Born to Sing 歌词

歌曲	Born to Sing
歌手	Lana Del Rey
专辑	The Profile
下载	Image LRC TXT

[00:00.65]	how are ya?
[00:01.14]	I’m good, better now.
[00:03.11]	Good stuff, so, you know the story has been told, over and over again,
[00:07.25]	in a record amount of time, in the shortest time possible, it’s insane,
[00:11.35]	so I just want to talk about now,
[00:13.30]	and just talk about your interests,
[00:15.02]	talk about what you want to talk about, what do you want to talk about?
[00:18.28]	Me? I’d like to talk about anything other than myself,
[00:21.93]	Yeah, I know, what a crazy few months you had huh?
[00:24.69]	It has been different, yeah.
[00:27.18]	You have said…
[00:28.30]	one of the things I really like has been a constant throw out the press
[00:32.02]	that you’ve had to do is that you said
[00:34.18]	this has always been something you wanted to do, to make music,
[00:36.85]	that It really lives and dies with the music, that’s it, the rest is whatever. Right?
[00:40.34]	I like writing and I like singing, um,
[00:42.53]	but I’m passionate about it because I enjoy the craft of it,
[00:46.17]	but I do actually have a big outside life, outside music,
[00:50.16]	Included in that, in those interests, um film,
[00:53.60]	I mean, you…you are really into the ardour that feels really cinematic,
[00:56.76]	I mean when you listen to it.
[00:58.15]	Well, I’m definitely interested in like having a cinematic soundscape,
[01:01.66]	like having a record, and I do, I do like film, yeah, I do.
[01:07.74]	Did it kind of play any role at all, On the album Born to Die?
[01:10.24]	I mean did you…you mean it’s impossible to make cinematic sound of music
[01:13.99]	without having a scene in your head, right?
[01:15.99]	That’s true, you know I think when I wrote the songs,
[01:19.15]	I was sort of looking back to moments in my past
[01:21.88]	and trying to paint pictures with my words about the way that things used to be.
[01:27.10]	And when I met Emile Haynie
[01:28.61]	who sort of been the famous hip pop producer for the last 10 years,
[01:31.69]	Could I just stop you there and also point out for those who are listening that
[01:33.97]	he’s probably the classiest beat maker in New York City. Emile Haynie
[01:36.43]	He’s really classy, you know when I met him, when I met Justin Parker,
[01:40.72]	I feel like I met, um, my music soul mate,
[01:44.03]	and you know, Emile’s beat plus Larry Gold’s string composition really sort of
[01:50.10]	started to make it cohesive, kind of gorgeous sound for the entire record.
[01:55.23]	Because, you know, Emile makes modern day hip-hop soul music, I think.
[01:59.78]	Yeah, like when I found Emile we were sort of an unlikely duel,
[02:04.07]	but he knew exactly what I was talking about when
[02:06.92]	I describe the sound of the record I was trying to bring out,
[02:10.25]	and we’ve just been, God we are together so much, you know.
[02:14.00]	I bet you…there’ve been times recently where you wish
[02:16.88]	you were back in the studio in that safe place with him and just making beats.
[02:18.09]	Yeah I do, a lot of the time, but you know,
[02:21.05]	I’ve really found like a musical family within the three producers that I met
[02:26.42]	and you know Emile’s been amazing, really supportive like, Emile
[02:28.88]	he’s not even moving on to another project yet,
[02:31.07]	we’re still working on like a mix tape to release in the summer.
[02:34.38]	Awesome, fantastic, we’re gonna continue to talk to Lana Del Rey,
[02:37.87]	and we’re gonna play right now the track from her new album born to die.
[02:44.46]	just kinda…how cool is made of that all, by the way?
[02:46.96]	Just gorgeous, it was crazy.
[02:48.85]	Amazing, isn’t it? It smells of music in that.
[02:50.92]	It does, the band was just like in heaven,
[02:53.52]	Did they check out the Bing Crosby plaque on the wall?
[02:55.75]	I don’t know if they saw that.
[02:57.38]	We spoke briefly when you were in New York City once,
[03:00.19]	shopping on 5th avenue
[03:01.47]	I wasn’t shopping, I was like sitting on the corner,
[03:05.21]	and they were all like, oh she now have fancy,
[03:08.61]
[03:09.66]	You fancy, you think you get fancy huh?“
[03:11.90]	I was like, great
[03:13.51]	So you’re back up here in the UK,
[03:15.72]	and I suppose given that it was very recent,
[03:17.93]	we should give you a chance to talk about
[03:19.18]	what happened last night with the Maccabees,
[03:20.54]	you know, it’s early for…to be not doing a show,
[03:23.15]	and it never hurts anybody more than a musician
[03:25.19]	than has to cancel so what happened?
[03:27.41]	No one wants to cancel but I just really wasn’t feeling very well
[03:32.24]	and you know I was…I did the Meadville sessions earlier and afternoon,
[03:36.42]	pretty much by the end of that I was pretty certain
[03:40.83]	I couldn’t really go on stage
[03:42.19]	but like I said I could’ve but you know never really had to cancel the show before…
[03:48.07]	It’s gone to serious, you hear that?
[03:50.97]	All of a sudden it got too serious there for a second
[03:54.25]	all of a sudden it was like the end of The Incredible Hulk for a second,
[03:57.30]	I would start crying, and you would start crying, and Craig would start crying,
[04:00.34]	and everyone would cry a little bit,
[04:01.97]	and we’ve thought better of the end…we don’t wanna go there.
[04:06.02]	Hahaha
[04:08.16]	Now that we’re talking about the live thing,
[04:10.13]	because not everybody necessarily I think should feel
[04:14.40]	once they make a record they need to rush on and perform it,
[04:17.50]	I mean if you think about yourself
[04:18.80]	and the essence of what you are trying to do with your art, with your craft,
[04:21.08]	and you feel very comfortable in the studio
[04:22.59]	working with your producers and the people around you,
[04:24.82]	you know for instance some people when they think about public speaking
[04:28.15]	it make them wanna throw up
[04:29.54]	Yeah, most people.
[04:30.62]	Yeah, I mean how do you feel when…
[04:31.74]	I mean there’re some musicians for instance,
[04:32.48]	if I say Dave Grohl one of the thing
[04:35.25]	you know you look forward to most about being foo fighter is
[04:37.25]	he goes “pull up and play alive man”!“
[04:39.11]	But how do you feel when you think about the idea,
[04:41.61]	if you see your manager come and say “at least do a tour”,
[04:43.90]	how does it make you feel right now?
[04:46.04]	Well it kind of depend on the day for me
[04:48.07]	like obviously like I’m sort of more, you know, like I do well in the studio,
[04:53.15]	because I like putting things together kind of with my producers and things like that,
[04:59.36]	but you know ever since I went on the road
[05:01.89]	and I realized how many people were out there,
[05:04.51]	I actually feel pretty good you know on the road, I like to travel
[05:07.75]	but you know I also really like Brooklyn I like being in New York so I miss home
[05:12.48]	and I…you know it really depends on the show,
[05:15.27]	like if it was…I probably wouldn’t play a really giant show,
[05:18.31]	I would probably you know…but so long as they are kind of small I…
[05:20.90]	I have a good time.
[05:22.43]	Yeah right, and many who’ve gone before here
[05:24.06]	whether it’s Neil Young or Bob Dylan or most recently Adele,
[05:27.97]	these are the artists that say
[05:29.67]	“look, if there’s nothing interesting what I have to do live, “
[05:32.57]	then I’m gonna pick and chose how I present that”
[05:35.43]	have you thought about like making it more special for you in the future?
