歌曲 | Sapokanikan |
歌手 | Joanna Newsom |
专辑 | Divers |
[00:01.40] | The cause is Ozymandian |
[00:06.52] | The map of Sapokanikan |
[00:11.92] | Is sanded and bevelled |
[00:14.57] | The land lone and levelled |
[00:18.15] | By some unrecorded and powerful hand |
[00:23.19] | Which plays along the monument |
[00:28.33] | And drums upon a plastic bag |
[00:34.81] | The brave-men-and-women-so-dear-to-God- |
[00:39.58] | And-famous-to-all-of-the-ages rag |
[00:45.95] | Saying: Do you love me? |
[00:51.57] | Will you remember? |
[00:56.85] | The snow falls above me |
[01:02.55] | The renderer renders: |
[01:07.11] | The event is in the hand of God |
[01:12.79] | Beneath a patch of grass, her |
[01:17.68] | Bones the old Dutch master hid |
[01:22.90] | While elsewhere Tobias |
[01:25.71] | And the angel disguise |
[01:28.30] | What the scholars surmise was a mother and kid |
[01:35.40] | Interred with other daughters |
[01:40.30] | In dirt in other potters' fields |
[01:45.10] | Above them, parades |
[01:48.31] | Mark the passing of days |
[01:49.64] | Through parks where pale colonnades arch in marble and steel |
[01:56.54] | Where all of the twenty-thousand attending your footfall |
[02:02.43] | And the causes they died for are lost in the idling bird calls |
[02:07.54] | And the records they left are cryptic at best |
[02:11.14] | Lost in obsolescence |
[02:13.47] | The text will not yield, nor x-ray reveal |
[02:15.60] | With any fluorescence |
[02:18.42] | Where the hand of the master begins and ends |
[02:22.94] | I fell, I tried to do well but I won't be |
[02:29.12] | Will you tell the one that I love to remember and hold me |
[02:34.93] | I call and call for the doctor |
[02:40.20] | But the snow swallows me whole with ol' Florry Walker |
[02:45.59] | And the event lives only in print |
[02:50.77] | He said: |
[02:53.42] | "It's alright" |
[02:54.57] | And "It's all over now" |
[02:56.00] | And boarded the plane |
[02:58.44] | His belt unfastened |
[03:00.70] | The boy was known to show unusual daring |
[03:05.17] | And, called a "boy" |
[03:07.38] | This alderman, confounding Tammany Hall |
[03:11.61] | In whose employ King Tamanend himself preceeded John’s fall |
[03:17.53] | So we all raise a standard |
[03:20.38] | To which the wise and honest soul may repair |
[03:25.80] | To which a hunter |
[03:27.38] | A hundred years from now,?may look and despair |
[03:32.31] | And see with wonder |
[03:33.96] | The tributes we have left to rust in the parks |
[03:37.69] | Swearing that our hair stood on end |
[03:40.87] | To see John Purroy Mitchel depart |
[03:44.81] | For the Western Front |
[03:52.55] | Where work might count |
[03:53.49] | All exeunt! All go out! |
[03:59.30] | Await the hunter, to decipher the stone |
[04:05.79] | (and what lies under, now) |
[04:08.82] | The city is gone |
[04:24.35] | Look and despair |
[04:30.39] | Look and despair |
[00:01.40] | The cause is Ozymandian |
[00:06.52] | The map of Sapokanikan |
