| 歌曲 | Interview September 19th 2014 |
| 歌手 | Sopor Æternus & the Ensemble of Shadows |
| 专辑 | Interview September 19TH 2014 |
| [00:00.000] | It's two o'clock in the morning. |
| [00:02.273] | On the Friday the 19th september. |
| [00:06.673] | Ah,2014. |
| [00:08.839] | This is interview for the obskure magazine 23#. |
| [00:14.651] | and the question by Mr.Tassy. |
| [00:22.139] | Question number one: |
| [00:26.550] | You explain on your official site that MITTERNACHT and POETICA work very well together and are "related". |
| [00:34.602] | It reminds me of what you had said to me when POETICA was released, |
| [00:39.002] | the fact that the album was your Poe, |
| [00:41.664] | your connection to Poe. |
| [00:44.604] | Is MITTERNACHT related to POETICA because it is particularly autobiographical? |
| [00:51.466] | AVC:Yes, I think that Poetica and Mitternacht do belong together. |
| [01:04.290] | Well, at least to a certain degree... |
| [01:06.783] | and, yes, Mitternacht is autobiographical ... |
| [01:13.521] | but then again, |
| [01:14.663] | so are all my albums. |
| [01:15.971] | I have always written only about myself, |
| [01:20.838] | I have never done anything else. |
| [01:23.632] | I mean, keep in mind that SOPOR is nothing but self-therapy. |
| [01:27.755] | It has always been. Besides, |
| [01:33.071] | what's the one thing that all aspiring writers are being told? |
| [01:36.618] | To bloody stick to the things that you know ... |
| [01:39.952] | and, well, in my case ... |
| [01:43.481] | the only thing that I truly know and understand ... |
| [01:47.175] | well, sort of, anyway ... is myself. So, yes, |
| [01:52.116] | all my work is entirely autobiographical. |
| [01:55.189] | Including Mitternacht. |
| [02:00.061] | I think another reason why both albums kind of belong together ... |
| [02:05.571] | or, well, maybe not belong together, |
| [02:07.436] | but certainly work well together, |
| [02:10.466] | is because one followed so closely after the other. |
| [02:16.717] | I have said this before, |
| [02:17.658] | but every album is not only a consequence of the one(s) that came before, |
| [02:26.643] | but it's also a preparation of the one(s) to follow. |
| [02:33.741] | The thing about Poetica was ... |
| [02:40.092] | is ... that it ended on a very sad note, |
| [02:45.177] | and I couldn't leave it like that. |
| [02:51.812] | You know, depression may be kind of romantic at the age of 16 , |
| [02:57.140] | in a twisted sort of way, |
| [03:00.417] | but, believe me, |
| [03:01.470] | it certainly isn't anymore when you have reached my age. |
| [03:05.884] | To tell you the truth, |
| [03:06.817] | I was terrified. I was really afraid. |
| [03:09.995] | I could not leave it like this, |
| [03:12.869] | I could not let this final note linger, |
| [03:18.891] | echo for all eternity, |
| [03:21.744] | without dissolving, re-channling it ... |
| [03:29.325] | because I just couldn't go on like this anymore. |
| [03:35.731] | I could not allow this to be, |
| [03:39.327] | because I felt ... I feared ... |
| [03:47.281] | that it would be the end of me. |
| [03:49.835] | I had to find a solution. |
| [03:51.897] | Quickly. |
| [03:55.828] | Which might also explain why I was under such an enormous pressure ... and why, |
| [04:05.004] | consequently, |
| [04:07.425] | this album was (and still is) so very important to me. |
| [04:15.458] | In fact, |
| [04:17.659] | and that's perhaps a strange thing to say ... |
| [04:20.526] | considering the contents of my past albums ... |
| [04:26.104] | but I can't remember ever having felt such a feeling of urgency about an album. |
| [04:33.139] | Or maybe I have and I just forgot about it, |
| [04:35.027] | which I tend to do. So... |
| [04:39.082] | I know I am repeating myself, |
| [04:41.545] | but ... in my case ... |
| [04:46.194] | there is no separation between life and art. |
| [04:51.402] | And I believe this is true for every artist, |
| [04:53.793] | or every true artist, |
| [04:54.618] | regardless of talent and/or skill ... |
| [04:57.320] | and, really, |
| [04:58.162] | there shouldn't be a separation. |
| [04:59.481] | How can there be? |
| [05:01.383] | Life and art ARE one. |
| [05:03.567] | They are the same thing. |
| [05:05.928] | They influence each other, |
| [05:07.276] | as they are forever intertwined ... |
| [05:10.359] | because they are the same thing. |
| [05:17.959] | So, as I tried to find a solution to my ... umm, |
| [05:22.358] | situation ... |
| [05:25.916] | I encountered something that caused me even greater pain. |
| [05:30.163] | I mean, it was ridiculous. |
| [05:32.157] | There I was hoping to change things for the better, |
| [05:34.804] | but it only got worse. |
| [05:40.089] | I hadn't felt so extremely miserable in a long time. |
| [05:45.088] | There were days when I was crying on my way home ... |
| [05:50.338] | in broad daylight ... |
| [05:53.307] | and those were the good days. |
| [05:54.853] | On others I couldn't even get out of bed. |
| [06:02.168] | But ... |
| [06:02.655] | ...it was all neccessary. |
| [06:04.835] | Again, this may sound strange to some people, |
| [06:10.976] | but ... I am eternally grateful for this. |
| [06:15.007] | I learned things that I not only had never encountered before... |
| [06:27.872] | but that I tought were impossible. |
| [06:31.304] | Yes, it was painful ... |
| [06:35.450] | but it was also very interesting ... |
| [06:39.430] | and very educational. |
| [06:43.392] | Question number two: |
| [06:46.467] | Can you explain the fact that you needed to explore the question of loneliness and the need for companionship at this moment of your life? |
| [06:58.838] | AVC:Umm ... no ... things just ... happened. |
| [07:06.706] | It was meant to happen. |
| [07:09.696] | It was simply time, |
| [07:11.663] | I guess. |
| [07:14.534] | A natural consequence of the things that had happened before. |
| [07:19.902] | I don't wish to appear rude, |
| [07:21.328] | but I really cannot be more specific. |
| [07:24.885] | After all, the details are really nobody's business. |
| [07:31.241] | It's just ... when I left the, |
| [07:35.840] | umm, "other side" (to put it this way) to re-enter the ordinary world, |
| [07:44.968] | which I had abandoned so many years ago, |
| [07:48.645] | I was instantly reminded why I had left in the first place. |
| [07:53.457] | I just didn't belong here, |
| [07:56.373] | I had no part in this. |
| [07:58.126] | No place in it. |
| [08:02.555] | It's one thing to be alone on the other side, |
| [08:05.591] | where there are creatures, |
| [08:08.138] | things, you can surround yourself with ... |
| [08:11.240] | or even create to a certain extend ... |