[05:38.59]	Yeah, definitely, I mean everyone on my team is totally aware
[05:42.07]	that I like to cap every venue of 900 people
[05:44.63]	so yeah those artists are good examples,
[05:47.48]	people who did things on their own terms,
[05:49.64]	and I think that people that I involved with like they are involved with me
[05:51.72]	‘cause I’ll do things the way I want,
[05:54.77]	what I really cared about was that the record was good, and so I mean…
[05:59.99]	Too good now, huh?
[06:03.43]	I know, it’s Ellen, off to their races.
[06:07.29]	There you go, that horse is bolted, welcome to the modern world.
[06:09.82]	And this has been an really interesting experience, I wanna talk about that in a sec,
[06:13.50]	but let just make it light again and let talk about A$AP Rocky,
[06:17.23]	this guy is just a real breath of fresh air for American rap music,
[06:22.27]	and I know what a beagle you are as well.
[06:24.59]	Well, I mean, you know I like the best of the best,
[06:26.77]	I don’t like it all, but I mean you know like I feel like
[06:29.50]	energized by yeah like good rap music.
[06:33.18]	You are a very intriguing character,
[06:34.52]	you know I just started see your music in the way you know
[06:36.74]	you are the kind of subject matter of your song I think
[06:38.74]	you find yourself meeting a hero in some
[06:39.97]	pretty interesting environments you know.
[06:41.47]	Oh I like that prediction.
[06:43.11]	Right. And this’s been an fascinating experiment
[06:46.13]	watching this all happen from my point of view,
[06:48.27]	for one very specific reason which is the music that you’ve made,
[06:51.80]	the art that you’ve tested along all the videos and photographs,
[06:55.08]	the way that you’ve present yourself be honest or otherwise,
[06:59.03]	that’s your, that’s entirely your business by the way,
[07:01.36]	but I believe it’s absolutely honest,
[07:03.24]	but what is done is it conjured up an essence of time that’s come before us,
[07:09.57]	and yet it’s found it’s way to people in the most modern way imaginable.
[07:13.77]	Right
[07:13.80]	Have you thought about that? And if not, can you now?
[07:17.81]	Well when I was putting the clips together
[07:19.98]	like I wasn’t really going necessarily for a vintage feel,
[07:24.34]	I just knew that I love the quality of vintage film,
[07:28.32]	but I didn’t think that people would really
[07:29.99]	think that like a hearkened back to bygone eras so much.
[07:34.48]	When did you sort of become a digital kid?
[07:36.81]	Because you grew up in the middle of nowhere,
[07:38.71]	the internet’s become something that’s changed the way…
[07:42.01]	you know, everything’s distributed and discovered,
[07:45.68]	but predominantly music has been completely transformed
[07:46.66]	and the industry has redefined itself,
[07:48.16]	I mean when did you sort of become a digital kid
[07:49.78]	and discovered that it could work for you as an artist.
[07:52.26]	I mean like in terms of being a digital kid, I had different phases of it,
[07:56.85]	like I remember when I was 14 years old,
[07:58.61]	instant messenger came about so like we all met our bf over instant messenger.
[08:03.49]	It’s like carry a pager of digital isn’t it?
[08:06.08]	Yeah, I just remembered when that happened
[08:07.51]	it’s like you just can freaking believe it,
[08:09.16]	you’re like talking to like the most popular senior in high school
[08:12.34]	and like “can you sneak the house to meet down the block”,
[08:14.92]	that was crazy, and then you know,
[08:18.65]	I didn’t really pay attention to the internet
[08:20.73]	like I’ve always been a big believer in the internet
[08:23.67]	know a lot of people who are sort of you know trying to use it
[08:27.42]	to unify the world in a good way, and make our world one, you know, one small globe community
[08:33.44]	where information could travel quickly and you know help could travel quickly,
[08:37.69]	so I mean I never actually thought about in terms of like furthering my music,
[08:42.33]	I was always putting up music videos on Youtube since I was really young,
[08:45.90]	just because it was a passion of mine,
[08:47.75]	I liked editing and things like that,
[08:49.91]	but I always thought like if anything went well
[08:53.04]	it’s because someone came to one of my shows,
[08:56.48]	The traditional approach, “hey that’s good music, I’ll tell someone about it”
[08:59.67]	Yeah you know I mean that was how I read about
[09:03.96]	other people sort of getting their music heard, but…
[09:09.05]	It’s interesting though because now
[09:10.20]	that’s just a given these days in how we discover music,
[09:13.04]	but this is a superb saga way here I just come up with in my head,
[09:17.54]	this is on some broadcasting, this is classic broadcasting material.
[09:19.99]	Back in the day, you have to rely on classic singer songwriters like
[09:24.05]	Bob Dylan or John Byer to get the message across you know,
[09:26.95]	they were the modern day information carriers, back in the day.
[09:30.72]	Maybe.
[09:31.57]	They were, I mean that’s to a certain extant how things change works to a song,
[09:35.27]	you got a track with Bobby Womack on his forthcoming new album,
[09:38.84]	with Damon Albarn and Richard Russell.
[09:41.08]	I do
[09:41.95]	How was that experience for you, working with legend?
[09:44.40]	It was good, I mean I think they want me to come in after,
[09:49.35]	like the day they saw me on Jewels,
[09:51.72]	so really they just you know…
[09:53.84]	Bobby wanted me to freestyle on just some of the tracks he had, Bobby
[09:58.89]	he wanted me to just make a chorus,
[10:00.35]	so that’s why I did, and it’s been a while now, but it was beautiful.
[10:05.97]	Well I’ve heard the track
[10:07.07]	Oh have you?
[10:07.96]	Yeah, and I can tell you that it’s incredible,
[10:11.20]	and there’s a note you hit on that song where you go hiiiiiii
[10:15.97]	and your voice cracks, and I was like “this sounds like Bobby”,
[10:19.84]	and it’s not, it’s you
[10:22.06]	Oh shoot
[10:22.86]	There you go
[10:23.82]	Hey that’s…I haven’t heard it,
[10:25.67]	I’m glad they’re gonna use it, you know.
[10:28.26]	Well fingers crossed, I think it’s amazing, fantastic,
[10:30.16]	I can’t wait for people to hear that side of you with that track,
[10:33.29]	it’s gonna be good, interesting.
[10:34.95]	Lot of things to look forward to, you know,
[10:37.18]	in terms of this year, ideally having achieved so much in terms of what’s conventionally successful
[10:42.04]	with lots of people watching Video Games, listening to the songs and the album,
[10:45.09]	you know, you made it, you did it, congratulations,
[10:49.68]	you’re a modern day hero,
[10:50.78]	what do you want to look back on 2012? 2012
[10:53.62]	And what do you ideally want to have achieved?
[10:56.54]	I mean I think the same thing, as I sort of wanna achieve every year,
[11:00.36]	which is just to have no regrets, and live gracefully,
[11:03.68]	and I wanted to make a good record, and I did that, so that’s cool.
[11:08.77]	Yeah, you did, and you know I hope you enjoy that process of getting it out,
[11:14.22]	and the way people react to the music,
[11:15.75]	‘cause you know as well as I do that’s what really matters,
[11:17.95]	and thank you very much for your time Lana Del Rey.
[11:20.77]	Thank you.
