| 歌曲 | Hiphop Knowledge |
| 歌手 | KRS-One |
| 专辑 | The Sneak Attack |
| [00:00.00] | 作词 : KRS One |
| [00:01.000] | You know.. life is funny.. |
| [00:04.410] | If you don't repeat the actions of your own success you won't be successful |
| [00:09.300] | You gotta know your own formula, your own ingredients.What made you, YOU.. |
| [00:15.720] | 1987 I was at the Latin Quarters |
| [00:17.710] | Listenin to Afrika Bambaata give the order |
| [00:19.720] | The call of the order was to avoid the slaughter |
| [00:21.570] | He said, "Record companies ain't got nuttin for ya!" |
| [00:23.660] | Without a lawyer, he taught The Infinity Lessons |
| [00:25.870] | In how hip-hop could be a, many a blessing |
| [00:27.510] | And that was great, so in 1988，there was no debate, we had to end the hate Afrika |
| [00:31.800] | The name of the game was "Stop the Violence" and unity, knowledge, and self-reliance |
| [00:35.500] | We - started talkin bout Martin and Malcolm |
| [00:37.700] | Had these ghetto kids goin, "Huh, what about him?" |
| [00:39.580] | 1989, Professor Griff speaks his mind but his freedom of speech is declined |
| [00:43.600] | 1990 came with the West coast.East coast, West coast, who is the best coast? 1990 |
| [00:47.270] | Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus |
| [00:51.240] | We got hopeless; not with the lyrics and music but with hip-hop, and how we used it |
| [00:55.000] | Or abused it, you know how the crew get."You like it cause you choose it" |
| [00:59.220] | 1991, we opened our eyes with Human Education Against Lies,we tried to talk about the state of humanity 1991 |
| [01:07.000] | They called me "Captain Human", another message was sent"Self Destruction don't pay the {fuckin} rent" |
| [01:11.680] | Remember that? Nobody wanted conscious rap |
| [01:13.800] | It was like - where these ballers at?Where can they call us at? All was wack |
| [01:17.000] | Hip-Hop culture was fallin flat and that was that |
| [01:19.170] | So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?" |
| [01:22.750] | I said, "Damn - why they wanna get with me?If I bust they {shit} I'm contradictory. |
| [01:27.000] | If I play the bitch role, they take my shoe.Tell me what the {fuck} am I supposed to do?" |
| [01:31.000] | So I did it, don't stop get it get it get it.All of a sudden these critics they wanna spit it |
| [01:35.250] | "Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me |
| [01:39.000] | {Fuck} that, {fuck} you and {fuck} your pen.If a rapper wanna diss, yo I'd do it again |
| [01:42.650] | But I'm makin these ends, and I got my friends |
| [01:44.680] | And I really don't wanna have to sit in the pen.So I go back to the philosopher |
| [01:49.000] | 1993 hip-hop is uhh.. wack.Go back, check the facts |
| [01:52.490] | 1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1 |
| [01:58.430] | Blowin up, 1995.Conscious rap is still alive |
| [02:02.550] | But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it |
| [02:06.660] | 1996 it really don't stop.We put together somethin called the Temple of Hip-Hop |
