, and never, so that the morning, the sun, | |
may scream of brain bending saxophones. | |
The third world arrives, with | |
Yusef Lateef | |
, and | |
Pharaoh Saunders | |
. | |
With oboes straining to touch the core of your unknown soul. | |
Ravi Shankar | |
comes, with strings attached, prepared to stabilize your seventh sense, | |
Your black rhythm. | |
Up and down a silly ladder run the notes, without the words. | |
Words are important for the mind, but the notes are for the soul. | |
Miles Davis | |
, So what? | |
Cannonball | |
, | |
Fiddler | |
, Mercy. | |
Dexter Gordon | |
, One Flight Up. | |
Donald Byrd | |
, playing Cristo, but what about words? | |
Would you like to survive on sadness? Call on | |
Ella | |
and Jose Happiness. | |
Drift with | |
Smokey | |
, Bill Medley, | |
Bobby Taylor | |
, and | |
Otis Redding | |
. | |
Soul music where frustrations are washed by drums, | |
Nina | |
and | |
Miriam | |
. | |
Congo, Mongo, Beat me, senseless, bongo, Tonto. | |
Flash through dream worlds of STP and LSD. | |
Speed kills and sometimes musics call, is frustrated. | |
And the black man is confused. | |
Our speed is our life pace, much too fast, not good. | |
I beg you to escape, and live, and hear all of the real. | |
Until a call comes for you to cry elsewhere. | |
We must all cry, but tell me. | |
Must our tears be white? |