[11:21.85]	And we’ll catch up with you when the time’s right,
[11:23.89]	you’ve started planning any show out here again in the summer
[11:26.17]	or is it too early to say?
[11:27.48]	Um, thinking about festivals, kind of have to figure it out.
[11:31.18]	It’s nice to talk with you.

[00:00.65]	how are ya?
[00:01.14]	I' m good, better now.
[00:03.11]	Good stuff, so, you know the story has been told, over and over again,
[00:07.25]	in a record amount of time, in the shortest time possible, it' s insane,
[00:11.35]	so I just want to talk about now,
[00:13.30]	and just talk about your interests,
[00:15.02]	talk about what you want to talk about, what do you want to talk about?
[00:18.28]	Me? I' d like to talk about anything other than myself,
[00:21.93]	Yeah, I know, what a crazy few months you had huh?
[00:24.69]	It has been different, yeah.
[00:27.18]	You have said
[00:28.30]	one of the things I really like has been a constant throw out the press
[00:32.02]	that you' ve had to do is that you said
[00:34.18]	this has always been something you wanted to do, to make music,
[00:36.85]	that It really lives and dies with the music, that' s it, the rest is whatever. Right?
[00:40.34]	I like writing and I like singing, um,
[00:42.53]	but I' m passionate about it because I enjoy the craft of it,
[00:46.17]	but I do actually have a big outside life, outside music,
[00:50.16]	Included in that, in those interests, um film,
[00:53.60]	I mean, you you are really into the ardour that feels really cinematic,
[00:56.76]	I mean when you listen to it.
[00:58.15]	Well, I' m definitely interested in like having a cinematic soundscape,
[01:01.66]	like having a record, and I do, I do like film, yeah, I do.
[01:07.74]	Did it kind of play any role at all, On the album Born to Die?
[01:10.24]	I mean did you you mean it' s impossible to make cinematic sound of music
[01:13.99]	without having a scene in your head, right?
[01:15.99]	That' s true, you know I think when I wrote the songs,
[01:19.15]	I was sort of looking back to moments in my past
[01:21.88]	and trying to paint pictures with my words about the way that things used to be.
[01:27.10]	And when I met Emile Haynie
[01:28.61]	who sort of been the famous hip pop producer for the last 10 years,
[01:31.69]	Could I just stop you there and also point out for those who are listening that
[01:33.97]	he' s probably the classiest beat maker in New York City. Emile Haynie
[01:36.43]	He' s really classy, you know when I met him, when I met Justin Parker,
[01:40.72]	I feel like I met, um, my music soul mate,
[01:44.03]	and you know, Emile' s beat plus Larry Gold' s string composition really sort of
[01:50.10]	started to make it cohesive, kind of gorgeous sound for the entire record.
[01:55.23]	Because, you know, Emile makes modern day hiphop soul music, I think.
[01:59.78]	Yeah, like when I found Emile we were sort of an unlikely duel,
[02:04.07]	but he knew exactly what I was talking about when
[02:06.92]	I describe the sound of the record I was trying to bring out,
[02:10.25]	and we' ve just been, God we are together so much, you know.
[02:14.00]	I bet you there' ve been times recently where you wish
[02:16.88]	you were back in the studio in that safe place with him and just making beats.
[02:18.09]	Yeah I do, a lot of the time, but you know,
[02:21.05]	I' ve really found like a musical family within the three producers that I met
[02:26.42]	and you know Emile' s been amazing, really supportive like, Emile
[02:28.88]	he' s not even moving on to another project yet,
[02:31.07]	we' re still working on like a mix tape to release in the summer.
[02:34.38]	Awesome, fantastic, we' re gonna continue to talk to Lana Del Rey,
[02:37.87]	and we' re gonna play right now the track from her new album born to die.
[02:44.46]	just kinda how cool is made of that all, by the way?
[02:46.96]	Just gorgeous, it was crazy.
[02:48.85]	Amazing, isn' t it? It smells of music in that.
[02:50.92]	It does, the band was just like in heaven,
[02:53.52]	Did they check out the Bing Crosby plaque on the wall?
[02:55.75]	I don' t know if they saw that.
[02:57.38]	We spoke briefly when you were in New York City once,
[03:00.19]	shopping on 5th avenue
[03:01.47]	I wasn' t shopping, I was like sitting on the corner,
[03:05.21]	and they were all like, oh she now have fancy,
[03:08.61]
[03:09.66]	You fancy, you think you get fancy huh?"
[03:11.90]	I was like, great
[03:13.51]	So you' re back up here in the UK,
[03:15.72]	and I suppose given that it was very recent,
[03:17.93]	we should give you a chance to talk about
[03:19.18]	what happened last night with the Maccabees,
[03:20.54]	you know, it' s early for to be not doing a show,
[03:23.15]	and it never hurts anybody more than a musician
[03:25.19]	than has to cancel so what happened?
[03:27.41]	No one wants to cancel but I just really wasn' t feeling very well
[03:32.24]	and you know I was I did the Meadville sessions earlier and afternoon,
[03:36.42]	pretty much by the end of that I was pretty certain
[03:40.83]	I couldn' t really go on stage
[03:42.19]	but like I said I could' ve but you know never really had to cancel the show before
[03:48.07]	It' s gone to serious, you hear that?
[03:50.97]	All of a sudden it got too serious there for a second
[03:54.25]	all of a sudden it was like the end of The Incredible Hulk for a second,
[03:57.30]	I would start crying, and you would start crying, and Craig would start crying,
[04:00.34]	and everyone would cry a little bit,
[04:01.97]	and we' ve thought better of the end we don' t wanna go there.
[04:06.02]	Hahaha
[04:08.16]	Now that we' re talking about the live thing,
[04:10.13]	because not everybody necessarily I think should feel
[04:14.40]	once they make a record they need to rush on and perform it,
[04:17.50]	I mean if you think about yourself
[04:18.80]	and the essence of what you are trying to do with your art, with your craft,
[04:21.08]	and you feel very comfortable in the studio
[04:22.59]	working with your producers and the people around you,
[04:24.82]	you know for instance some people when they think about public speaking
[04:28.15]	it make them wanna throw up
[04:29.54]	Yeah, most people.
[04:30.62]	Yeah, I mean how do you feel when
[04:31.74]	I mean there' re some musicians for instance,
[04:32.48]	if I say Dave Grohl one of the thing
[04:35.25]	you know you look forward to most about being foo fighter is
[04:37.25]	he goes " pull up and play alive man"!"
[04:39.11]	But how do you feel when you think about the idea,
[04:41.61]	if you see your manager come and say " at least do a tour",
[04:43.90]	how does it make you feel right now?
[04:46.04]	Well it kind of depend on the day for me
[04:48.07]	like obviously like I' m sort of more, you know, like I do well in the studio,
[04:53.15]	because I like putting things together kind of with my producers and things like that,
[04:59.36]	but you know ever since I went on the road
[05:01.89]	and I realized how many people were out there,
[05:04.51]	I actually feel pretty good you know on the road, I like to travel
[05:07.75]	but you know I also really like Brooklyn I like being in New York so I miss home
[05:12.48]	and I you know it really depends on the show,
[05:15.27]	like if it was I probably wouldn' t play a really giant show,
[05:18.31]	I would probably you know but so long as they are kind of small I
[05:20.90]	I have a good time.
