[00:00.32] |
Mic check... |
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Come through, dig the sound! |
[00:27.86] |
Crowd around! |
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I used to cop a lot |
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But never copped no drop |
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Hold mics like pony tails, tight, and bob alot |
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Stop and stick around |
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Come through and dig the sound |
[00:39.53] |
Of the fly brown six-o sicko psycho who throws his dick around |
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Bound to go three-plat |
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Came to destroy rap |
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It's a intricate plot of a b-boy strat |
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cats get kidnapped |
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Then release a statement to the press - let the rest know who did that |
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Metal Face terrorists claim responsibility |
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Broken household name usually said in hostility |
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Um... what... it's MF, you silly |
[00:59.68] |
I'd like to take "Mens to the End" for two milli' |
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"Doo-doo-doo-doo-doo!" That's a audio daily double |
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Rappers need to fall off just to save me the trouble, yo |
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Watch your own back |
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Can't even go out alone, black |
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Stay in the zone - turn H2O to Cognac |
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On Doomsday! |
[01:13.79] |
Ever since the womb 'til I'm back where my brother went |
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That's what my tomb will say |
[01:17.53] |
Right above my government, Dumile |
[01:19.83] |
Either unmarked or engraved, hey, who's to say? |
[01:22.39] |
I wrote this one in B.C. D.C. O-section |
[01:24.69] |
If you don't believe me, go get bagged and check then |
[01:27.60] |
Cell number 17, up under the top bunk |
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I say this not to be mean, wish bad luck or pop junk |
[01:32.29] |
Pop the trunk on See-Cipher-Punk, leave him left scraped |
[01:34.84] |
God forbid, if there ain't no escape, blame MF tape |
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Definition "super-villain": a killer who love children |
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One who is well-skilled in destruction, as well as building |
[01:42.53] |
While Sidney Sheldon teaches the trife to be trifer |
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I'm trading science fiction with my man the live lifer |
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A pied piper holler a rhyme, a dollar and a dime |
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Do his thing, ring around the white collar crime |
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Get out my face, askin' 'bout my case, need toothpaste |
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Fresher mint, monkey-style nigga get |
[01:57.37] |
And dope fiends still in they teens, shook niggas turn witness |
[02:00.21] |
Real mens mind their own business |
[02:02.32] |
That's the difference between sissy-pissy rappers that's double-dutch |
[02:05.22] |
How come I hold the microphone double-clutch |
[02:07.52] |
C.O.'s make rounds, never have 'ox found |
[02:09.78] |
On shakedown, lock-down, wet dreams of Fox' Brown |
[02:12.58] |
On Doomsday! |
[02:13.64] |
Ever since the womb 'til I'm back where my brother went |
[02:16.04] |
That's what my tomb will say |
[02:17.75] |
Right above my government, Dumile |
[02:19.85] |
Either unmarked or engraved, hey, who's to say? |
[02:23.01] |
Doomsday |
[02:23.65] |
Every since the womb 'til I'm back to the essence |
[02:26.12] |
Read it off the tomb |
[02:27.67] |
Either engraved or unmarked grave, who's to say? |
[02:29.78] |
Pass the mic like "Pass the peas like they used to say" |
[02:32.43] |
Some M-er F-ers don't like how Sally walk |
[02:34.96] |
I'll tell y'all fools it's hella cool how ladies from Cali talk |
[02:37.40] |
Never let her interfere with the Yeti ghetto slang |
[02:39.91] |
Nicknames .metal fang |
[02:43.02] |
Known amongst hoes for the bang-bang |
[02:44.77] |
Known amongst foes for flow without no talking orangutan |
[02:48.07] |
Only gin and Tang |
[02:49.17] |
Guzzled out a rusty tin can |
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Me and this mic is like yin and yang |
[02:53.05] |
Clang! Crime don't pay, listen, youth |
[02:55.44] |
It's like me holding up the line at the kissing booth |
[02:57.99] |
I took her back to the truck, she was uncouth |
[03:00.26] |
Spittin' all out the sunroof, through her missing tooth |
[03:03.17] |
But then she has a sexy voice, sound like Jazzy Joyce |
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So I turned it up faster than a speeding knife |
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Strong enough to please a wife |
[03:09.93] |
Able to drop today's math in the 48 keys of life |
[03:13.08] |
Cut the crap far as rap |
[03:15.13] |
Touch the mic, get the same thing a Arab will do to you for stealing |
[03:18.49] |
What the devil? He's on another level |
[03:20.38] |
It's a word! No, a name! MF - the super-villain! |
[03:27.45] |
Doomsday! |
[03:38.14] |
Dig the sound |
[03:39.44] |
Crowd around |