| [08:14.969] | but being alone in the hostile ordinary world ... |
| [08:19.077] | well, that is different, and I cannot recommend it. |
| [08:23.999] | So, my first reaction was to turn around on the spot and go straight back into darkness, |
| [08:30.525] | but ... I couldn't ... not this time ... |
| [08:36.403] | because that wouldn't have solved anything. |
| [08:39.442] | It would have meant stagnation, |
| [08:42.329] | and, ultimately, death. |
| [08:46.198] | So I kept on walking. |
| [08:49.570] | And that was ... yes, |
| [08:54.121] | almost two years ago now, |
| [08:56.123] | and it's kind of ... |
| [08:58.853] | I hate the word amazing, |
| [09:01.192] | I really do ... |
| [09:03.501] | but, looking at it now, |
| [09:07.489] | that's really the best way to describe it ... umm, |
| [09:11.303] | the things that happend in those two years, |
| [09:15.919] | I honestly would never have guessed could happen. |
| [09:18.922] | I really thought that they would never even be possible. |
| [09:27.508] | number three: |
| [09:30.849] | Where did the idea to record a cover version of ��La Prima Vez�� come from? |
| [09:39.897] | AVC:Oh, the idea? |
| [09:41.938] | Uff, I don't know. |
| [09:43.391] | It just developped, |
| [09:45.435] | as it is with art. |
| [09:46.938] | You know, it grows. |
| [09:52.045] | But what I can tell you where I encountered this song for the first time. |
| [09:58.359] | I was watching Wim Wenders' dance-film PINA, |
| [10:04.062] | and on the songtrack there is a version of that song by ... umm, |
| [10:07.799] | gawd, what's his name ... Logan 5 ...? |
| [10:14.326] | No, wait ... Owain Phyfe ... feifei? ... |
| [10:24.826] | I don't know, whatever his name is pronounced. |
| [10:30.468] | I had never heard it before, |
| [10:32.314] | but I immediately liked it. |
| [10:34.936] | It had a beautiful melody, |
| [10:36.513] | and that's what drew me to it, |
| [10:38.008] | that's what caught my attention ... |
| [10:40.268] | and, as it is often the case with these things. |
| [10:44.331] | Sometimes, you may not neccessarily know what it is at first, |
| [10:50.675] | the thing that attracts your attention. |
| [10:54.795] | Quite often it's entirely subconscious. |
| [10:56.730] | But once you take a closer look at it, |
| [10:59.385] | you see what connects you to it. |
| [11:03.062] | You see the relevance it has for you. |
| [11:06.813] | number four: |
| [11:10.762] | I have to ask you the same question for "Bang Bang" |
| [11:14.402] | why did you chose this song? |
| [11:18.892] | AVC:To be perfectly honest ... |
| [11:22.008] | I cannot remember. |
| [11:24.255] | I really can't remember what gave the impulse ... |
| [11:29.869] | and that is actually a good thing, |
| [11:31.417] | because it means that the problem ... |
| [11:33.741] | or inner conflict, |
| [11:35.316] | if you wish ... has be solved ... |
| [11:38.284] | - dissolved. |
| [11:43.041] | It's a strange song to begin with. |
| [11:45.354] | Silly even in the original. |
| [11:47.419] | I mean, it was written by Sonny Bono ... |
| [11:51.149] | but for whom exactly I don't even know. |
| [11:53.972] | Either Nancy Sinatra or Cher. |
| [11:57.417] | I don't know who came first. |
| [12:01.612] | Iit doesn't really matter, |
| [12:04.150] | anyway. Both versions are great. |
| [12:05.740] | Actually, Cher has many great songs. |
| [12:09.677] | I mean, "Gypsies, tramps & thieves" is fabulous ... |
| [12:16.458] | but, of course, I cannot do that. |
| [12:17.720] | I mean, |
| [12:18.346] | for one the music sounds kind of like SOPOR anyway ... |
| [12:23.314] | to a certain degree, |
| [12:25.100] | so that would be pointless. |
| [12:26.776] | And, let's face it, |
| [12:29.641] | I wasn't born on the waggon of a travelling show. |
| [12:34.115] | Thank goodness for that. |
| [12:38.483] | But back to BANG BANG ... |
| [12:41.121] | yes, it's a bit of a strange song ... |
| [12:42.636] | and, in my case, |
| [12:44.307] | it doesn't just refer to one particular thing or person, |
| [12:48.987] | and even keeps changing perspective. |
| [12:51.971] | It's more about a state of mind, |
| [12:57.159] | if you wish. |
| [12:59.601] | A neurotic notion ... a dependency ... |
| [13:03.216] | the sort of thing I dealt with on the Triptychon of Ghosts. |
| [13:09.033] | The interesting thing for me, |
| [13:10.719] | however, was that initially I thought I would ... |
| [13:14.086] | well, maybe not mock it, |
| [13:15.664] | but be kind of ironic about it. |
| [13:19.380] | Basically like I did it with Bonnie Tyler's "Holding out for a Hero". |
| [13:25.869] | But when I was in the studio I couldn't do it like that. |
| [13:31.564] | I had to do it seriously. |
| [13:33.903] | It was the only way. |
| [13:36.366] | And it makes sense, because there is no irony on the album at all. |
| [13:40.994] | And that's actually a thing that Mitternacht has in common with Poetica. |
| [13:46.816] | number five: |
| [13:49.915] | Do you consider “Confessional” the heart of the album? |
| [13:57.962] | We can understand the chorus, |
| [13:59.933] | the mantra of the song, |
| [14:01.275] | in a lot of different ways. |
| [14:03.005] | Is that a form of supplication? |
| [14:09.319] | AVC:Yes, |
| [14:10.067] | it is the heart of the album ... |
| [14:11.827] | and THANK YOU for recognising ... |
| [14:15.134] | and yes, |
| [14:16.568] | you may very well call it a prayer. |
| [14:20.755] | number six: |
| [14:24.258] | Is the album-title “Mitternacht” a reference to the heart of the night, |
| [14:29.771] | the symbol of the moments when the feeling of loneliness is at its strongest? |
| [14:37.426] | AVC:Yes. |
| [14:39.566] | It's like a Dark Night of the Soul. |
| [14:45.757] | number seven: |
| [14:47.742] | When you sing ?Beautiful?, |
| [14:49.797] | do you think about someone in particular? |
| [14:53.970] | AVC:Sorry, but that I cannot tell you. |
| [15:01.033] | But, it is more than meets the eye ... |
| [15:05.024] | it's a little more complex than it might appear at first glance. |
| [15:11.578] | It seems to be very simple ... |
| [15:13.464] | and it is simply ... |
| [15:15.523] | but it's not one-dimensional. |
| [15:23.353] | number eight: |
| [15:26.350] | You sing in a totally new way on certain songs like ? |
| [15:32.949] | You cannot make him love you? for example. |
| [15:36.221] | Could you tell me more about this experience of the voice recordings of MITTERNACHT? |
| [15:46.296] | AVC:There is nothing to tell, really. |
| [15:49.509] | Recording the vocals was the same as always. |
| [15:53.377] | You're in the studio and then ... you do it. |
| [15:58.372] | If it sounds different than how I usually sound (which I don't actually think it does) it because the song, |