[05:22.43]	Yeah right, and many who' ve gone before here
[05:24.06]	whether it' s Neil Young or Bob Dylan or most recently Adele,
[05:27.97]	these are the artists that say
[05:29.67]	" look, if there' s nothing interesting what I have to do live, "
[05:32.57]	then I' m gonna pick and chose how I present that"
[05:35.43]	have you thought about like making it more special for you in the future?
[05:38.59]	Yeah, definitely, I mean everyone on my team is totally aware
[05:42.07]	that I like to cap every venue of 900 people
[05:44.63]	so yeah those artists are good examples,
[05:47.48]	people who did things on their own terms,
[05:49.64]	and I think that people that I involved with like they are involved with me
[05:51.72]	' cause I' ll do things the way I want,
[05:54.77]	what I really cared about was that the record was good, and so I mean
[05:59.99]	Too good now, huh?
[06:03.43]	I know, it' s Ellen, off to their races.
[06:07.29]	There you go, that horse is bolted, welcome to the modern world.
[06:09.82]	And this has been an really interesting experience, I wanna talk about that in a sec,
[06:13.50]	but let just make it light again and let talk about A AP Rocky,
[06:17.23]	this guy is just a real breath of fresh air for American rap music,
[06:22.27]	and I know what a beagle you are as well.
[06:24.59]	Well, I mean, you know I like the best of the best,
[06:26.77]	I don' t like it all, but I mean you know like I feel like
[06:29.50]	energized by yeah like good rap music.
[06:33.18]	You are a very intriguing character,
[06:34.52]	you know I just started see your music in the way you know
[06:36.74]	you are the kind of subject matter of your song I think
[06:38.74]	you find yourself meeting a hero in some
[06:39.97]	pretty interesting environments you know.
[06:41.47]	Oh I like that prediction.
[06:43.11]	Right. And this' s been an fascinating experiment
[06:46.13]	watching this all happen from my point of view,
[06:48.27]	for one very specific reason which is the music that you' ve made,
[06:51.80]	the art that you' ve tested along all the videos and photographs,
[06:55.08]	the way that you' ve present yourself be honest or otherwise,
[06:59.03]	that' s your, that' s entirely your business by the way,
[07:01.36]	but I believe it' s absolutely honest,
[07:03.24]	but what is done is it conjured up an essence of time that' s come before us,
[07:09.57]	and yet it' s found it' s way to people in the most modern way imaginable.
[07:13.77]	Right
[07:13.80]	Have you thought about that? And if not, can you now?
[07:17.81]	Well when I was putting the clips together
[07:19.98]	like I wasn' t really going necessarily for a vintage feel,
[07:24.34]	I just knew that I love the quality of vintage film,
[07:28.32]	but I didn' t think that people would really
[07:29.99]	think that like a hearkened back to bygone eras so much.
[07:34.48]	When did you sort of become a digital kid?
[07:36.81]	Because you grew up in the middle of nowhere,
[07:38.71]	the internet' s become something that' s changed the way
[07:42.01]	you know, everything' s distributed and discovered,
[07:45.68]	but predominantly music has been completely transformed
[07:46.66]	and the industry has redefined itself,
[07:48.16]	I mean when did you sort of become a digital kid
[07:49.78]	and discovered that it could work for you as an artist.
[07:52.26]	I mean like in terms of being a digital kid, I had different phases of it,
[07:56.85]	like I remember when I was 14 years old,
[07:58.61]	instant messenger came about so like we all met our bf over instant messenger.
[08:03.49]	It' s like carry a pager of digital isn' t it?
[08:06.08]	Yeah, I just remembered when that happened
[08:07.51]	it' s like you just can freaking believe it,
[08:09.16]	you' re like talking to like the most popular senior in high school
[08:12.34]	and like " can you sneak the house to meet down the block",
[08:14.92]	that was crazy, and then you know,
[08:18.65]	I didn' t really pay attention to the internet
[08:20.73]	like I' ve always been a big believer in the internet
[08:23.67]	know a lot of people who are sort of you know trying to use it
[08:27.42]	to unify the world in a good way, and make our world one, you know, one small globe community
[08:33.44]	where information could travel quickly and you know help could travel quickly,
[08:37.69]	so I mean I never actually thought about in terms of like furthering my music,
[08:42.33]	I was always putting up music videos on Youtube since I was really young,
[08:45.90]	just because it was a passion of mine,
[08:47.75]	I liked editing and things like that,
[08:49.91]	but I always thought like if anything went well
[08:53.04]	it' s because someone came to one of my shows,
[08:56.48]	The traditional approach, " hey that' s good music, I' ll tell someone about it"
[08:59.67]	Yeah you know I mean that was how I read about
[09:03.96]	other people sort of getting their music heard, but
[09:09.05]	It' s interesting though because now
[09:10.20]	that' s just a given these days in how we discover music,
[09:13.04]	but this is a superb saga way here I just come up with in my head,
[09:17.54]	this is on some broadcasting, this is classic broadcasting material.
[09:19.99]	Back in the day, you have to rely on classic singer songwriters like
[09:24.05]	Bob Dylan or John Byer to get the message across you know,
[09:26.95]	they were the modern day information carriers, back in the day.
[09:30.72]	Maybe.
[09:31.57]	They were, I mean that' s to a certain extant how things change works to a song,
[09:35.27]	you got a track with Bobby Womack on his forthcoming new album,
[09:38.84]	with Damon Albarn and Richard Russell.
[09:41.08]	I do
[09:41.95]	How was that experience for you, working with legend?
[09:44.40]	It was good, I mean I think they want me to come in after,
[09:49.35]	like the day they saw me on Jewels,
[09:51.72]	so really they just you know
[09:53.84]	Bobby wanted me to freestyle on just some of the tracks he had, Bobby
[09:58.89]	he wanted me to just make a chorus,
[10:00.35]	so that' s why I did, and it' s been a while now, but it was beautiful.
[10:05.97]	Well I' ve heard the track
[10:07.07]	Oh have you?
[10:07.96]	Yeah, and I can tell you that it' s incredible,
[10:11.20]	and there' s a note you hit on that song where you go hiiiiiii
[10:15.97]	and your voice cracks, and I was like " this sounds like Bobby",
[10:19.84]	and it' s not, it' s you
[10:22.06]	Oh shoot
[10:22.86]	There you go
[10:23.82]	Hey that' s I haven' t heard it,
[10:25.67]	I' m glad they' re gonna use it, you know.
[10:28.26]	Well fingers crossed, I think it' s amazing, fantastic,
[10:30.16]	I can' t wait for people to hear that side of you with that track,
[10:33.29]	it' s gonna be good, interesting.
[10:34.95]	Lot of things to look forward to, you know,
[10:37.18]	in terms of this year, ideally having achieved so much in terms of what' s conventionally successful
[10:42.04]	with lots of people watching Video Games, listening to the songs and the album,
[10:45.09]	you know, you made it, you did it, congratulations,
[10:49.68]	you' re a modern day hero,
[10:50.78]	what do you want to look back on 2012? 2012
[10:53.62]	And what do you ideally want to have achieved?
[10:56.54]	I mean I think the same thing, as I sort of wanna achieve every year,
[11:00.36]	which is just to have no regrets, and live gracefully,
[11:03.68]	and I wanted to make a good record, and I did that, so that' s cool.
[11:08.77]	Yeah, you did, and you know I hope you enjoy that process of getting it out,
[11:14.22]	and the way people react to the music,
[11:15.75]	' cause you know as well as I do that' s what really matters,
[11:17.95]	and thank you very much for your time Lana Del Rey.