| [02:10.790] | Not just DJin, breakin, graf and lyrics.But how hip-hop affects the spirit |
| [02:14.790] | "Step Into a World," that's what I did “ |
| [02:17.000] | 1997 I was raisin my kid or kids, but I, had to go 1997 |
| [02:20.510] | Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me |
| [02:24.450] | I'll be damned if I dance for the MTV |
| [02:26.460] | So in 1998 I began to debate.Should I go now, or should I really wait? |
| [02:30.380] | '99, I moved to L.A. you see and took a gig with the WB |
| [02:34.560] | Started studyin philosophy full-time.To have a full heart, full body, full mind |
| [02:38.420] | But you know what the problem is or was? |
| [02:41.000] | DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ |
| [02:44.290] | How they gonna really see a hip-hop school?How they gonna really see a hip-hop temple? |
| [02:48.440] | They don't even wanna play my instrumentals, but big up Dr. Dre, Snoop, Xzibit |
| [02:52.570] | Especially Xzibit, he was there in a minute |
| [02:54.380] | Mic Conception, all of them, said"Yo you need help? I should call them" |
| [02:59.000] | When I was in L.A., I held the crown.Bloods, Crips, they held me down |
| [03:02.070] | I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride |
| [03:05.500] | Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor |
| [03:12.300] | The list goes on and on, let me tell ya FredWreck, and my man Protest.Much respect, no less |
| [03:17.690] | To my spiritual and mental defenders.Big up to L.A., temple members |
| [03:21.370] | But in 2000, I seen how I wanted to live.I wasn't no executive |
| [03:25.960] | So I picked up the mic and I quit my job.Said to Simone I gotta get with God |
| [03:29.800] | She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya." |
| [03:33.870] | Damn, she took me back to Bam!.Took me back to who I am! |
| [03:37.600] | Brought me back to the New York land!Now I overstand!.. |
| [03:46.000] | {interviewer}Now KRS-One, now you've been quoted as saying that rap is something we do, hip-hop is something you live. |
| [03:52.740] | {KRS} Yes! KRS-ONE: |
| [03:54.030] | {interviewer}Explain that to us please. |
| [03:55.430] | {KRS-One}Well, well, today hip-hop, we are advocating that hip-hop is not,just a music, it is an attitude, it is an awareness, it is a way to view the world. |
| [04:05.760] | So rap music, is something we do, but HIP-HOP,is something we live. |
| [04:12.000] | And we look at hip-hop, in it's 9 elements; |
| [04:15.000] | which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business. |
| [04:25.780] | And uhh, that's where y'know that's the hip-hop that that that we're about. |
| [04:29.900] | We come from the uhh the root of, of Kool DJ Herc, who originated hip-hop in the early |
| [04:37.500] | and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons |
| [04:43.190] | and added conciousness to hip-hop, and then Grandmaster Flashwith the invention of the mixer, on to Run-D.M.C. and then myself. |
| [04:51.420] | And uhh, we created the "Stop the Violence" movement, you may recall a song, "Self Destruction" and and and so on. |