[00:11.92] | Is sanded and bevelled |
[00:14.57] | The land lone and levelled |
[00:18.15] | By some unrecorded and powerful hand |
[00:23.19] | Which plays along the monument |
[00:28.33] | And drums upon a plastic bag |
[00:34.81] | The bravemenandwomensodeartoGod |
[00:39.58] | Andfamoustoalloftheages rag |
[00:45.95] | Saying: Do you love me? |
[00:51.57] | Will you remember? |
[00:56.85] | The snow falls above me |
[01:02.55] | The renderer renders: |
[01:07.11] | The event is in the hand of God |
[01:12.79] | Beneath a patch of grass, her |
[01:17.68] | Bones the old Dutch master hid |
[01:22.90] | While elsewhere Tobias |
[01:25.71] | And the angel disguise |
[01:28.30] | What the scholars surmise was a mother and kid |
[01:35.40] | Interred with other daughters |
[01:40.30] | In dirt in other potters' fields |
[01:45.10] | Above them, parades |
[01:48.31] | Mark the passing of days |
[01:49.64] | Through parks where pale colonnades arch in marble and steel |
[01:56.54] | Where all of the twentythousand attending your footfall |
[02:02.43] | And the causes they died for are lost in the idling bird calls |
[02:07.54] | And the records they left are cryptic at best |
[02:11.14] | Lost in obsolescence |
[02:13.47] | The text will not yield, nor xray reveal |
[02:15.60] | With any fluorescence |
[02:18.42] | Where the hand of the master begins and ends |
[02:22.94] | I fell, I tried to do well but I won' t be |
[02:29.12] | Will you tell the one that I love to remember and hold me |
[02:34.93] | I call and call for the doctor |
[02:40.20] | But the snow swallows me whole with ol' Florry Walker |
[02:45.59] | And the event lives only in print |
[02:50.77] | He said: |
[02:53.42] | " It' s alright" |
[02:54.57] | And " It' s all over now" |
[02:56.00] | And boarded the plane |
[02:58.44] | His belt unfastened |
[03:00.70] | The boy was known to show unusual daring |
[03:05.17] | And, called a " boy" |
[03:07.38] | This alderman, confounding Tammany Hall |
[03:11.61] | In whose employ King Tamanend himself preceeded John' s fall |
[03:17.53] | So we all raise a standard |
[03:20.38] | To which the wise and honest soul may repair |
[03:25.80] | To which a hunter |
[03:27.38] | A hundred years from now,? may look and despair |
[03:32.31] | And see with wonder |
[03:33.96] | The tributes we have left to rust in the parks |
[03:37.69] | Swearing that our hair stood on end |
[03:40.87] | To see John Purroy Mitchel depart |
[03:44.81] | For the Western Front |
[03:52.55] | Where work might count |
[03:53.49] | All exeunt! All go out! |
[03:59.30] | Await the hunter, to decipher the stone |
[04:05.79] | and what lies under, now |
[04:08.82] | The city is gone |
[04:24.35] | Look and despair |
[04:30.39] | Look and despair |
[00:01.40] | yī qiè jiē shǐ yú ào zī màn dí yà sī shì de bēi jù |
[00:06.52] | kàn nà sà bō kǎ ní kěn de bǎn tú |
[00:11.92] | bèi mǒu zhǐ wèi zhī ér qiáng dà de shǒu |
[00:14.57] | yǎn mái qīn shí |
[00:18.15] | jì luò mò yòu chén fú |