[11:20.77]	Thank you.
[11:21.85]	And we' ll catch up with you when the time' s right,
[11:23.89]	you' ve started planning any show out here again in the summer
[11:26.17]	or is it too early to say?
[11:27.48]	Um, thinking about festivals, kind of have to figure it out.
[11:31.18]	It' s nice to talk with you.

[00:00.65]	how are ya?
[00:01.14]	I' m good, better now.
[00:03.11]	Good stuff, so, you know the story has been told, over and over again,
[00:07.25]	in a record amount of time, in the shortest time possible, it' s insane,
[00:11.35]	so I just want to talk about now,
[00:13.30]	and just talk about your interests,
[00:15.02]	talk about what you want to talk about, what do you want to talk about?
[00:18.28]	Me? I' d like to talk about anything other than myself,
[00:21.93]	Yeah, I know, what a crazy few months you had huh?
[00:24.69]	It has been different, yeah.
[00:27.18]	You have said
[00:28.30]	one of the things I really like has been a constant throw out the press
[00:32.02]	that you' ve had to do is that you said
[00:34.18]	this has always been something you wanted to do, to make music,
[00:36.85]	that It really lives and dies with the music, that' s it, the rest is whatever. Right?
[00:40.34]	I like writing and I like singing, um,
[00:42.53]	but I' m passionate about it because I enjoy the craft of it,
[00:46.17]	but I do actually have a big outside life, outside music,
[00:50.16]	Included in that, in those interests, um film,
[00:53.60]	I mean, you you are really into the ardour that feels really cinematic,
[00:56.76]	I mean when you listen to it.
[00:58.15]	Well, I' m definitely interested in like having a cinematic soundscape,
[01:01.66]	like having a record, and I do, I do like film, yeah, I do.
[01:07.74]	Did it kind of play any role at all, On the album Born to Die?
[01:10.24]	I mean did you you mean it' s impossible to make cinematic sound of music
[01:13.99]	without having a scene in your head, right?
[01:15.99]	That' s true, you know I think when I wrote the songs,
[01:19.15]	I was sort of looking back to moments in my past
[01:21.88]	and trying to paint pictures with my words about the way that things used to be.
[01:27.10]	And when I met Emile Haynie
[01:28.61]	who sort of been the famous hip pop producer for the last 10 years,
[01:31.69]	Could I just stop you there and also point out for those who are listening that
[01:33.97]	he' s probably the classiest beat maker in New York City. Emile Haynie
[01:36.43]	He' s really classy, you know when I met him, when I met Justin Parker,
[01:40.72]	I feel like I met, um, my music soul mate,
[01:44.03]	and you know, Emile' s beat plus Larry Gold' s string composition really sort of
[01:50.10]	started to make it cohesive, kind of gorgeous sound for the entire record.
[01:55.23]	Because, you know, Emile makes modern day hiphop soul music, I think.
[01:59.78]	Yeah, like when I found Emile we were sort of an unlikely duel,
[02:04.07]	but he knew exactly what I was talking about when
[02:06.92]	I describe the sound of the record I was trying to bring out,
[02:10.25]	and we' ve just been, God we are together so much, you know.
[02:14.00]	I bet you there' ve been times recently where you wish
[02:16.88]	you were back in the studio in that safe place with him and just making beats.
[02:18.09]	Yeah I do, a lot of the time, but you know,
[02:21.05]	I' ve really found like a musical family within the three producers that I met
[02:26.42]	and you know Emile' s been amazing, really supportive like, Emile
[02:28.88]	he' s not even moving on to another project yet,
[02:31.07]	we' re still working on like a mix tape to release in the summer.
[02:34.38]	Awesome, fantastic, we' re gonna continue to talk to Lana Del Rey,
[02:37.87]	and we' re gonna play right now the track from her new album born to die.
[02:44.46]	just kinda how cool is made of that all, by the way?
[02:46.96]	Just gorgeous, it was crazy.
[02:48.85]	Amazing, isn' t it? It smells of music in that.
[02:50.92]	It does, the band was just like in heaven,
[02:53.52]	Did they check out the Bing Crosby plaque on the wall?
[02:55.75]	I don' t know if they saw that.
[02:57.38]	We spoke briefly when you were in New York City once,
[03:00.19]	shopping on 5th avenue
[03:01.47]	I wasn' t shopping, I was like sitting on the corner,
[03:05.21]	and they were all like, oh she now have fancy,
[03:08.61]
[03:09.66]	You fancy, you think you get fancy huh?"
[03:11.90]	I was like, great
[03:13.51]	So you' re back up here in the UK,
[03:15.72]	and I suppose given that it was very recent,
[03:17.93]	we should give you a chance to talk about
[03:19.18]	what happened last night with the Maccabees,
[03:20.54]	you know, it' s early for to be not doing a show,
[03:23.15]	and it never hurts anybody more than a musician
[03:25.19]	than has to cancel so what happened?
[03:27.41]	No one wants to cancel but I just really wasn' t feeling very well
[03:32.24]	and you know I was I did the Meadville sessions earlier and afternoon,
[03:36.42]	pretty much by the end of that I was pretty certain
[03:40.83]	I couldn' t really go on stage
[03:42.19]	but like I said I could' ve but you know never really had to cancel the show before
[03:48.07]	It' s gone to serious, you hear that?
[03:50.97]	All of a sudden it got too serious there for a second
[03:54.25]	all of a sudden it was like the end of The Incredible Hulk for a second,
[03:57.30]	I would start crying, and you would start crying, and Craig would start crying,
[04:00.34]	and everyone would cry a little bit,
[04:01.97]	and we' ve thought better of the end we don' t wanna go there.
[04:06.02]	Hahaha
[04:08.16]	Now that we' re talking about the live thing,
[04:10.13]	because not everybody necessarily I think should feel
[04:14.40]	once they make a record they need to rush on and perform it,
[04:17.50]	I mean if you think about yourself
[04:18.80]	and the essence of what you are trying to do with your art, with your craft,
[04:21.08]	and you feel very comfortable in the studio
[04:22.59]	working with your producers and the people around you,
[04:24.82]	you know for instance some people when they think about public speaking
[04:28.15]	it make them wanna throw up
[04:29.54]	Yeah, most people.
[04:30.62]	Yeah, I mean how do you feel when
[04:31.74]	I mean there' re some musicians for instance,
[04:32.48]	if I say Dave Grohl one of the thing
[04:35.25]	you know you look forward to most about being foo fighter is
[04:37.25]	he goes " pull up and play alive man"!"
[04:39.11]	But how do you feel when you think about the idea,
[04:41.61]	if you see your manager come and say " at least do a tour",
[04:43.90]	how does it make you feel right now?
[04:46.04]	Well it kind of depend on the day for me
[04:48.07]	like obviously like I' m sort of more, you know, like I do well in the studio,
[04:53.15]	because I like putting things together kind of with my producers and things like that,
[04:59.36]	but you know ever since I went on the road
[05:01.89]	and I realized how many people were out there,
[05:04.51]	I actually feel pretty good you know on the road, I like to travel
[05:07.75]	but you know I also really like Brooklyn I like being in New York so I miss home
[05:12.48]	and I you know it really depends on the show,
[05:15.27]	like if it was I probably wouldn' t play a really giant show,
[05:18.31]	I would probably you know but so long as they are kind of small I
[05:20.90]	I have a good time.