| [16:09.414] | the content, demanded it. |
| [16:12.898] | number nine: |
| [16:15.965] | Do you think that the "quiet" feeling of the album is due to the totally new way that you had to deal with your energy, |
| [16:22.623] | as you explained on your homepage? |
| [16:26.811] | AVC:No, it has nothing to do with that ... |
| [16:29.170] | because I do not write the music in the studio. |
| [16:31.900] | When I go the studio, |
| [16:33.188] | as in when I rent studio time, |
| [16:35.798] | it means that the music is already completed. |
| [16:38.512] | Well, in theory anyway, |
| [16:40.812] | because it obviously still needs to be recorded. |
| [16:42.433] | But the writing is done. |
| [16:46.422] | Though, admittedly, |
| [16:47.516] | it's never written in stone, |
| [16:50.265] | and there is always room for chance ... |
| [16:54.918] | fate, you might call it. |
| [16:59.197] | Sometimes things that suddenly fall into place. |
| [17:03.707] | And then, |
| [17:07.066] | yes, there are the vocals, of course. |
| [17:08.721] | I never know in advance what is going to happen there, |
| [17:11.833] | because ... as you know ... |
| [17:14.394] | there are no rehearsals. |
| [17:17.761] | Would you say...oh question number ten: |
| [17:23.689] | Would you say that this album is "quiet", |
| [17:26.115] | because you are in a quieter moment of your life? |
| [17:31.860] | AVC:Perhaps, yes. |
| [17:34.677] | number eleven: |
| [17:36.968] | Music box and theremin have become an essential part of your music; |
| [17:42.097] | how would you explain this? |
| [17:44.031] | Now, I feel that those instruments are SOPOR AETERNUS�� |
| [17:49.505] | AVC:Yes, indeed they are, |
| [17:50.444] | aren't they?! |
| [17:51.693] | I agree. |
| [17:53.281] | I have talked about the theremin (or theremin inspired sound) before, |
| [18:06.554] | as in it being this beautiful bridge between the "cold" synthesizers and the warm violins. |
| [18:13.559] | And, yes, |
| [18:14.897] | there is something quirky and childlike thing about the music-box ... |
| [18:25.325] | and all those percussive pling-plong instruments that keep haunting my albums, |
| [18:30.812] | like the toy piano, for example. |
| [18:34.571] | ...... |
| [18:53.509] | When the album was recorded, |
| [18:56.036] | it slowly dawned on me that the damn toypiano is in every bloody song. |
| [19:02.071] | Well, at least on the first half of the album. |
| [19:04.665] | And, admittedly, |
| [19:07.136] | I did worry for a second, |
| [19:09.191] | thinking "have I perhaps overused this?". |
| [19:13.795] | But ...well ... |
| [19:14.959] | there was nothing to be done about it. |
| [19:16.394] | That's just how it was, |
| [19:20.457] | and how it has to be. But then again, |
| [19:23.952] | I always worry. |
| [19:25.527] | I can't help that. |
| [19:29.190] | Twelve. |
| [19:33.979] | Is the perspective of releasing MITTERNACHT harder than it was with the previous albums? |
| [19:41.829] | You explained on your homepage that "it has to be done", |
| [19:47.396] | but the sharing of this work seems particularly delicate for you - why? |
| [19:55.182] | AVC:Because... |
| [19:59.351] | Well, you have to understand that what you hear, |
| [20:05.325] | when you listen to a SOPOR album, |
| [20:08.440] | is not what I hear. |
| [20:11.840] | Remember that the music is like a byproduct, |
| [20:17.144] | a waste product, almost, |
| [20:19.176] | of a psycho-spiritual process and of magical work. What you get is only the end-product. |
| [20:30.156] | Meaning, when you listen to a SOPOR album, |
| [20:33.619] | you only hear the "stories" ... |
| [20:37.520] | whereas when I listen to it, |
| [20:39.794] | I see and re-live all the events that have led to this album. |
| [20:47.244] | So, what I am trying to say is, |
| [20:49.959] | it may very well be that what you hear is just a nice collection of singles with lyrics that may not neccessarily make any sense ... |
| [21:02.875] | whereas for me, |
| [21:04.344] | who has all the keys to its (I almost said "symptoms")... |
| [21:09.519] | to all its symbols, |
| [21:13.031] | it's incredibly intimate and revealing. |
| [21:18.912] | I feel naked and vulnerable. |
| [21:26.511] | Why does it seem more delicate to me this time than with the previous albums? |
| [21:34.497] | Well, |
| [21:36.103] | probably because I actually was naked... |
| [21:39.791] | and wounded. |
| [00:00.000] | It' s two o' clock in the morning. |
| [00:02.273] | On the Friday the 19th september. |
| [00:06.673] | Ah, 2014. |
| [00:08.839] | This is interview for the obskure magazine 23. |
| [00:14.651] | and the question by Mr. Tassy. |
| [00:22.139] | Question number one: |
| [00:26.550] | You explain on your official site that MITTERNACHT and POETICA work very well together and are " related". |
| [00:34.602] | It reminds me of what you had said to me when POETICA was released, |
| [00:39.002] | the fact that the album was your Poe, |
| [00:41.664] | your connection to Poe. |
| [00:44.604] | Is MITTERNACHT related to POETICA because it is particularly autobiographical? |
| [00:51.466] | AVC: Yes, I think that Poetica and Mitternacht do belong together. |
| [01:04.290] | Well, at least to a certain degree... |
| [01:06.783] | and, yes, Mitternacht is autobiographical ... |
| [01:13.521] | but then again, |
| [01:14.663] | so are all my albums. |
| [01:15.971] | I have always written only about myself, |
| [01:20.838] | I have never done anything else. |
| [01:23.632] | I mean, keep in mind that SOPOR is nothing but selftherapy. |
| [01:27.755] | It has always been. Besides, |
| [01:33.071] | what' s the one thing that all aspiring writers are being told? |
| [01:36.618] | To bloody stick to the things that you know ... |
| [01:39.952] | and, well, in my case ... |
| [01:43.481] | the only thing that I truly know and understand ... |
| [01:47.175] | well, sort of, anyway ... is myself. So, yes, |
| [01:52.116] | all my work is entirely autobiographical. |
| [01:55.189] | Including Mitternacht. |
| [02:00.061] | I think another reason why both albums kind of belong together ... |
| [02:05.571] | or, well, maybe not belong together, |
| [02:07.436] | but certainly work well together, |
| [02:10.466] | is because one followed so closely after the other. |
| [02:16.717] | I have said this before, |
| [02:17.658] | but every album is not only a consequence of the one s that came before, |
| [02:26.643] | but it' s also a preparation of the one s to follow. |
| [02:33.741] | The thing about Poetica was ... |
| [02:40.092] | is ... that it ended on a very sad note, |
| [02:45.177] | and I couldn' t leave it like that. |
