歌曲 | The Gatecrasher |
歌手 | Momus |
专辑 | The Poison Boyfriend |
下载 | Image LRC TXT |
作词 : Momus | |
He shows up at the party in a pair of dark glasses | |
His grandfather wore in the war | |
Saying nothing to no-one, just drinks as if that's | |
What God gave him his ugly mouth for | |
And he doesn't make passes at the girls in the corner | |
In their Bolshevik glasses and black | |
When they giggle a little and look at him funny | |
The gatecrasher only looks back | |
He takes in the faces, never quite placing them | |
Squinting his short-sighted eyes | |
And each one reminds him of someone he's known | |
Or someone he faintly dislikes | |
And he can't understand the naive curiosity | |
Forcing two strangers to talk | |
When language is always and everywhere language | |
And people are like cheese and chalk | |
So he lifts himself out of his squatting position | |
And gets up for something to eat | |
But the ham is too pink and the turkey is cardboard | |
And the plate is as floppy as meat | |
So he fills up his glass with a bottle of vodka | |
Snatched from some new arrivals who stare | |
As he tips back his head like a man seized with laughter | |
And spits the drink into the fire | |
And he looks so appealing with eyes like a bloodhound | |
And hair like the 'Quatre Cent Coups' | |
With the holes in his trousers designed to arouse us | |
He looks like he'd know what to do | |
On the rims of his eyes there's a trace of infection | |
Or maybe the mark of a tear | |
And is it mascara or is it bacteria, there where the white, where the white disappears? | |
And which of those girls isn't scared of him | |
And which of us isn't the same | |
And maybe that's why, of the four of them | |
No one remembers the gatecrasher's name | |
Absentmindedly licking the tip of a finger | |
He's just used for scratching his ear | |
He wrinkles his nose at the taste of the wax | |
Which, like him, is acidic and sour | |
And just for a second something comes back to him | |
Something so real and remote | |
That he tips back his vodka to blank out the thought | |
And he grins as it scorches his throat | |
Maybe he thought of his mother, how she kicked out his father | |
When he'd pushed her around once too much | |
And how he'd pretended to sleep as she hugged him | |
And how he'd been calmed by her touch | |
Or he's sad with nostalgia for a little Italian | |
He met in a bar in Milan | |
While they swept up the glass on Piazza Fontana | |
He knew she'd be thinking of him | |
She'd be thinking of him | |
Or he wonders why Hitler liked lemon verbena | |
And whether he loved Eva Braun | |
Or maybe he thinks of his cheap bed and breakfast | |
On the far side of town |
zuo ci : Momus | |
He shows up at the party in a pair of dark glasses | |
His grandfather wore in the war | |
Saying nothing to noone, just drinks as if that' s | |
What God gave him his ugly mouth for | |
And he doesn' t make passes at the girls in the corner | |
In their Bolshevik glasses and black | |
When they giggle a little and look at him funny | |
The gatecrasher only looks back | |
He takes in the faces, never quite placing them | |
Squinting his shortsighted eyes | |
And each one reminds him of someone he' s known | |
Or someone he faintly dislikes | |
And he can' t understand the naive curiosity | |
Forcing two strangers to talk | |
When language is always and everywhere language | |
And people are like cheese and chalk | |
So he lifts himself out of his squatting position | |
And gets up for something to eat | |
But the ham is too pink and the turkey is cardboard | |
And the plate is as floppy as meat | |
So he fills up his glass with a bottle of vodka | |
Snatched from some new arrivals who stare | |
As he tips back his head like a man seized with laughter | |
And spits the drink into the fire | |
And he looks so appealing with eyes like a bloodhound | |
And hair like the ' Quatre Cent Coups' | |
With the holes in his trousers designed to arouse us | |
He looks like he' d know what to do | |
On the rims of his eyes there' s a trace of infection | |
Or maybe the mark of a tear | |
And is it mascara or is it bacteria, there where the white, where the white disappears? | |
And which of those girls isn' t scared of him | |
And which of us isn' t the same | |
And maybe that' s why, of the four of them | |
No one remembers the gatecrasher' s name | |
Absentmindedly licking the tip of a finger | |
He' s just used for scratching his ear | |
He wrinkles his nose at the taste of the wax | |
Which, like him, is acidic and sour | |
And just for a second something comes back to him | |
Something so real and remote | |
That he tips back his vodka to blank out the thought | |
And he grins as it scorches his throat | |
Maybe he thought of his mother, how she kicked out his father | |
When he' d pushed her around once too much | |
And how he' d pretended to sleep as she hugged him | |
And how he' d been calmed by her touch | |
Or he' s sad with nostalgia for a little Italian | |
He met in a bar in Milan | |
While they swept up the glass on Piazza Fontana | |
He knew she' d be thinking of him | |
She' d be thinking of him | |
Or he wonders why Hitler liked lemon verbena | |
And whether he loved Eva Braun | |
Or maybe he thinks of his cheap bed and breakfast | |
On the far side of town |
zuò cí : Momus | |
He shows up at the party in a pair of dark glasses | |
His grandfather wore in the war | |
Saying nothing to noone, just drinks as if that' s | |
What God gave him his ugly mouth for | |
And he doesn' t make passes at the girls in the corner | |
In their Bolshevik glasses and black | |
When they giggle a little and look at him funny | |
The gatecrasher only looks back | |
He takes in the faces, never quite placing them | |
Squinting his shortsighted eyes | |
And each one reminds him of someone he' s known | |
Or someone he faintly dislikes | |
And he can' t understand the naive curiosity | |
Forcing two strangers to talk | |
When language is always and everywhere language | |
And people are like cheese and chalk | |
So he lifts himself out of his squatting position | |
And gets up for something to eat | |
But the ham is too pink and the turkey is cardboard | |
And the plate is as floppy as meat | |
So he fills up his glass with a bottle of vodka | |
Snatched from some new arrivals who stare | |
As he tips back his head like a man seized with laughter | |
And spits the drink into the fire | |
And he looks so appealing with eyes like a bloodhound | |
And hair like the ' Quatre Cent Coups' | |
With the holes in his trousers designed to arouse us | |
He looks like he' d know what to do | |
On the rims of his eyes there' s a trace of infection | |
Or maybe the mark of a tear | |
And is it mascara or is it bacteria, there where the white, where the white disappears? | |
And which of those girls isn' t scared of him | |
And which of us isn' t the same | |
And maybe that' s why, of the four of them | |
No one remembers the gatecrasher' s name | |
Absentmindedly licking the tip of a finger | |
He' s just used for scratching his ear | |
He wrinkles his nose at the taste of the wax | |
Which, like him, is acidic and sour | |
And just for a second something comes back to him | |
Something so real and remote | |
That he tips back his vodka to blank out the thought | |
And he grins as it scorches his throat | |
Maybe he thought of his mother, how she kicked out his father | |
When he' d pushed her around once too much | |
And how he' d pretended to sleep as she hugged him | |
And how he' d been calmed by her touch | |
Or he' s sad with nostalgia for a little Italian | |
He met in a bar in Milan | |
While they swept up the glass on Piazza Fontana | |
He knew she' d be thinking of him | |
She' d be thinking of him | |
Or he wonders why Hitler liked lemon verbena | |
And whether he loved Eva Braun | |
Or maybe he thinks of his cheap bed and breakfast | |
On the far side of town |