[05:22.43]	Yeah right, and many who' ve gone before here
[05:24.06]	whether it' s Neil Young or Bob Dylan or most recently Adele,
[05:27.97]	these are the artists that say
[05:29.67]	" look, if there' s nothing interesting what I have to do live, "
[05:32.57]	then I' m gonna pick and chose how I present that"
[05:35.43]	have you thought about like making it more special for you in the future?
[05:38.59]	Yeah, definitely, I mean everyone on my team is totally aware
[05:42.07]	that I like to cap every venue of 900 people
[05:44.63]	so yeah those artists are good examples,
[05:47.48]	people who did things on their own terms,
[05:49.64]	and I think that people that I involved with like they are involved with me
[05:51.72]	' cause I' ll do things the way I want,
[05:54.77]	what I really cared about was that the record was good, and so I mean
[05:59.99]	Too good now, huh?
[06:03.43]	I know, it' s Ellen, off to their races.
[06:07.29]	There you go, that horse is bolted, welcome to the modern world.
[06:09.82]	And this has been an really interesting experience, I wanna talk about that in a sec,
[06:13.50]	but let just make it light again and let talk about A AP Rocky,
[06:17.23]	this guy is just a real breath of fresh air for American rap music,
[06:22.27]	and I know what a beagle you are as well.
[06:24.59]	Well, I mean, you know I like the best of the best,
[06:26.77]	I don' t like it all, but I mean you know like I feel like
[06:29.50]	energized by yeah like good rap music.
[06:33.18]	You are a very intriguing character,
[06:34.52]	you know I just started see your music in the way you know
[06:36.74]	you are the kind of subject matter of your song I think
[06:38.74]	you find yourself meeting a hero in some
[06:39.97]	pretty interesting environments you know.
[06:41.47]	Oh I like that prediction.
[06:43.11]	Right. And this' s been an fascinating experiment
[06:46.13]	watching this all happen from my point of view,
[06:48.27]	for one very specific reason which is the music that you' ve made,
[06:51.80]	the art that you' ve tested along all the videos and photographs,
[06:55.08]	the way that you' ve present yourself be honest or otherwise,
[06:59.03]	that' s your, that' s entirely your business by the way,
[07:01.36]	but I believe it' s absolutely honest,
[07:03.24]	but what is done is it conjured up an essence of time that' s come before us,
[07:09.57]	and yet it' s found it' s way to people in the most modern way imaginable.
[07:13.77]	Right
[07:13.80]	Have you thought about that? And if not, can you now?
[07:17.81]	Well when I was putting the clips together
[07:19.98]	like I wasn' t really going necessarily for a vintage feel,
[07:24.34]	I just knew that I love the quality of vintage film,
[07:28.32]	but I didn' t think that people would really
[07:29.99]	think that like a hearkened back to bygone eras so much.
[07:34.48]	When did you sort of become a digital kid?
[07:36.81]	Because you grew up in the middle of nowhere,
[07:38.71]	the internet' s become something that' s changed the way
[07:42.01]	you know, everything' s distributed and discovered,
[07:45.68]	but predominantly music has been completely transformed
[07:46.66]	and the industry has redefined itself,
[07:48.16]	I mean when did you sort of become a digital kid
[07:49.78]	and discovered that it could work for you as an artist.
[07:52.26]	I mean like in terms of being a digital kid, I had different phases of it,
[07:56.85]	like I remember when I was 14 years old,
[07:58.61]	instant messenger came about so like we all met our bf over instant messenger.
[08:03.49]	It' s like carry a pager of digital isn' t it?
[08:06.08]	Yeah, I just remembered when that happened
[08:07.51]	it' s like you just can freaking believe it,
[08:09.16]	you' re like talking to like the most popular senior in high school
[08:12.34]	and like " can you sneak the house to meet down the block",
[08:14.92]	that was crazy, and then you know,
[08:18.65]	I didn' t really pay attention to the internet
[08:20.73]	like I' ve always been a big believer in the internet
[08:23.67]	know a lot of people who are sort of you know trying to use it
[08:27.42]	to unify the world in a good way, and make our world one, you know, one small globe community
[08:33.44]	where information could travel quickly and you know help could travel quickly,
[08:37.69]	so I mean I never actually thought about in terms of like furthering my music,
[08:42.33]	I was always putting up music videos on Youtube since I was really young,
[08:45.90]	just because it was a passion of mine,
[08:47.75]	I liked editing and things like that,
[08:49.91]	but I always thought like if anything went well
[08:53.04]	it' s because someone came to one of my shows,
[08:56.48]	The traditional approach, " hey that' s good music, I' ll tell someone about it"
[08:59.67]	Yeah you know I mean that was how I read about
[09:03.96]	other people sort of getting their music heard, but
[09:09.05]	It' s interesting though because now
[09:10.20]	that' s just a given these days in how we discover music,
[09:13.04]	but this is a superb saga way here I just come up with in my head,
[09:17.54]	this is on some broadcasting, this is classic broadcasting material.
[09:19.99]	Back in the day, you have to rely on classic singer songwriters like
[09:24.05]	Bob Dylan or John Byer to get the message across you know,
[09:26.95]	they were the modern day information carriers, back in the day.
[09:30.72]	Maybe.
[09:31.57]	They were, I mean that' s to a certain extant how things change works to a song,
[09:35.27]	you got a track with Bobby Womack on his forthcoming new album,
[09:38.84]	with Damon Albarn and Richard Russell.
[09:41.08]	I do
[09:41.95]	How was that experience for you, working with legend?
[09:44.40]	It was good, I mean I think they want me to come in after,
[09:49.35]	like the day they saw me on Jewels,
[09:51.72]	so really they just you know
[09:53.84]	Bobby wanted me to freestyle on just some of the tracks he had, Bobby
[09:58.89]	he wanted me to just make a chorus,
[10:00.35]	so that' s why I did, and it' s been a while now, but it was beautiful.
[10:05.97]	Well I' ve heard the track
[10:07.07]	Oh have you?
[10:07.96]	Yeah, and I can tell you that it' s incredible,
[10:11.20]	and there' s a note you hit on that song where you go hiiiiiii
[10:15.97]	and your voice cracks, and I was like " this sounds like Bobby",
[10:19.84]	and it' s not, it' s you
[10:22.06]	Oh shoot
[10:22.86]	There you go
[10:23.82]	Hey that' s I haven' t heard it,
[10:25.67]	I' m glad they' re gonna use it, you know.
[10:28.26]	Well fingers crossed, I think it' s amazing, fantastic,
[10:30.16]	I can' t wait for people to hear that side of you with that track,
[10:33.29]	it' s gonna be good, interesting.
[10:34.95]	Lot of things to look forward to, you know,
[10:37.18]	in terms of this year, ideally having achieved so much in terms of what' s conventionally successful
[10:42.04]	with lots of people watching Video Games, listening to the songs and the album,
[10:45.09]	you know, you made it, you did it, congratulations,
[10:49.68]	you' re a modern day hero,
[10:50.78]	what do you want to look back on 2012? 2012
[10:53.62]	And what do you ideally want to have achieved?
[10:56.54]	I mean I think the same thing, as I sort of wanna achieve every year,
[11:00.36]	which is just to have no regrets, and live gracefully,
[11:03.68]	and I wanted to make a good record, and I did that, so that' s cool.
[11:08.77]	Yeah, you did, and you know I hope you enjoy that process of getting it out,
[11:14.22]	and the way people react to the music,
[11:15.75]	' cause you know as well as I do that' s what really matters,
[11:17.95]	and thank you very much for your time Lana Del Rey.