| [02:51.812] | You know, depression may be kind of romantic at the age of 16 , |
| [02:57.140] | in a twisted sort of way, |
| [03:00.417] | but, believe me, |
| [03:01.470] | it certainly isn' t anymore when you have reached my age. |
| [03:05.884] | To tell you the truth, |
| [03:06.817] | I was terrified. I was really afraid. |
| [03:09.995] | I could not leave it like this, |
| [03:12.869] | I could not let this final note linger, |
| [03:18.891] | echo for all eternity, |
| [03:21.744] | without dissolving, rechannling it ... |
| [03:29.325] | because I just couldn' t go on like this anymore. |
| [03:35.731] | I could not allow this to be, |
| [03:39.327] | because I felt ... I feared ... |
| [03:47.281] | that it would be the end of me. |
| [03:49.835] | I had to find a solution. |
| [03:51.897] | Quickly. |
| [03:55.828] | Which might also explain why I was under such an enormous pressure ... and why, |
| [04:05.004] | consequently, |
| [04:07.425] | this album was and still is so very important to me. |
| [04:15.458] | In fact, |
| [04:17.659] | and that' s perhaps a strange thing to say ... |
| [04:20.526] | considering the contents of my past albums ... |
| [04:26.104] | but I can' t remember ever having felt such a feeling of urgency about an album. |
| [04:33.139] | Or maybe I have and I just forgot about it, |
| [04:35.027] | which I tend to do. So... |
| [04:39.082] | I know I am repeating myself, |
| [04:41.545] | but ... in my case ... |
| [04:46.194] | there is no separation between life and art. |
| [04:51.402] | And I believe this is true for every artist, |
| [04:53.793] | or every true artist, |
| [04:54.618] | regardless of talent and or skill ... |
| [04:57.320] | and, really, |
| [04:58.162] | there shouldn' t be a separation. |
| [04:59.481] | How can there be? |
| [05:01.383] | Life and art ARE one. |
| [05:03.567] | They are the same thing. |
| [05:05.928] | They influence each other, |
| [05:07.276] | as they are forever intertwined ... |
| [05:10.359] | because they are the same thing. |
| [05:17.959] | So, as I tried to find a solution to my ... umm, |
| [05:22.358] | situation ... |
| [05:25.916] | I encountered something that caused me even greater pain. |
| [05:30.163] | I mean, it was ridiculous. |
| [05:32.157] | There I was hoping to change things for the better, |
| [05:34.804] | but it only got worse. |
| [05:40.089] | I hadn' t felt so extremely miserable in a long time. |
| [05:45.088] | There were days when I was crying on my way home ... |
| [05:50.338] | in broad daylight ... |
| [05:53.307] | and those were the good days. |
| [05:54.853] | On others I couldn' t even get out of bed. |
| [06:02.168] | But ... |
| [06:02.655] | ... it was all neccessary. |
| [06:04.835] | Again, this may sound strange to some people, |
| [06:10.976] | but ... I am eternally grateful for this. |
| [06:15.007] | I learned things that I not only had never encountered before... |
| [06:27.872] | but that I tought were impossible. |
| [06:31.304] | Yes, it was painful ... |
| [06:35.450] | but it was also very interesting ... |
| [06:39.430] | and very educational. |
| [06:43.392] | Question number two: |
| [06:46.467] | Can you explain the fact that you needed to explore the question of loneliness and the need for companionship at this moment of your life? |
| [06:58.838] | AVC: Umm ... no ... things just ... happened. |
| [07:06.706] | It was meant to happen. |
| [07:09.696] | It was simply time, |
| [07:11.663] | I guess. |
| [07:14.534] | A natural consequence of the things that had happened before. |
| [07:19.902] | I don' t wish to appear rude, |
| [07:21.328] | but I really cannot be more specific. |
| [07:24.885] | After all, the details are really nobody' s business. |
| [07:31.241] | It' s just ... when I left the, |
| [07:35.840] | umm, " other side" to put it this way to reenter the ordinary world, |
| [07:44.968] | which I had abandoned so many years ago, |
| [07:48.645] | I was instantly reminded why I had left in the first place. |
| [07:53.457] | I just didn' t belong here, |
| [07:56.373] | I had no part in this. |
| [07:58.126] | No place in it. |
| [08:02.555] | It' s one thing to be alone on the other side, |
| [08:05.591] | where there are creatures, |
| [08:08.138] | things, you can surround yourself with ... |
| [08:11.240] | or even create to a certain extend ... |
| [08:14.969] | but being alone in the hostile ordinary world ... |
| [08:19.077] | well, that is different, and I cannot recommend it. |
| [08:23.999] | So, my first reaction was to turn around on the spot and go straight back into darkness, |
| [08:30.525] | but ... I couldn' t ... not this time ... |
| [08:36.403] | because that wouldn' t have solved anything. |
| [08:39.442] | It would have meant stagnation, |
| [08:42.329] | and, ultimately, death. |
| [08:46.198] | So I kept on walking. |
| [08:49.570] | And that was ... yes, |
| [08:54.121] | almost two years ago now, |
| [08:56.123] | and it' s kind of ... |
| [08:58.853] | I hate the word amazing, |
| [09:01.192] | I really do ... |
| [09:03.501] | but, looking at it now, |
| [09:07.489] | that' s really the best way to describe it ... umm, |
| [09:11.303] | the things that happend in those two years, |
| [09:15.919] | I honestly would never have guessed could happen. |
| [09:18.922] | I really thought that they would never even be possible. |
| [09:27.508] | number three: |
| [09:30.849] | Where did the idea to record a cover version of La Prima Vez come from? |
| [09:39.897] | AVC: Oh, the idea? |
| [09:41.938] | Uff, I don' t know. |
| [09:43.391] | It just developped, |
| [09:45.435] | as it is with art. |
| [09:46.938] | You know, it grows. |
| [09:52.045] | But what I can tell you where I encountered this song for the first time. |
| [09:58.359] | I was watching Wim Wenders' dancefilm PINA, |
| [10:04.062] | and on the songtrack there is a version of that song by ... umm, |
| [10:07.799] | gawd, what' s his name ... Logan 5 ...? |
| [10:14.326] | No, wait ... Owain Phyfe ... feifei? ... |
| [10:24.826] | I don' t know, whatever his name is pronounced. |
| [10:30.468] | I had never heard it before, |
| [10:32.314] | but I immediately liked it. |
| [10:34.936] | It had a beautiful melody, |
| [10:36.513] | and that' s what drew me to it, |
| [10:38.008] | that' s what caught my attention ... |
| [10:40.268] | and, as it is often the case with these things. |
| [10:44.331] | Sometimes, you may not neccessarily know what it is at first, |
| [10:50.675] | the thing that attracts your attention. |
| [10:54.795] | Quite often it' s entirely subconscious. |
| [10:56.730] | But once you take a closer look at it, |
| [10:59.385] | you see what connects you to it. |
| [11:03.062] | You see the relevance it has for you. |