| [04:58.700] | All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility for how it looks and and acts in society. |
| [00:00.00] | zuò cí : KRS One |
| [00:01.000] | You know.. life is funny.. |
| [00:04.410] | If you don' t repeat the actions of your own success you won' t be successful |
| [00:09.300] | You gotta know your own formula, your own ingredients. What made you, YOU.. |
| [00:15.720] | 1987 I was at the Latin Quarters |
| [00:17.710] | Listenin to Afrika Bambaata give the order |
| [00:19.720] | The call of the order was to avoid the slaughter |
| [00:21.570] | He said, " Record companies ain' t got nuttin for ya!" |
| [00:23.660] | Without a lawyer, he taught The Infinity Lessons |
| [00:25.870] | In how hiphop could be a, many a blessing |
| [00:27.510] | And that was great, so in 1988, there was no debate, we had to end the hate Afrika |
| [00:31.800] | The name of the game was " Stop the Violence" and unity, knowledge, and selfreliance |
| [00:35.500] | We started talkin bout Martin and Malcolm |
| [00:37.700] | Had these ghetto kids goin, " Huh, what about him?" |
| [00:39.580] | 1989, Professor Griff speaks his mind but his freedom of speech is declined |
| [00:43.600] | 1990 came with the West coast. East coast, West coast, who is the best coast? 1990 |
| [00:47.270] | Lookin back now, of COURSE it was bogus. The whole argument was where we lost focus |
| [00:51.240] | We got hopeless not with the lyrics and music but with hiphop, and how we used it |
| [00:55.000] | Or abused it, you know how the crew get." You like it cause you choose it" |
| [00:59.220] | 1991, we opened our eyes with Human Education Against Lies, we tried to talk about the state of humanity 1991 |
| [01:07.000] | They called me " Captain Human", another message was sent" Self Destruction don' t pay the fuckin rent" |
| [01:11.680] | Remember that? Nobody wanted conscious rap |
| [01:13.800] | It was like where these ballers at? Where can they call us at? All was wack |
| [01:17.000] | HipHop culture was fallin flat and that was that |
| [01:19.170] | So in 1992, I found my crew. They said, " Yo Kris, what you wanna do?" |
| [01:22.750] | I said, " Damn why they wanna get with me? If I bust they shit I' m contradictory. |
| [01:27.000] | If I play the bitch role, they take my shoe. Tell me what the fuck am I supposed to do?" |
| [01:31.000] | So I did it, don' t stop get it get it get it. All of a sudden these critics they wanna spit it |
| [01:35.250] | " Kay Are Ess One is contradictory" Just cause I wouldn' t let these rappers get with me |
| [01:39.000] | Fuck that, fuck you and fuck your pen. If a rapper wanna diss, yo I' d do it again |
| [01:42.650] | But I' m makin these ends, and I got my friends |
| [01:44.680] | And I really don' t wanna have to sit in the pen. So I go back to the philosopher |
| [01:49.000] | 1993 hiphop is uhh.. wack. Go back, check the facts |
| [01:52.490] | 1994, " Return of the Boom Bap" It wasn' t all about the loot. It was all about Harry Allen Rhythm Cultural Institute 1 |
| [01:58.430] | Blowin up, 1995. Conscious rap is still alive |