[11:20.77]	Thank you.
[11:21.85]	And we' ll catch up with you when the time' s right,
[11:23.89]	you' ve started planning any show out here again in the summer
[11:26.17]	or is it too early to say?
[11:27.48]	Um, thinking about festivals, kind of have to figure it out.
[11:31.18]	It' s nice to talk with you.

[00:00.65]	你感觉怎么样？
[00:01.14]	很好，现在好多了。
[00:03.11]	很好，你的故事已经在电台里
[00:07.25]	无数次地被提起，简直太疯狂了
[00:11.35]	所以我只想谈谈现在
[00:13.30]	谈谈你感兴趣的
[00:15.02]	谈谈你想谈的东西，你想谈什么？
[00:18.28]	我啊，除了谈我自己谈什么都行
[00:21.93]	是啊，我知道，你过去的几个月真疯狂。
[00:24.69]	是的，很多事情都不同了。
[00:27.18]	你说过…
[00:28.30]	我很喜欢你常说的一句话
[00:32.02]	你说过
[00:34.18]	创作音乐一直是你喜欢做的事情
[00:36.85]	一切都转瞬即逝，只有音乐是永恒的
[00:40.34]	我喜欢写歌也喜欢唱歌，
[00:42.53]	我喜欢创作音乐是因为我享受创作的过程，
[00:46.17]	但除了音乐我还有许多热爱的东西，
[00:50.16]	电影就是其中之一
[00:53.60]	我觉得你很喜欢电影的艺术质感，
[00:56.76]	当我听你的歌时就有这种感觉
[00:58.15]	我很喜欢在歌曲中加入电影质感的音景采样
[01:01.66]	我确实很喜欢电影
[01:07.74]	这种质感在你的专辑Born to Die里也能感受到吗？
[01:10.24]	如果脑海中没有这种场景的话
[01:13.99]	很难创作出有电影感的音乐。
[01:15.99]	是的，当我写歌的时候
[01:19.15]	我会回忆过去的时光
[01:21.88]	试着用文字来描绘过去的日子。
[01:27.10]	后来我遇到了Emile Haynie，
[01:28.61]	他是这十年来最有名的hip pop制作人
[01:31.69]	我能先打断你一下吗？给各位听众介绍一下，
[01:33.97]	是纽约最一流的音乐制作人，
[01:36.43]	他真的很有才，当我遇到他还有Justin Parker时
[01:40.72]	我感觉自己遇到了音乐上的灵魂伴侣
[01:44.03]	你知道，Emile的节奏加上Larry Gold的弦乐创作
[01:50.10]	让整张专辑曲风华丽而且风格统一。
[01:55.23]	你知道，因为我觉得当代嘻哈灵魂乐是Emile的专长。
[01:59.78]	是啊，刚遇到Emile的时候我感觉自己和他的曲风格格不入，
[02:04.07]	但是当我跟他描述自己想要创作的音乐作品时，
[02:06.92]	他完全理解我在说什么，
[02:10.25]	然后我们就，天啊，我们在一起合作了好久。
[02:14.00]	我敢说，你最近肯定时不时会希望
[02:16.88]	你又回到录音室跟他一起创作歌曲。
[02:18.09]	是的，我经常会这样希望，但是你知道，
[02:21.05]	我和我遇到的这三位制作人之间就像一个音乐大家庭一样，
[02:26.42]	真的很棒，他对我很支持，
[02:28.88]	他甚至到现在还没有开始他的下一个制作项目，
[02:31.07]	我们还在忙着制作一个杂集CD，今年夏天会发行。
[02:34.38]	太棒了，我们现在将播放新专born to die的现场session track
[02:37.87]	不要走开，采访稍后继续。
[02:44.46]	这歌简直碉堡了
[02:46.96]	是啊是啊
[02:48.85]	太棒了，不是吗？灵魂音乐一刚。
[02:50.92]	是的，乐队成员们都很享受
[02:53.52]	他们看到墙上的Bing Crosby装饰画了吗？
[02:55.75]	不晓得哎
[02:57.38]	我以前在纽约的时候简短采访过你，
[03:00.19]	当时你在第五大道购物
[03:01.47]	我没买东西，我就在蹲墙角，
[03:05.21]	我的基友们看到都说“哎呀看她好red啊”
[03:08.61]	You fancy huh?“你好吊哈？”
[03:09.66]	你好吊哈？你碉堡了哈？”
[03:11.90]	我就彻底无语了…
[03:13.51]	现在你又来腐国了
[03:15.72]	考虑到这件事刚刚发生
[03:17.93]	我觉得应该给你一个解释的机会
[03:19.18]	你昨晚在Maccabees的演出取消是怎么回事？
[03:20.54]	你知道，这么早就开始取消演出会让人不解，
[03:23.15]	而且对音乐人来说最伤心的就是取消演出了，
[03:25.19]	所以到底发生什么了？
[03:27.41]	没人想要取消，但是我当时真的感觉不太舒服，
[03:32.24]	我当天早些时候和下午在Meadville做专场，
[03:36.42]	到了最后我很确定
[03:40.83]	我的状态无法再去演出
[03:42.19]	但是就像我说的，非要上台的话也可以，本来可以不取消的…
[03:48.07]	听到那音乐了吗？一下子就严肃了，
[03:50.97]	突然就感觉沉重了一刚，
[03:54.25]	感觉跟《无敌浩克》的结尾似的
[03:57.30]	我哭了，你也哭了，Craig也哭了
[04:00.34]	大家也都开始哭
[04:01.97]	嗷嗷惨，我们才不想走到那一步。
[04:06.02]	哈哈哈
[04:08.16]	既然说到现场演出了，
[04:10.13]	因为我觉得并不是所有人都认为
[04:14.40]	他们发行专辑之后就要急着去巡演，
[04:17.50]	我的意思是，如果你想想你自己，
[04:18.80]	想想本质上来说你想用你的音乐和创作所达到哪些目标。
[04:21.08]	而且你更喜欢待在录音室
[04:22.59]	跟制作人和身边的人们一起工作，
[04:24.82]	你知道比如有些人一想到公开演讲
[04:28.15]	就紧张到不行。
[04:29.54]	大部分人都会。
[04:30.62]	那么你的感受是…
[04:31.74]	有些音乐人吧，
[04:32.48]	比如说foo fighter主唱Dave Grohl
[04:35.25]	提到他大家的感觉就是
[04:37.25]	快去上台巡演”！
[04:39.11]	但你对此怎么看呢？
[04:41.61]	如果你的经纪人现在过来跟你说“拜托至少做一场巡演吧”
[04:43.90]	你是什么感觉？
[04:46.04]	这要看情况了
[04:48.07]	我确实更喜欢待在录音室里，
[04:53.15]	我喜欢跟我的制作人们一起工作，
[04:59.36]	但是自从我开始巡演，
[05:01.89]	我发现有那么多粉丝来看我的演出，
[05:04.51]	我倒开始有些喜欢巡演了，我喜欢旅行，
[05:07.75]	但我真的喜欢布鲁克林喜欢待在纽约，我开始想家了。
[05:12.48]	演出的规模也有很大关系，
[05:15.27]	我不太可能会有大型的演出，
[05:18.31]	但如果是小型现场的话
[05:20.90]	我挺喜欢的。
[05:22.43]	之前有许多艺人