| [11:06.813] | number four: |
| [11:10.762] | I have to ask you the same question for " Bang Bang" |
| [11:14.402] | why did you chose this song? |
| [11:18.892] | AVC: To be perfectly honest ... |
| [11:22.008] | I cannot remember. |
| [11:24.255] | I really can' t remember what gave the impulse ... |
| [11:29.869] | and that is actually a good thing, |
| [11:31.417] | because it means that the problem ... |
| [11:33.741] | or inner conflict, |
| [11:35.316] | if you wish ... has be solved ... |
| [11:38.284] | dissolved. |
| [11:43.041] | It' s a strange song to begin with. |
| [11:45.354] | Silly even in the original. |
| [11:47.419] | I mean, it was written by Sonny Bono ... |
| [11:51.149] | but for whom exactly I don' t even know. |
| [11:53.972] | Either Nancy Sinatra or Cher. |
| [11:57.417] | I don' t know who came first. |
| [12:01.612] | Iit doesn' t really matter, |
| [12:04.150] | anyway. Both versions are great. |
| [12:05.740] | Actually, Cher has many great songs. |
| [12:09.677] | I mean, " Gypsies, tramps thieves" is fabulous ... |
| [12:16.458] | but, of course, I cannot do that. |
| [12:17.720] | I mean, |
| [12:18.346] | for one the music sounds kind of like SOPOR anyway ... |
| [12:23.314] | to a certain degree, |
| [12:25.100] | so that would be pointless. |
| [12:26.776] | And, let' s face it, |
| [12:29.641] | I wasn' t born on the waggon of a travelling show. |
| [12:34.115] | Thank goodness for that. |
| [12:38.483] | But back to BANG BANG ... |
| [12:41.121] | yes, it' s a bit of a strange song ... |
| [12:42.636] | and, in my case, |
| [12:44.307] | it doesn' t just refer to one particular thing or person, |
| [12:48.987] | and even keeps changing perspective. |
| [12:51.971] | It' s more about a state of mind, |
| [12:57.159] | if you wish. |
| [12:59.601] | A neurotic notion ... a dependency ... |
| [13:03.216] | the sort of thing I dealt with on the Triptychon of Ghosts. |
| [13:09.033] | The interesting thing for me, |
| [13:10.719] | however, was that initially I thought I would ... |
| [13:14.086] | well, maybe not mock it, |
| [13:15.664] | but be kind of ironic about it. |
| [13:19.380] | Basically like I did it with Bonnie Tyler' s " Holding out for a Hero". |
| [13:25.869] | But when I was in the studio I couldn' t do it like that. |
| [13:31.564] | I had to do it seriously. |
| [13:33.903] | It was the only way. |
| [13:36.366] | And it makes sense, because there is no irony on the album at all. |
| [13:40.994] | And that' s actually a thing that Mitternacht has in common with Poetica. |
| [13:46.816] | number five: |
| [13:49.915] | Do you consider " Confessional" the heart of the album? |
| [13:57.962] | We can understand the chorus, |
| [13:59.933] | the mantra of the song, |
| [14:01.275] | in a lot of different ways. |
| [14:03.005] | Is that a form of supplication? |
| [14:09.319] | AVC: Yes, |
| [14:10.067] | it is the heart of the album ... |
| [14:11.827] | and THANK YOU for recognising ... |
| [14:15.134] | and yes, |
| [14:16.568] | you may very well call it a prayer. |
| [14:20.755] | number six: |
| [14:24.258] | Is the albumtitle " Mitternacht" a reference to the heart of the night, |
| [14:29.771] | the symbol of the moments when the feeling of loneliness is at its strongest? |
| [14:37.426] | AVC: Yes. |
| [14:39.566] | It' s like a Dark Night of the Soul. |
| [14:45.757] | number seven: |
| [14:47.742] | When you sing ? Beautiful?, |
| [14:49.797] | do you think about someone in particular? |
| [14:53.970] | AVC: Sorry, but that I cannot tell you. |
| [15:01.033] | But, it is more than meets the eye ... |
| [15:05.024] | it' s a little more complex than it might appear at first glance. |
| [15:11.578] | It seems to be very simple ... |
| [15:13.464] | and it is simply ... |
| [15:15.523] | but it' s not onedimensional. |
| [15:23.353] | number eight: |
| [15:26.350] | You sing in a totally new way on certain songs like ? |
| [15:32.949] | You cannot make him love you? for example. |
| [15:36.221] | Could you tell me more about this experience of the voice recordings of MITTERNACHT? |
| [15:46.296] | AVC: There is nothing to tell, really. |
| [15:49.509] | Recording the vocals was the same as always. |
| [15:53.377] | You' re in the studio and then ... you do it. |
| [15:58.372] | If it sounds different than how I usually sound which I don' t actually think it does it because the song, |
| [16:09.414] | the content, demanded it. |
| [16:12.898] | number nine: |
| [16:15.965] | Do you think that the " quiet" feeling of the album is due to the totally new way that you had to deal with your energy, |
| [16:22.623] | as you explained on your homepage? |
| [16:26.811] | AVC: No, it has nothing to do with that ... |
| [16:29.170] | because I do not write the music in the studio. |
| [16:31.900] | When I go the studio, |
| [16:33.188] | as in when I rent studio time, |
| [16:35.798] | it means that the music is already completed. |
| [16:38.512] | Well, in theory anyway, |
| [16:40.812] | because it obviously still needs to be recorded. |
| [16:42.433] | But the writing is done. |
| [16:46.422] | Though, admittedly, |
| [16:47.516] | it' s never written in stone, |
| [16:50.265] | and there is always room for chance ... |
| [16:54.918] | fate, you might call it. |
| [16:59.197] | Sometimes things that suddenly fall into place. |
| [17:03.707] | And then, |
| [17:07.066] | yes, there are the vocals, of course. |
| [17:08.721] | I never know in advance what is going to happen there, |
| [17:11.833] | because ... as you know ... |
| [17:14.394] | there are no rehearsals. |
| [17:17.761] | Would you say... oh question number ten: |
| [17:23.689] | Would you say that this album is " quiet", |
| [17:26.115] | because you are in a quieter moment of your life? |
| [17:31.860] | AVC: Perhaps, yes. |
| [17:34.677] | number eleven: |
| [17:36.968] | Music box and theremin have become an essential part of your music |
| [17:42.097] | how would you explain this? |
| [17:44.031] | Now, I feel that those instruments are SOPOR AETERNUS |
| [17:49.505] | AVC: Yes, indeed they are, |
| [17:50.444] | aren' t they?! |
| [17:51.693] | I agree. |
| [17:53.281] | I have talked about the theremin or theremin inspired sound before, |
| [18:06.554] | as in it being this beautiful bridge between the " cold" synthesizers and the warm violins. |
| [18:13.559] | And, yes, |
| [18:14.897] | there is something quirky and childlike thing about the musicbox ... |
| [18:25.325] | and all those percussive plingplong instruments that keep haunting my albums, |
| [18:30.812] | like the toy piano, for example. |
| [18:34.571] | ...... |
| [18:53.509] | When the album was recorded, |