| [02:02.550] | But nobody wanna play it, nobody wanna say it. Nobody okayed it, they' d all rather hate it |
| [02:06.660] | 1996 it really don' t stop. We put together somethin called the Temple of HipHop |
| [02:10.790] | Not just DJin, breakin, graf and lyrics. But how hiphop affects the spirit |
| [02:14.790] | " Step Into a World," that' s what I did " |
| [02:17.000] | 1997 I was raisin my kid or kids, but I, had to go 1997 |
| [02:20.510] | Cause New York DJ' s changed the flows to clothes and hoes, but that wasn' t me |
| [02:24.450] | I' ll be damned if I dance for the MTV |
| [02:26.460] | So in 1998 I began to debate. Should I go now, or should I really wait? |
| [02:30.380] | ' 99, I moved to L. A. you see and took a gig with the WB |
| [02:34.560] | Started studyin philosophy fulltime. To have a full heart, full body, full mind |
| [02:38.420] | But you know what the problem is or was? |
| [02:41.000] | DJ' s don' t raise our kids, cuz they so caught up in the cash and jewels DJ |
| [02:44.290] | How they gonna really see a hiphop school? How they gonna really see a hiphop temple? |
| [02:48.440] | They don' t even wanna play my instrumentals, but big up Dr. Dre, Snoop, Xzibit |
| [02:52.570] | Especially Xzibit, he was there in a minute |
| [02:54.380] | Mic Conception, all of them, said" Yo you need help? I should call them" |
| [02:59.000] | When I was in L. A., I held the crown. Bloods, Crips, they held me down |
| [03:02.070] | I could never forget Mad Lion, killer pride with the gat in the lap in the lowride |
| [03:05.500] | Oh I can' t forget, Icy Ice, Lucky Lou. Julio G, that was the crew Davey D, Ingrid, David Connor |
| [03:12.300] | The list goes on and on, let me tell ya FredWreck, and my man Protest. Much respect, no less |
| [03:17.690] | To my spiritual and mental defenders. Big up to L. A., temple members |
| [03:21.370] | But in 2000, I seen how I wanted to live. I wasn' t no executive |
| [03:25.960] | So I picked up the mic and I quit my job. Said to Simone I gotta get with God |
| [03:29.800] | She said, " Don' t worry bout these dollars and quarters. Record companies ain' t got nuttin for ya." |
| [03:33.870] | Damn, she took me back to Bam!. Took me back to who I am! |
| [03:37.600] | Brought me back to the New York land! Now I overstand!.. |
| [03:46.000] | interviewer Now KRSOne, now you' ve been quoted as saying that rap is something we do, hiphop is something you live. |
| [03:52.740] | KRS Yes! KRSONE: |
| [03:54.030] | interviewer Explain that to us please. |
| [03:55.430] | KRSOne Well, well, today hiphop, we are advocating that hiphop is not, just a music, it is an attitude, it is an awareness, it is a way to view the world. |
| [04:05.760] | So rap music, is something we do, but HIPHOP, is something we live. |
| [04:12.000] | And we look at hiphop, in it' s 9 elements |
| [04:15.000] | which is breaking, emceeing, graffiti art, deejaying, beatboxing, street fashion, street language, street knowledge, and street entrepenurialism trade and business. |
| [04:25.780] | And uhh, that' s where y' know that' s the hiphop that that that we' re about. |