[05:24.06]	比如Neil Young啊Bob Dylan啊Adele啊
[05:27.97]	他们会说
[05:29.67]	如果现场演出没有什么新意的话，
[05:32.57]	我会自己决定如何演出”
[05:35.43]	你有打算让自己的演出不同寻常吗？
[05:38.59]	当然，我的团队都知道
[05:42.07]	我喜欢做小型现场演出
[05:44.63]	你提到的那些艺人是很好的例子
[05:47.48]	他们都按自己的想法做事
[05:49.64]	与我一起工作的人之所以愿意和我合作
[05:51.72]	也是因为他们知道我会按自己的想法做事
[05:54.77]	我真正关心的事情是把自己的专辑做得很优秀，所以…
[05:59.99]	很优秀哈？你膨胀了。
[06:03.43]	是啊是啊等着看好戏吧。
[06:07.29]	好了吧，马都跑走了，欢迎来到21世纪。
[06:09.82]	跟你谈这些真的很有趣，
[06:13.50]	但是我们先换一个轻松点的话题，谈谈A$AP Rocky，
[06:17.23]	这家伙真是美国说唱界的新秀
[06:22.27]	我知道你也不是省油的灯。
[06:24.59]	你知道，我喜欢最优秀的，
[06:26.77]	不是所有的都喜欢，
[06:29.50]	好的说唱音乐能让人充满活力。
[06:33.18]	你的性格很让人好奇，
[06:34.52]	现在我听你的歌时
[06:36.74]	会感觉你是歌里的角色
[06:38.74]	在很有趣的情节里
[06:39.97]	遇到了你的英雄。
[06:41.47]	说得好。
[06:43.11]	在我看来你的经历
[06:46.13]	真的特别不同寻常，
[06:48.27]	比如你的音乐创作，
[06:51.80]	你用影像和图像呈现出的艺术形式，
[06:55.08]	你用亦真亦假的方式展现出的自己，
[06:59.03]	这些都是你一个人的灵感，
[07:01.36]	我相信这些艺术表达都是发自内心的，
[07:03.24]	捕捉到了那段旧时光的灵魂和精华，
[07:09.57]	让它在我们的时代里找回了自己的声音。
[07:13.77]	.啊。
[07:13.80]	你有这样想过吗？如果没有，现在能想到吗？
[07:17.81]	当我创作歌曲时
[07:19.98]	我并没有特意去追求一种复古感，
[07:24.34]	我只知道我很喜欢老电影的质感，
[07:28.32]	但我不认为人们真的会
[07:29.99]	认为这是对复古感刻意的追求。
[07:34.48]	你什么时候开始接触的互联网？
[07:36.81]	因为你并不是在某个特定的时代长大，
[07:38.71]	互联网改变了一切，
[07:42.01]	改变了信息传播与发现的方式，
[07:45.68]	尤其是音乐界，
[07:46.66]	整个产业都被重新定义，
[07:48.16]	你什么时候开始接触互联网
[07:49.78]	并意识到可以用它来为你的艺术服务？
[07:52.26]	我对互联网的接触有着不同的阶段，
[07:56.85]	我记得当我14岁时
[07:58.61]	即时通讯软件刚刚出现，当时几乎我们所有人都在网上认识了男朋友，
[08:03.49]	感觉就像网络BP机一样是吧？
[08:06.08]	我记得刚开始
[08:07.51]	大家都对这个特别信以为真，
[08:09.16]	大家会跟高年级的男神网上聊天，
[08:12.34]	比如“你能从家里溜出来到街上见我吗”，
[08:14.92]	那时真的很疯狂，
[08:18.65]	但我并没有很迷恋于网络，
[08:20.73]	我确实对网络有很高期望，
[08:23.67]	我知道有很多善良的人
[08:27.42]	想用网络把世界变成一个大家庭
[08:33.44]	让信息和帮助都很快地传播，
[08:37.69]	我从没真正想过用网络来帮助我的音乐事业，
[08:42.33]	我以前经常把音乐视频放到YouTube上
[08:45.90]	当时我对这些很有热情，
[08:47.75]	也喜欢自己编辑音乐之类的，
[08:49.91]	但我一直认为如果我的音乐成功了
[08:53.04]	那是因为有人来看我的演出。
[08:56.48]	很传统的方式，“嗨这歌真不错，我要去告诉别人”
[08:59.67]	是的，这是我了解到的
[09:03.96]	别人的音乐被传唱的方式，
[09:09.05]	很有趣，因为现如今
[09:10.20]	并不是所有人都有这样发现好音乐的机会，
[09:13.04]	但是我刚刚想到一个好点子，
[09:17.54]	简直太经典了，
[09:19.99]	过去，你需要靠着那些歌手和作曲人来推广音乐，
[09:24.05]	像Bob Dylan啊John Byer啊，
[09:26.95]	他们就是那个时代的音乐推广人，
[09:30.72]	也许吧。
[09:31.57]	是的，每个时代的音乐都有不同的推广方式。
[09:35.27]	你和Bobby Womack在他的新专辑中有合作，
[09:38.84]	还有作曲人Damon Albarn和Richard Russell
[09:41.08]	是的
[09:41.95]	跟传奇人物在一起合作感觉如何？
[09:44.40]	很好，我想他们是后来决定让我参与进来的，
[09:49.35]	他们在Jewels发现了我，
[09:51.72]	所以…
[09:53.84]	给我一段旋律让我自由发挥，
[09:58.89]	他想让我唱一段和声，
[10:00.35]	所以我就唱了，这已经过去一段时间了，但这经历很棒。
[10:05.97]	我听了那首歌
[10:07.07]	真的？
[10:07.96]	是的，我想说真的很棒，
[10:11.20]	里面有一段你的唱到“Hiiiiiiiiiii”
[10:15.97]	声音沙哑了，我就想“这听起来像Bobby”
[10:19.84]	但不是Bobby而是你
[10:22.06]	我去
[10:22.86]	干得漂亮
[10:23.82]	这歌我还没听到，
[10:25.67]	我很开心他们最后采用了这首
[10:28.26]	哈利路亚，这歌太好听了，
[10:30.16]	我已经等不及让大家在这首歌里听到你的声音，
[10:33.29]	这歌会很棒。
[10:34.95]	来年很值得期盼，
[10:37.18]	就今年来说，你取得了那么多成功，
[10:42.04]	有那么多人去看Video Games，听你的歌和专辑，
[10:45.09]	你成功了，祝贺祝贺，
[10:49.68]	你是个英雄，
[10:50.78]	年你还有什么要回顾的？
[10:53.62]	还有什么你希望自己可以得到的？
[10:56.54]	和以前一样吧还是那些东西，
[11:00.36]	希望自己没有遗憾，优雅地生活，
[11:03.68]	还希望能做出一张好专辑，这个我已经做到了，很开心。
[11:08.77]	是啊，我希望你很享受这张专辑的创作过程，
[11:14.22]	还有人们对你的音乐的反响，
[11:15.75]	因为，就我而言，这些是最重要的，
[11:17.95]	最后感谢你的宝贵时间兰娜黛蕊。
[11:20.77]	感谢CCTV。
[11:21.85]	等时间合适的时候我们还会再见的，
[11:23.89]	你有计划今年夏天在英国演出吗，
[11:26.17]	或者说现在决定还为时过早？
[11:27.48]	也可能在音乐节吧，现在还都在计划中。
[11:31.18]	很高兴和你聊天。

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