| [18:56.036] | it slowly dawned on me that the damn toypiano is in every bloody song. |
| [19:02.071] | Well, at least on the first half of the album. |
| [19:04.665] | And, admittedly, |
| [19:07.136] | I did worry for a second, |
| [19:09.191] | thinking " have I perhaps overused this?". |
| [19:13.795] | But ... well ... |
| [19:14.959] | there was nothing to be done about it. |
| [19:16.394] | That' s just how it was, |
| [19:20.457] | and how it has to be. But then again, |
| [19:23.952] | I always worry. |
| [19:25.527] | I can' t help that. |
| [19:29.190] | Twelve. |
| [19:33.979] | Is the perspective of releasing MITTERNACHT harder than it was with the previous albums? |
| [19:41.829] | You explained on your homepage that " it has to be done", |
| [19:47.396] | but the sharing of this work seems particularly delicate for you why? |
| [19:55.182] | AVC: Because... |
| [19:59.351] | Well, you have to understand that what you hear, |
| [20:05.325] | when you listen to a SOPOR album, |
| [20:08.440] | is not what I hear. |
| [20:11.840] | Remember that the music is like a byproduct, |
| [20:17.144] | a waste product, almost, |
| [20:19.176] | of a psychospiritual process and of magical work. What you get is only the endproduct. |
| [20:30.156] | Meaning, when you listen to a SOPOR album, |
| [20:33.619] | you only hear the " stories" ... |
| [20:37.520] | whereas when I listen to it, |
| [20:39.794] | I see and relive all the events that have led to this album. |
| [20:47.244] | So, what I am trying to say is, |
| [20:49.959] | it may very well be that what you hear is just a nice collection of singles with lyrics that may not neccessarily make any sense ... |
| [21:02.875] | whereas for me, |
| [21:04.344] | who has all the keys to its I almost said " symptoms"... |
| [21:09.519] | to all its symbols, |
| [21:13.031] | it' s incredibly intimate and revealing. |
| [21:18.912] | I feel naked and vulnerable. |
| [21:26.511] | Why does it seem more delicate to me this time than with the previous albums? |
| [21:34.497] | Well, |
| [21:36.103] | probably because I actually was naked... |
| [21:39.791] | and wounded. |
| [00:00.000] | xiàn zài shì líng chén liǎng diǎn la |
| [00:02.273] | 9 yuè 19 rì xīng qī wǔ |
| [00:06.673] | 2014 nián |
| [00:08.839] | zhè shì obskure zá zhì de 23 hào cǎi fǎng |
| [00:14.651] | wèn tí lái zì tǎ xī xiān shēng, xī xī |
| [00:22.139] | wèn tí yī: |
| [00:26.550] | nín zài nín de guān fāng zhǔ yè lǐ tí dào de wǔ yè hé shī yì xiǎn de yì zhāng shèn zhì yǒu mǒu zhǒng" guān lián" |
| [00:34.602] | zhè ràng wǒ xiǎng qǐ le zài shī yì fā bù nà huì nǐ gēn wǒ shuō de huà |
| [00:39.002] | zhè zhāng zhuān jí shì nǐ chuàng zuò de ài lún pō |
| [00:41.664] | yě shì duì ài lún pō de zhì jìng |
| [00:44.604] | wǔ yè zhī suǒ yǐ hé shī yì guān xì mì qiè shì yīn wèi tā yǒu dú tè de zì zhuàn xìng zhì ma? |
| [00:51.466] | , wǒ rèn wéi wǔ yè hé shī yì shì yī tǐ de xià wén de ān nà jūn chēng AVC |
| [01:04.290] | hǎo ba, mǒu zhǒng chéng dù shàng lái shuō |
| [01:06.783] | méi cuò, wǔ yè shì wǒ de zì zhuàn |
| [01:13.521] | dàn shì huà shuō huí lái |
| [01:14.663] | wǒ de suǒ yǒu zhuān jí |
| [01:15.971] | dōu shì wǒ de zì wǒ xiě zhào |
| [01:20.838] | yī zhí yǐ lái wǒ de chuàng zuò dōu shì wèi zì jǐ, bié wú qí tā |
| [01:23.632] | wǒ shì shuō, jì zhù Sopor yǒng yuǎn zhǐ shì zì wǒ liáo shāng bà le |
| [01:27.755] | lìng wài |
| [01:33.071] | nèi xiē yǒu bào fù de chuàng zuò zhě bèi guàn shū de zuì zhòng yào de yì diǎn shì shén me? |
| [01:36.618] | jiù shì qù jiān chí nèi xiē...... , nǐ liǎo jiě de dōng xī |
| [01:39.952] | jiù wǒ gè rén ér yán ba |
| [01:43.481] | yī zhí yǐ lái wǒ zhēn zhèng míng bái hé liǎo jiě de |
| [01:47.175] | bù guǎn zěn me shuō ba, yě què shí shì zì jǐ běn shēn |
| [01:52.116] | suǒ yǐ, wǒ de suǒ yǒu zuò pǐn dōu shì chè tóu chè wěi de zì zhuàn |
| [01:55.189] | bāo kuò wǔ yè |
| [02:00.061] | lìng wài wǒ rèn wéi zhè liǎng zhāng zhuān jí shǔ yú yī tǐ de lìng yí gè yīn sù |
| [02:05.571] | hǎo ba, yě bù shuō yī tǐ |
| [02:07.436] | jiù shì yìng chèn de rú cǐ mì qiè |
| [02:10.466] | shì yīn wèi qí zhōng yí gè yǔ lìng yí gè de chǎn shēng fēi cháng tiē qiè |
| [02:16.717] | zhè gè wǒ suī rán céng jīng shuō guò |
| [02:17.658] | bù guò měi zhāng zhuān jí bìng bù jǐn jǐn yīn qián yī zhāng zhuān jí chǎn shēng |
| [02:26.643] | kě shì qián zhě kě yǐ zuò wéi yí gè qián zhuàn qù chuàng zuò xià yī zhāng |
| [02:33.741] | shī yì de wèn tí ne |
| [02:40.092] | tā zài yí gè fēi cháng bēi shāng de diǎn là xià xiū zhǐ |
| [02:45.177] | wǒ běn bù gāi nà me zuò |
| [02:51.812] | nǐ dǒng de, zài 16 suì de shí hòu jué wàng kě néng huì cì yǔ làng màn sè cǎi |
| [02:57.140] | cóng mǒu zhǒng niǔ qū shěn měi lái shuō shì zhè yàng zi bā |
| [03:00.417] | bù guò xiāng xìn wǒ |
| [03:01.470] | huàn wǒ zài nà gè nián jì jué duì bú huì yǒu rèn hé làng màn sè cǎi |
| [03:05.884] | shí huà shuō ba |
| [03:06.817] | wǒ hěn huáng kǒng, hěn hài pà |
| [03:09.995] | wǒ bù néng jiù cǐ jiāng qí liǎo jiě |
| [03:12.869] | ràng nà bēi shāng de yīn fú jiǔ jiǔ pái huái |
| [03:18.891] | yǒng yuǎn huí dàng |
| [03:21.744] | ér fēi jiāng qí yì chú huò zhě chóng xīn gǎi xiě |
| [03:29.325] | yīn wèi wǒ jué de jiàng zǐ wǒ fā jìn xíng xià qù |
| [03:35.731] | bù néng yǔn xǔ tā de cún zài |
| [03:39.327] | yīn wèi wǒ, tǐng huāng de |
| [03:47.281] | zhè jiāng huì shì wǒ de chuàng zuò zhōng jié |
| [03:49.835] | bì xū zhǎo dào yí gè jiě jué fāng àn |
| [03:51.897] | jǐn kuài |
| [03:55.828] | zhè jiě shì le wèi shí me wǒ céng shòu dào jù dà yā lì |
| [04:05.004] | zhè hái jiě shì le |
| [04:07.425] | zhè zhāng zhuān jí céng xiàn zài yě shì biàn de duì wǒ zhì guān zhòng yào |
| [04:15.458] | shì shí shàng |
| [04:17.659] | zhè shì lìng wǒ wú fǎ shì huái |
| [04:20.526] | jiàn yú wǒ guò qù zhuān jí de nèi róng |
| [04:26.104] | dàn wǒ bù céng jì de wǒ duì zhī qián de zhuān jí yǒu rèn hé jǐn pò gǎn |
| [04:33.139] | yě xǔ wǒ wàng le |
| [04:35.027] | zhè yě zhèng shì wǒ xiǎng zuò de |
| [04:39.082] | āi yā! rén jiā yòu zài xù xù dáo dāo la! |
| [04:41.545] | bù guò duì wǒ lái shuō |
| [04:46.194] | yì shù yǔ shēng huó èr zhě bù kě quē yī |
| [04:51.402] | wǒ xiāng xìn duì yú měi gè yì shù jiā |
| [04:53.793] | zhēn zhēng yì yì shàng de yì shù jiā |
| [04:54.618] | bù kǎo lǜ tiān fù hé cái huá |
| [04:57.320] | dōu shì zhè yàng zi rèn wéi |
| [04:58.162] | shuō zhēn de, tā men bù kě huò quē |
| [04:59.481] | zěn me néng gòu ya? |
| [05:01.383] | shēng huó hé yì shù shì yī tǐ dā!! |
| [05:03.567] | tā men shì xiāng tóng de dōng xī |
| [05:05.928] | hù xiāng yǐng xiǎng |
| [05:07.276] | gòng tóng xiāng lián |
| [05:10.359] | yīn wèi tā men tóng gēn shēng |
| [05:17.959] | suǒ yǐ ne, wǒ zhèng cháng shì qù xún zhǎo |
| [05:22.358] | wǒ de chǔ jìng emmm |