| [04:29.900] | We come from the uhh the root of, of Kool DJ Herc, who originated hiphop in the early |
| [04:37.500] | and then Afrika Bambaata and Zulu Nation mmhmm who instigated something called The Infinity Lessons |
| [04:43.190] | and added conciousness to hiphop, and then Grandmaster Flashwith the invention of the mixer, on to RunD. M. C. and then myself. |
| [04:51.420] | And uhh, we created the " Stop the Violence" movement, you may recall a song, " Self Destruction" and and and so on. |
| [04:58.700] | All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility for how it looks and and acts in society. |
| [00:01.000] | nǐ zhī dào shēng huó rú cǐ duō zī |
| [00:04.410] | rú guǒ nǐ bù kěn wèi nǐ xiǎng yào de mù biāo fù chū nǔ lì, nà nǐ jiù bú huì chéng gōng |
| [00:09.300] | nǐ xū zhī shì hé zì jǐ de fāng fǎ, nǐ zì jǐ de xìng gé yōu liè, shì shén me chéng jiù le nǐ |
| [00:15.720] | 1987 nián wǒ zài" lā dīng qū" yǎn chū niǔ yuē yí gè zhù míng de hiphop yǎn chū yè diàn |
| [00:17.710] | tīng zhe Afrika Bambaata suǒ gòu xiǎng de zhì dù |
| [00:19.720] | zhè gè zhì xù de tí chū shì wèi le bì miǎn rén yú rén zhī jiān de zhēng duān qián miàn yè diàn lǎo zǒng hé KRSONE de péng yǒu yīn bào lì zhēng duān zāo qiāng shā |
| [00:21.570] | tā shuō:" chàng piān gōng sī zài zhè zhǒng zhì dù xià bú huì duì zhè yī xì liè de bào lì zhēng duān háo wú bàn fǎ de." |
| [00:23.660] | tā zài méi yǒu fǎ lǜ jiě jué de qíng kuàng xià jiào le nèi xiē zuì ràng wǒ nán wàng de kè |
| [00:25.870] | guān yú xī hā, rú hé zào fú wǒ men de shēng huó |
| [00:27.510] | de xiǎng fǎ chù dòng le dà jiā, suǒ yǐ zài 1988 nián zhè gè quān zi biàn de méi yǒu zhēng zhí, wǒ men bì xū xiāo miè zēng wù |
| [00:31.800] | wǒ men jǔ xíng de huó dòng jiào " tíng zhǐ bào lì" tóng shí shì tuán jié, zhī shí yě shì xìn rèn de xiàng zhēng hiphop dàn shēng zuì chū de zhǔ zhǐ |
| [00:35.500] | wǒ men kāi shǐ tán lùn Martin hé Malcolm zhǔ dǎo měi guó hēi rén mín quán yùn dòng de liǎng wèi yīng xióng |
| [00:37.700] | nèi xiē pín mín kū de hái zi jìn lái qīng tīng zhe:" , tā men zěn me yàng le?" |
| [00:39.580] | 1989 nián, professor Griff zài tā de wǔ tái chǎng kāi xīn fēi gōng dí chéng yuán dàn tā zài wǔ tái shàng chàng suǒ yù yán de quán lì bèi zhú jiàn xuē jiǎn |
| [00:43.600] | nián bèng chū le gè xī hǎi àn. dōng hǎi àn, xī hǎi àn, něi gè cái shì zuì liū de hǎi àn? |
| [00:47.270] | huí shǒu wǎng xī, zhè chǎng zhēng zhí de běn zhì shì méi yíng yǎng de. zhè chǎng hǎi àn dà zhàn ràng wǒ men shī qù le dà zhòng de guān zhù. |
| [00:51.240] | wǒ men jué de tè bié wú zhù bú shì yīn wèi gē cí hé yīn yuè ér shì yīn wèi hiphop hé dà zhòng duì dài tā de tài dù |
| [00:55.000] | yào me jiù zài gē lǐ luàn mà, nǐ zhī dào nèi xiē jiā huo shì zěn me kàn dài tā de." nǐ xǐ huān hiphop shì yīn wèi nǐ xuǎn zé le tā!" |
| [00:59.220] | nián wǒ men zài zuò H. E. A. L shí kāi kuò le zì jǐ de lǐng yù, wǒ men cháng shì sù shuō dāng jīn rén lèi de xiàn zhuàng. |
| [01:07.000] | tā men guǎn wǒ jiào" lǐng tóu rén", yòu yǒu rén shuō:" mài Self destruction de qián dōu bù gòu fù fáng zū" self destruction shì krs jù jí zhòng duō dà kā zuò de yī shǒu gōng yì gē qǔ |