[00:23.19] | shì tā lì qǐ le fēng bēi |
[00:28.33] | yě shì tā jī gǔ wán lè |
[00:34.81] | ràng zhōng yú xìn yǎng wén míng yú shì de yǒng zhě men |
[00:39.58] | dōu huà zuò chén tǔ xiāo sàn |
[00:45.95] | suǒ yǐ wǒ gē chàng: nǐ ài wǒ ma? |
[00:51.57] | nǐ huì yǒng yuǎn jiāng wǒ míng kè zài xīn ma? |
[00:56.85] | xuě huā piāo luò zài wǒ shēn shàng |
[01:02.55] | huà wài yīn xiǎng qǐ: |
[01:07.11] | wàn wù de mìng yùn dōu fú cóng shén de cái jué |
[01:12.79] | zài yí kuài lǜ cǎo dì zhī xià |
[01:17.68] | hé lán dà shī cáng zhe nóng fù de huà xiàng |
[01:22.90] | lìng yī chù |
[01:25.71] | tuō bǐ yà sī hé tiān shǐ de wěi zhuāng zhī xià |
[01:28.30] | xué zhě men cāi cè shí wèi yī duì mǔ zǐ |
[01:35.40] | ér yǔ tā rén de zǐ nǚ |
[01:40.30] | yī tóng bèi zàng zài luàn fén de rén men |
[01:45.10] | rú jīn tà guò tā men de duì liè |
[01:48.31] | zhāo shì le shí guāng de fēi shì |
[01:49.64] | rén men chuān guò lì zhe cāng bái dà lǐ shí yǔ gāng tiě jiàn chéng de gǒng láng de gōng yuán |
[01:56.54] | guò qù yǔn luò de liǎng wàn tiáo shēng mìng tǎng zài nǐ jiǎo dǐ |
[02:02.43] | ér sǐ yīn què zài kōng wǎn zhuǎn de niǎo tí zhōng bèi yí wàng |
[02:07.54] | tā men liú xià de jì zǎi shàng dài jiě dú |
[02:11.14] | què nán táo wú rén zhī xiǎo de jié jú |
[02:13.47] | zhēn xiàng bú huì qū cóng, jí shǐ X shè xiàn |
[02:15.60] | yě tòu shì bù liǎo tā fēn háo |
[02:18.42] | ér guàn chuān shǐ mò de, réng jiù shì zào wù zhǔ de shǒu |
[02:22.94] | wǒ shī bài le, wǒ xiǎng chéng gōng què zì zhī bù néng |
[02:29.12] | nǐ néng gào sù wǒ ài de rén, ràng tā jì zhù wǒ bào jǐn wǒ ma |
[02:34.93] | wǒ yī cì cì bài fǎng yī shēng |
[02:40.20] | dàn dà xuě què dài zhe ài rén de míng zì jiāng wǒ tūn mò |
[02:45.59] | ér lì shǐ zhōng zhǐ néng huó zài jì zǎi zhī zhōng |
[02:50.77] | tā shuō: |
[02:53.42] | " hǎo ba" |
[02:54.57] | " dōu jié shù le" |
[02:56.00] | rán hòu dēng shàng le fēi jī |
[02:58.44] | què méi yǒu xì jǐn ān quán dài |
[03:00.70] | zhòng rén shú zhī zhè gè nán hái fēi fán de yǒng qì |
[03:05.17] | jǐn guǎn bèi chēng zuò" nán hái" |
[03:07.38] | zhè wèi shì zhǎng cuò bài le tǎ mù ní xié huì |
[03:11.61] | ér tǎ mù ní wáng de shí dài yòu xiān yú zhuì jī de yuē hàn shì zhǎng tài jiǔ |
[03:17.53] | zhèng yīn rú cǐ wǒ men shù qǐ le yī fèn biāo gān |
[03:20.38] | ràng zhì huì yǔ chéng shí de líng hún néng miàn cǐ wán shàn zì shēn |
[03:25.80] | ràng yī míng bǎi nián hòu de liè rén |
[03:27.38] | néng zhù shì ér jué wàng |
[03:32.31] | bìng tàn fú zhe |
[03:33.96] | wǒ men yí liú zài gōng yuán zhōng shēng xiù de zhì jìng |
[03:37.69] | xiàng tiān fā shì wǒ men dōu shì xīn xián jǐn bēng zhe |
[03:40.87] | jiē shòu le yuē hàn shì zhǎng de lí shì |
[03:44.81] | gěi xī bù qián xiàn |
[03:52.55] | réng zài zhàn dòu de měi ge rén |
[03:53.49] | tuì chǎng ba! xiè mù ba! |
[03:59.30] | děng dài liè rén lái jiě dú shí bēi shàng |
[04:05.79] | yǔ bèi yǎn mái zài xià de lì shǐ |
[04:08.82] | ér chéng shì, yǐ rán shì qù |
[04:24.35] | zhù shì bìng jué wàng ba |
[04:30.39] | zhù shì bìng jué wàng ba |