| [05:25.916] | jiě dá de shí hòu wǒ yù dào le gèng dà de kùn jìng |
| [05:30.163] | wǒ jué de zhè jiǎn zhí zhēn TM shì yì xiǎng tiān kāi!!! |
| [05:32.157] | wǒ běn xiǎng zuò chū gèng hǎo de gǎi biàn |
| [05:34.804] | jié guǒ shì dé qí fǎn |
| [05:40.089] | hěn zhǎng shí jiān wǒ jiù méi yǒu gǎn shòu dào cǐ bān tòng kǔ |
| [05:45.088] | nà duàn shí jiān wǒ dōu kū zhe huí jiā |
| [05:50.338] | jiù zài zhè guāng tiān huà rì zhī xià |
| [05:53.307] | nèi xiē rì zǐ dōu hái hǎo la |
| [05:54.853] | huài diǎn ér de huà wǒ lián chuáng dū xià bù liǎo |
| [06:02.168] | bù guò |
| [06:02.655] | yǒu xiē rì zi hái shì yǒu bì yào de |
| [06:04.835] | chóng shēn yī xià, zhè kě néng duì yī xiē rén lái shuō hěn qí guài |
| [06:10.976] | bù guò wǒ yǒng yuǎn duì cǐ xīn huái gǎn jī |
| [06:15.007] | wǒ xué dào de bù jǐn shì wǒ zhī qián wèi jīng lì guò de |
| [06:27.872] | ér qiě hái shì wǒ rèn wéi bù kě néng fā shēng de |
| [06:31.304] | chéng rán, nà shi tòng kǔ de jì yì |
| [06:35.450] | bù guò yě hěn yǒu qù |
| [06:39.430] | chōng mǎn le jiào yù yì yì |
| [06:43.392] | wèn tí èr: |
| [06:46.467] | rú hé jiě shì nǐ dāng xià de shēng huó zhuàng kuàng? zài jiě jué jié rán yī shēn de gū dú hé duì bàn lǚ de xū qiú fāng miàn? |
| [06:58.838] | miāo bìng bù, shì qíng zǒng shì zì rán ér rán de fā shēng le |
| [07:06.706] | gāi lái de zǒng huì lái de |
| [07:09.696] | zhè jiù shì shí jiān běn zhì ba |
| [07:11.663] | wǒ cāi. |
| [07:14.534] | yī lián chuàn zì rán shì qíng de lái lóng qù mài |
| [07:19.902] | wǒ bìng bù xiǎng biǎo xiàn de wú lǐ |
| [07:21.328] | dàn shì wǒ bù néng shuō tài xì |
| [07:24.885] | bì jìng hěn duō xì jié wú guān tā rén zhī shì |
| [07:31.241] | zhǐ shì, dāng wǒ lí kāi |
| [07:35.840] | è," lìng yī biān" gū qiě nà me xíng róng de shí hòu chóng xīn huí dào wǒ bìng qì duō nián de dà zhòng shì jiè |
| [07:44.968] | hěn duō nián qián wǒ jiù fàng qì le |
| [07:48.645] | wǒ zhǐ shì wú shù cì yí wèn zì jǐ wèi shí me yī kāi shǐ yào xuǎn zé lí kāi |
| [07:53.457] | wǒ zhǐ shì bù shǔ yú zhè lǐ |
| [07:56.373] | liǎo wú qiān guà |
| [07:58.126] | háo wú yī xí zhī dì |
| [08:02.555] | fǎn guò lái shuō zhǐ yào zài lìng yí gè shì jiè |
| [08:05.591] | nà lǐ yǒu gè zhǒng qí zhēn |
| [08:08.138] | yì bǎo huán rào zhe nǐ |
| [08:11.240] | huò zhě píng kōng chuàng zào yí gè |
| [08:14.969] | dàn zài zhè chōng mǎn dí yì de shì jiè |
| [08:19.077] | hǎo ba zhè bù yí yàng, wǒ bù tuī chóng zhè gè |
| [08:23.999] | suǒ yǐ wǒ de dì yī fǎn yìng hái shì jì xù huí dào hēi àn lǐ qù |
| [08:30.525] | dàn zhè cì, zhè cì wǒ hái zuò bú dào |
| [08:36.403] | yīn wèi zhè zàn shí jiě jué bù liǎo rèn hé yuán yīn |
| [08:39.442] | nà jiāng yì wèi zhe tíng zhì |
| [08:42.329] | zuì zhōng yì wèi zhe sǐ wáng |
| [08:46.198] | suǒ yǐ wǒ bú huì fàng xià jiǎo bù |
| [08:49.570] | dàn nà shi, |
| [08:54.121] | chà bù duō liǎng nián qián ba |
| [08:56.123] | jiù shì yǒu diǎn.... |
| [08:58.853] | wǒ yǒu diǎn yàn wù" qí miào" zhè gè cí |
| [09:01.192] | zhēn de |
| [09:03.501] | dàn xiàn zài huí xiǎng qǐ lái |
| [09:07.489] | zhè zhēn de shì miáo shù tā de zuì hǎo fāng shì, |
| [09:11.303] | liǎng nián qián suǒ fā shēng de |
| [09:15.919] | lǎo shí shuō ba, zhè shì wǒ hái cóng méi yù liào dào |
| [09:18.922] | wǒ zhēn yǐ wéi tā men bù kě néng fā shēng |
| [09:27.508] | wèn tí sān: |
| [09:30.849] | lù zhì La Prima Vez fēng miàn bǎn de zhǔ yì cóng hé ér lái? |
| [09:39.897] | ō, zhǔ yì? |
| [09:41.938] | è ā, wǒ bù dǒng |
| [09:43.391] | tā zhǐ shì gāng kāi shǐ fā zhǎn qǐ lái ba |
| [09:45.435] | jiù xiàng yì shù yě shì rú cǐ |
| [09:46.938] | nǐ zhī dào de, tā huì zhuó zhuàng chéng zhǎng |
| [09:52.045] | dàn shì wǒ néng gào sù nǐ wǒ dì yī cì tīng dào zhè shǒu gē shì zài nǎ lǐ |
| [09:58.359] | wǒ zài kàn wéi mǔ wén dé sī 1945 nián 8 yuè 14 rì chū shēng yú dé guó dù sè ěr duō fū, dǎo yǎn biān jù zhì zuò rén de wǔ dǎo diàn yǐng PINA de shí hòu ba |
| [10:04.062] | zài gē guǐ shàng yě yǒu zhè me yī shǒu tóng míng qǔ ba, |
| [10:07.799] | tiān na, tā jiào shà míng zì lái zhe... luó gēn 5? hā hā hā hā hā hā hā hā hā!!! |
| [10:14.326] | ō bù hái shì jiào, ào wǎ ēn fēi fēi?? fēi fēi? xī xī |
| [10:24.826] | è wǒ bù dǒng, bù guǎn tā jiào shà míng zì |
| [10:30.468] | wǒ cóng wèi tīng guò |
| [10:32.314] | dàn shì wǒ yī tīng jiù zhī dào tīng duì le |
| [10:34.936] | tā de xuán lǜ yōu měi |
| [10:36.513] | zhè yě shì xī yǐn wǒ de yuán yīn |
| [10:38.008] | suǒ yǐ chè dǐ yǐn qǐ le wǒ de zhù yì |
| [10:40.268] | ér qiě shì qíng bù dōu zhè yàng zi ma |
| [10:44.331] | yǒu shí hou, nǐ què rèn le yī yǎn bù zhī dào tā shì gè shà |
| [10:50.675] | xī yǐn nǐ zhù yì lì de dōng xī |
| [10:54.795] | hěn duō shí hòu tā wán quán kào qián yì shí |
| [10:56.730] | dàn shì nǐ yī zǐ xì chá yán guān sè |
| [10:59.385] | nǐ jiù huì kàn dào nǐ shì zěn me yǔ tā lián xì de |
| [11:03.062] | nǐ jiù huì zhī dào tā duì nǐ yǒu duō chóng yào |
| [11:06.813] | wèn tí sì: |
| [11:10.762] | wǒ hái shì yào wèn nǐ guān yú Bang Bang de wèn tí |
| [11:14.402] | nǐ wèi hé huì xuǎn zé zhè shǒu gē? |
| [11:18.892] | shí huà shuō ba |
| [11:22.008] | wǒ jì bù dé le |
| [11:24.255] | wǒ zhēn jì bù dé shì shén me chōng dòng |
| [11:29.869] | bù guò zhè yě shì yī jiàn hǎo shì |
| [11:31.417] | bù guò zhè yě yì wèi zhe wèn tí |
| [11:33.741] | huò zhě nèi xīn de máo dùn |
| [11:35.316] | rú guǒ nǐ xiǎng, nà me jiù jiě jué le |
| [11:38.284] | wǎ jiě le |
| [11:43.041] | yī kāi shǐ zhè shǒu gē hěn qí guài |
| [11:45.354] | jí shǐ yuán zhù lǐ yě yǒu diǎn shǎ |
| [11:47.419] | wǒ yì sī shì, zhè shì sāng ní bó nuò xiě de |
| [11:51.149] | dào dǐ wèi le shuí wǒ bù zhī dào |
| [11:53.972] | bú shì nán qiàn xīn nà tè lā jiù shì xuě ér èr zhě dōu shì zhù míng yǎn yuán jí gē shǒu |
| [11:57.417] | bù zhī dào shǒu xiān shì shuí |
| [12:01.612] | zhè bù zhòng yào |
| [12:04.150] | bù guǎn zěn me shuō, liǎng gè bǎn běn dōu hěn bàng |
| [12:05.740] | shì shí shàng xuě ér yǒu zhe hěn duō wěi dà gē qǔ |
| [12:09.677] | wǒ shì jué de jí pǔ sài rén liú làng hàn jí xiǎo tōu tài bàng la |
| [12:16.458] | dàn shì ne, dāng rán wǒ bù néng zhè me shuō |
| [12:17.720] | wǒ shì shuō |
| [12:18.346] | shǒu xiān gē tīng qǐ lái bǐ jiào xiàng Sopor |
| [12:23.314] | mǒu zhǒng chéng dù shàng ba |
| [12:25.100] | suǒ yǐ zhè háo wú yì yì |
| [12:26.776] | hái shì miàn duì shì shí |
| [12:29.641] | wǒ bú shì zài xún huí biǎo yǎn de mǎ chē shàng dàn shēng de |
| [12:34.115] | kě zhēn shì xiè tiān xiè dì |
| [12:38.483] | dàn shì huí dào Bang Bang de wèn tí |
| [12:41.121] | , zhè shì yī shǒu qí guài de gē |
| [12:42.636] | yě jiù duì wǒ ér yán |
| [12:44.307] | tā bù jǐn jǐn zhǐ mǒu jiàn shì wù huò zhě rén |
| [12:48.987] | shèn zhì bù duàn gǎi biàn guān diǎn |
| [12:51.971] | gèng duō de shì yī zhǒng jīng shén zhuàng tài de biǎo xiàn |
| [12:57.159] | ruò nǐ yuàn yì |