| [01:11.680] | xiǎng qǐ le ma? méi rén xiǎng wèi qīng xǐng de shuō chàng yīn yuè mǎi zhàng |
| [01:13.800] | zhè jiù xiàng shì dāi guā men zhǐ huì wèn" nèi xiē qiú yuán men zài nǎ? wǒ men zài nǎ néng jiàn dào tā men?" huò zhǐ méi rén yuàn yì lǐ jiě yì shí shuō chàng de nèi hán dōu shì guài rén |
| [01:17.000] | xī hā wén huà biàn de yuè lái yuè dān diào de shì shí yuè lái yuè tū xiǎn |
| [01:19.170] | suǒ yǐ zài 1992 nián, wǒ zhǎo dào le zì jǐ de tuán duì bdp. tā men shuō," KRS, zhè cì nǐ xiǎng gàn shà?" 93 nián yǐ gè rén míng yì zuò gē |
| [01:22.750] | wǒ shuō:" hēi! wèi shí me tā men bdp xiǎng gēn wǒ hùn? yào shì wǒ dǎ pò le hé tā men de guān xì wǒ huì máo dùn bù yǐ |
| [01:27.000] | rú guǒ wǒ chéng le pò huài guān xì de nà gè jué sè, tā men biàn huì chāi wǒ de tái. gào sù wǒ jiū jìng gāi zěn me zuò?" |
| [01:31.000] | yú shì wǒ bù ràng tā men gēn wǒ yì qǐ zuò. tū rán dì zhèi xiē zuǐ pào wáng men jiù xiǎng pēn wǒ le |
| [01:35.250] | " krsone nà sǒng bāo hái zài yóu yù bù jué." jiù yīn wèi wǒ bù ràng zhèi xiē rappers gēn wǒ hùn |
| [01:39.000] | fèi zhā wán yì dài shàng nǐ de bǐ yì qǐ gǔn ba, rú guǒ yǒu rapper xiǎng diss jǐn guǎn lái, wǒ huì ràng nǐ zhé fú |
| [01:42.650] | dàn wǒ hé wǒ de péng yǒu men jiù zhè me suàn le |
| [01:44.680] | wǒ shí zài bù xiǎng hé nèi xiē jiā huo zài bǐ gǎn zi shàng zuò sǐ. suǒ yǐ, wǒ yòu jì xù zuò wǒ de" hiphop lǎo shī" |
| [01:49.000] | 93 nián hiphop jiù xiàng gè guài rén, huí shǒu qián rén zhī jī. |
| [01:52.490] | 994 nián" Return of the Boom Bap" fā bù le. zhè zhāng zhuān de wán chéng yào guī gōng yú Harry Allen de" shuō chàng wén huà yán jiū suǒ" |
| [01:58.430] | 95 nián Blowing up zhè zhāng zhuān ràng wǒ kàn dào yǒu sī xiǎng de shuō chàng yī jiù cún zài |
| [02:02.550] | dàn méi rén xiǎng yào qīng xǐng dì qù chàng qù shuō, méi rén kěn dìng tā, tā men hái huó zài zhè gāi sǐ de hùn dùn xiàn shí zhōng |
| [02:06.660] | 96 wǒ yī jiù méi yǒu tíng zhǐ wǒ suǒ zuò de shì, wǒ hé wǒ de xiōng dì gǎo qǐ le the Temple of HipHop |
| [02:10.790] | tā de nèi róng bù jǐn jǐn bāo hán le DJ pī lì wǔ tú yā hé shuō chàng, ér qiě hái gào sù nǐ hiphop rú hé yǐng xiǎng dào wǒ men de sī xiǎng |
| [02:14.790] | zǒu jìn tóng yí gè shì jiè" zhè jiù shì wǒ zài zuò de |
| [02:17.000] | nián wǒ xì xīn dì zāi péi wǒ de hái zi zuò pǐn, dàn wǒ bù dé bù lí kāi |
| [02:20.510] | yīn wèi niǔ yuē de nèi xiē de DJ men gǎi le tā men de flows, chuān zhe de fēng gé huàn le, shēn biān de nǚ rén yě dōu huàn le gè biàn. dàn wǒ bú huì yīn cǐ ér gǎi biàn. |
| [02:24.450] | wǒ yào shì qù MTV tiào wǔ de huà huì bèi mà de gǒu xiě lín tóu |
| [02:26.460] | yú shì zài 98 nián wǒ kāi shǐ zǐ xì kǎo lǜ wèi lái, wǒ shì yīng gāi xiàn zài tuì chū shuō chàng quān hái shì jì xù děng dài? |
| [02:30.380] | rú nǐ suǒ zhī 99 nián wǒ bān dào le L. A hái zhǎo le gè zài WB de gōng zuò |
| [02:34.560] | kāi shǐ měi rì měi yè dì xué xí zhé xué zhī shí lái chōng shí wǒ de shēn xīn |
| [02:38.420] | dàn nǐ zhī dào chū xiàn le shén me wèn tí ma? |
| [02:41.000] | men bù huā xīn sī gǎi shàn wǒ de zuò pǐn, yīn wèi tā men de yǎn zhōng zhǐ yǒu qián |
| [02:44.290] | tā men de yǎn zhōng hái yǒu hiphop school hé hiphop temple ma? |
| [02:48.440] | nèi xiē zǎi zǐ men shèn zhì bù xiǎng zhěng wǒ de bàn zòu, dàn nèi xiē rǎn rǎn xīn xīng men, Dr. Dre, Snoop, Xzibit |
| [02:52.570] | yóu qí shì Xzibit, tā zài gōng sī lǐ dāi le duàn shí jiān |
| [02:54.380] | nèi xiē shuō chàng jiè de lǐng tóu rén men duì wǒ shuō:" lǎo gē, rú xū bāng zhù, jiě náng xiāng zhù" |
| [02:59.000] | dāng wǒ zài luò shān jī de shí hòu, lǎo zi céng rú rì zhōng tiān. bù guò xuè bāng qué bāng zhǐ yī xiē dāng tóu hóng de rapper de shì tóu bǎ wǒ yā le xià lái |
| [03:02.070] | wǒ yǒng yuǎn wàng bù liǎo hé MAD LION hé killer pride zài tiào tiào gōng lù chē lǐ xiāo sǎ de rì zi |
| [03:05.500] | yě wàng bù liǎo wǒ de xiōng dì men Icy Ice, Lucky Lou, Julio G, Davey D, Ingrid, David Connor. Davey D, Ingrid, David Connor |
| [03:12.300] | wǒ de tuán duì duō le FredWreck hé Protest qiě rén shù hái yǒu suǒ zēng zhǎng. jí biàn rú cǐ, tuán duì lǐ hé mù yī tuán. |
| [03:17.690] | duì fā jiā yú L. A de temple chéng yuán, wǒ jīng shén shàng hé xīn líng shàng de hàn wèi zhě biǎo shì gǎn xiè |
| [03:21.370] | dàn zài 2000 nián, wǒ kě wàng qù yǎn chū. dàn zài gōng sī wǒ yòu bú shì shén me zǒng jīng lǐ |
| [03:25.960] | suǒ yǐ wǒ cí qù gōng zuò chóng xīn ná qǐ le mài. hé Simone shuō yǐ hòu de shēng huó jiù tīng tiān yóu mìng le |
| [03:29.800] | tā shuō:" bié tài zài yì zhèi xiē jīn qián, zuò gē de zhǔ zhǐ bù zài yú zhèi xiē." gào jiè wù bèi jīn qián mí rén yǎn |
| [03:33.870] | hēi! tā ràng wǒ wéi bèi le zì jǐ de yì yuàn! dài wǒ zhǎo huí le zì jǐ! |
| [03:37.600] | dài wǒ huí dào le niǔ yuē! rú jīn, wǒ yǒu le xīn de dìng xiàng! |
| [03:46.000] | cǎi fǎng zhě: KRSONE, xiàn zài wǒ yǐn shù nǐ de yī jù huà shuō, shuō chàng shì wǒ men de chǎn wù ér xī hā què shì wǒ men shēng huó de fāng shì |
| [03:52.740] | shì de |
| [03:54.030] | cǎi fǎng zhě: qǐng xiàng dà jiā jiě shì yī xià wèi hé zhè me shuō |
| [03:55.430] | xī hā zǒu dào jīn tiān, wǒ men yī zhí zài gào sù dà zhòng, xī hā bù zhǐ shì yīn yuè xíng shì, tā shì yī zhǒng tài dù, shì yī zhǒng yì shí, shì wǒ men qù kàn shì jiè de fāng shì |
| [04:05.760] | suǒ yǐ shuō chàng yīn yuè shì wǒ men de chǎn wù, ér xī hā, zé shì wǒ men líng gǎn de yuán quán |
| [04:12.000] | jīn tiān wǒ men kàn xī hā bèi fēn chéng le jiǔ gè bù fèn |
| [04:15.000] | tā bāo hán zhe pī lì wǔ, shuō chàng, tú yā yì shù, bbox, jiē tóu cháo liú, jiē tóu yǔ yán, jiē tóu zhī shí yǐ jí jiē tóu de chuàng yè jīng shén jiē tóu jiāo yì hé jiē tóu shēng yì |
| [04:25.780] | rán hòu nǐ zhī dào xī hā lái zì |
| [04:29.900] | 70' s xī hā yuán yú DJ Kool Herc zài 70 nián dài zǎo qī chuàng zào xī hā de shǐ zǔ |
| [04:37.500] | hòu lái Afrika Bambaata hé Zulu Nation kāi bàn le The Infinity Lessons, ér qiě zài xī hā lǐ jiā rù le zì jǐ de lǐ niàn |
| [04:43.190] | zài hòu lái Grandmaster Flash fā míng liǎo hùn yīn jì shù, zài RunD. M. C. hé wǒ de yīn yuè dōu yǒu yòng dào |
| [04:51.420] | wǒ men jǔ bàn le yí gè jiào" tíng zhǐ bào lì" de huó dòng, shuō qǐ zhè gè nǐ huì xiǎng qǐ yī shǒu gē jiào Self Destruction |
| [04:58.700] | wǒ men suǒ zuò de zhè yī qiè shì xiǎng tōng guò zhè gè wén huà huó chū zì jǐ de wèi r, yě jǐn qǐ wǒ men duì shè huì de zé rèn. |