| [12:59.601] | yī zhǒng shén jīng zhì dì xiǎng fǎ, yī zhǒng yī lài |
| [13:03.216] | wǒ zài Triptychon of Ghosts. lüè jiǎng guò yī èr ba |
| [13:09.033] | duì wǒ lái shuō yǒu qù de shì |
| [13:10.719] | bù guò wǒ yī kāi shǐ yǐ wéi wǒ huì..... |
| [13:14.086] | è, zhè yě xǔ bù suàn cháo xiào |
| [13:15.664] | dàn shì yǒu diǎn fěng cì |
| [13:19.380] | jiù xiàng wǒ yǔ bāng ní tài lè jiān chí" wèi yīng xióng tǐng shēn ér chū" nà yàng |
| [13:25.869] | dàn shì wǒ zài lù yīn shì qī jiān wǒ zuò bú dào |
| [13:31.564] | wǒ bù dé bù rèn zhēn zuò zhè shì |
| [13:33.903] | zhè shì wéi yī de bàn fǎ le |
| [13:36.366] | zhè shì yǒu lǐ yǒu jù de, yīn wèi zhè zhāng zhuān jí méi yǒu rèn hé fěng cì yì wèi |
| [13:40.994] | zhè shí jì shang shì wǔ yè hé shī yì de gòng tóng diǎn |
| [13:46.816] | wèn tí wǔ: |
| [13:49.915] | nǐ rèn wéi chàn huǐ shì zhuān jí hé xīn ma? |
| [13:57.962] | wǒ men néng lǐ jiě hé chàng bù fèn |
| [13:59.933] | zhè shǒu gē de zhòu yǔ |
| [14:01.275] | yǒu bù tóng de xíng shì |
| [14:03.005] | zhè yě suàn shì yī zhǒng kěn qiú ma? |
| [14:09.319] | shì de |
| [14:10.067] | zhè zhèng shì zhuān jí hé xīn |
| [14:11.827] | gǎn xiè nǐ de guān diǎn |
| [14:15.134] | shì de |
| [14:16.568] | nǐ kě yǐ chēng zhī wéi qí dǎo |
| [14:20.755] | wèn tí liù: |
| [14:24.258] | zhuān jí qǐ míng wǔ yè zhǐ de shì yè wǎn de shí zhì ma |
| [14:29.771] | gū dú gǎn biāo shēng shí kè de yī zhǒng xiàng zhēng? |
| [14:37.426] | shì ó |
| [14:39.566] | jiù xiàng shì líng hún hēi àn zhī yè |
| [14:45.757] | wèn tí qī: |
| [14:47.742] | dāng nǐ chàng qǐ měi lì de shí hòu |
| [14:49.797] | nǐ huì tè bié kǎo lǜ bié rén ma? |
| [14:53.970] | bào qiàn, wǒ méi fǎ gào sù nǐ |
| [15:01.033] | dàn zhè bù jǐn shì yǎn jiàn wéi shí |
| [15:05.024] | zhè bǐ zhà kàn shang qu yào fù zá xǔ duō |
| [15:11.578] | kàn qǐ lái suī jiǎn dān |
| [15:13.464] | dàn jiǎn dān bú shì |
| [15:15.523] | méi yǒu rèn hé shēn dù de |
| [15:23.353] | wèn tí bā: |
| [15:26.350] | nǐ huì yòng yī zhǒng quán xīn de fāng shì fān chàng yī shǒu gē me? |
| [15:32.949] | bǐ rú nǐ bù néng ràng tā ài nǐ? |
| [15:36.221] | nǐ néng gào sù wǒ gèng duō guān yú wǔ yè de lù yīn jīng yàn ma? |
| [15:46.296] | zhè zhēn méi shà hǎo shuō a |
| [15:49.509] | lù yīn hé wǎng cháng yí yàng |
| [15:53.377] | nǐ zài lù yīn shì, rán hòu, nǐ qù shì shì a |
| [15:58.372] | rú guǒ tā tīng qǐ lái hé wǒ wǎng cháng tīng dé bù yí yàng shí jì shang wǒ dōu bù zhè me rèn wéi yīn wèi zhè shǒu gē |
| [16:09.414] | nèi róng shàng ma, yāo qiú.... |
| [16:12.898] | wèn tí jiǔ: |
| [16:15.965] | nǐ rèn wéi zhè zhāng zhuān jí de" ān jìng" shì nǐ bì xū yǎng jīng xù ruì de xīn fāng shì ma? |
| [16:22.623] | jiù xiàng nǐ zài nǐ zhǔ yè jiě shì nà yàng? |
| [16:26.811] | bù, zhè méi shà guān xì |
| [16:29.170] | yīn wèi wǒ bú shì zài lù yīn shì lǐ xiě gē |
| [16:31.900] | dāng wǒ qù lù yīn shì ba |
| [16:33.188] | jiù xiàng wǒ zū lù yīn shì nà duàn shí jiān |
| [16:35.798] | jiù yì wèi zhe yīn yuè jí jiāng chè dǐ wán chéng le |
| [16:38.512] | , lǐ lùn shàng shuō |
| [16:40.812] | yīn wèi tā xiǎn rán hái shì yào jì xià lái |
| [16:42.433] | yīn wèi xiě zuò yǐ jīng shōu gōng le |
| [16:46.422] | bù guò, wú kě fǒu rèn |
| [16:47.516] | cóng lái bú huì yī kào shí tou xiě zuò |
| [16:50.265] | zǒng shì huì yǒu jī huì de yú dì ba |
| [16:54.918] | mìng yùn, nǐ kě yǐ zhè yàng chēng hū tā |
| [16:59.197] | yǒu xiē shì qíng huì tū rán fā shēng |
| [17:03.707] | ér hòu ne |
| [17:07.066] | , dāng rán yě yǒu yǎn chàng |
| [17:08.721] | nǐ cóng bù zhī dào nà lǐ huì fā shēng shén me |
| [17:11.833] | yīn wèi a.... rú nǐ suǒ zhī |
| [17:14.394] | nà lǐ méi rén pái liàn de |
| [17:17.761] | nǐ jiē xià lái huì wèn......... ō, wèn tí shí: |
| [17:23.689] | nǐ huì shuō zhè zhāng zhuān jí hěn" ān jìng" ma? |
| [17:26.115] | yīn wèi nǐ zhèng chǔ yú shēng mìng zhòng zuì ān jìng de shí kè? |
| [17:31.860] | yě xǔ ba, |
| [17:34.677] | wèn tí shí yī: |
| [17:36.968] | yīn yuè hé yǐ rán chéng wéi nǐ de yīn yuè lǐ de zhǔ yào chéng fèn |
| [17:42.097] | nǐ huì wèi hé lì yòng zhè gè? |
| [17:44.031] | xiàn zài wǒ jué de zhèi xiē qì lè yǎn zòu shì yǒng héng chén shuì |
| [17:49.505] | , dí què shì |
| [17:50.444] | bú shì ma????!!!!!!! |
| [17:51.693] | wǒ tóng yì |
| [17:53.281] | wǒ zhī qián céng shuō guò diàn zǐ qín huò zhě jī áng de diàn zǐ qín |
| [18:06.554] | yīn wèi tā shì zhè zuò měi lì qiáo liáng zhī jiān" lěng" hé chéng qì de wēn nuǎn xiǎo tí qín |
| [18:13.559] | duì |
| [18:14.897] | yīn yuè hé lǐ yǒu zhǒng gǔ guài de hái zi qì |
| [18:25.325] | hái yǒu xiē yíng rào zài wǒ zhuān jí lǐ de qiāo jī yuè qì |
| [18:30.812] | bǐ rú wán jù gāng qín |
| [18:34.571] | xìng gǎn ān nà zài xiàn jiāo chuǎn |
| [18:53.509] | dāng zhuān jí chén āi luò dìng le |
| [18:56.036] | wǒ jiàn jiàn yì shí dào, méi yī shǒu gāi sǐ de gē lǐ dōu yǒu gāi sǐ de wán jù gāng qín |
| [19:02.071] | zhì shǎo zài zhuān jí qián bàn bù fèn ba |
| [19:04.665] | , wú kě fǒu rèn |
| [19:07.136] | wǒ què shí yǒu diǎn dān xīn le |
| [19:09.191] | xiǎng zhe" wǒ shì bú shì bǎ zhè gè wán guò fèn le"? |
| [19:13.795] | dàn, a.. |
| [19:14.959] | zhè shì yě méi shà de |
| [19:16.394] | jiù jiàng zǐ bā |
| [19:20.457] | yǐ jí tā gāi shì zěn yàng, dàn huà shuō ō |
| [19:23.952] | wǒ zǒng shì dān xīn |
| [19:25.527] | zǒng shì qíng bù zì jīn |
| [19:29.190] | wèn tí shí èr |
| [19:33.979] | fā xíng wǔ yè de qián jǐng bǐ yǐ qián de zhuān jí gèng nán ma? |
| [19:41.829] | nǐ zài zhǔ yè lǐ shuō" bì xū zuò wán" |
| [19:47.396] | dàn shì zhè fèn gōng zuò duì nǐ lái shuō hěn wēi miào ō, wèi shí me? |
| [19:55.182] | yīn wèi, |
| [19:59.351] | hǎo ba nǐ dé míng bái xiàn zài tīng dào de |
| [20:05.325] | dāng nǐ zài tīng wǒ de zhuān jí |
| [20:08.440] | bú shì wǒ suǒ tīng dào de nà yàng |
| [20:11.840] | jì zhù, yīn yuè jiù shì gè fù chǎn pǐn |
| [20:17.144] | yī zhǒng xiāo jí chǎn pǐn, jī hū bǎ |
| [20:19.176] | jīng shén de guò chéng hé shén qí de zuò pǐn, nǐ dé dào de zhǐ shì zuì hòu de chǎn pǐn |
| [20:30.156] | yì sī shì dāng nǐ tīng wǒ de zhuān jí |
| [20:33.619] | nǐ zhǐ tīng dé chū" gù shì" |
| [20:37.520] | huàn zuò wǒ qù tīng ba |
| [20:39.794] | wǒ kàn dào bìng qiě chóng xīn dù guò le zhè zhāng zhuān jí de shì qíng |
| [20:47.244] | suǒ yǐ wǒ xiǎng shuō |
| [20:49.959] | kě néng nǐ tīng dào de shì yī shǒu bù cuò de qǔ zi, gē cí kě néng méi yǒu shà yì yì |
| [21:02.875] | dàn duì wǒ lái shuō |
| [21:04.344] | shuí yōng yǒu tā de yào shi chà diǎn shuō chéng bìng zhèng le |
| [21:09.519] | suǒ yǒu fú hào de yào shi |
| [21:13.031] | zhè shì lìng rén nán yǐ zhì xìn de mì qiè hé qǐ shì |
| [21:18.912] | wǒ gǎn shòu dé chū chì luǒ yǔ cuì ruò |
| [21:26.511] | wèi hé zhè yī cì duì wǒ lái shuō bǐ yǐ qián de zhuān jí gèng wēi miào? |
| [21:34.497] | , |
| [21:36.103] | kě néng yīn wèi wǒ dāng shí bù chuān yī fu |
| [21:39.791] | shòu le shāng |