Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)
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Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)
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Italian Concerto, BWV971: i. Allegro
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Italian Concerto, BWV971: ii. Andante
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Italian Concerto, BWV971: iii. Presto
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione
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Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin
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Toccata in C Minor, BWV911
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French Suite No. 3 in B Minor BWV814: i. Allemande
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French Suite No. 3 in B Minor BWV814: ii. Courante
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French Suite No. 3 in B Minor BWV814: iii. Sarabande
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French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio
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French Suite No. 3 in B Minor BWV814: v. Gavotte
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French Suite No. 3 in B Minor BWV814: vi. Gigue
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French Suite No. 4 in E-flat Major, BWV815: i. Allemande
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French Suite No. 4 in E-flat Major, BWV815: ii. Courante
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French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande
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French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte
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French Suite No. 4 in E-flat Major, BWV815: v. Air
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French Suite No. 4 in E-flat Major, BWV815: vi. Menuet
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French Suite No. 4 in E-flat Major, BWV815: vii. Gigue
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme
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Felix Prohaska
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt
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Felix Prohaska
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es fa迟 ein heilger Leib
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich
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Magnificat in D, BWV243: i. Coro: Magnificat anima mea
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Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus
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Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem
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Magnificat in D, BWV243: iv. Coro: Omnes generationes
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Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna
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Magnificat in D, BWV243: vi. Duetto: Et misericordia
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Magnificat in D, BWV243: vii. Coro: Fecit potentiam
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Magnificat in D, BWV243: viii. Aria: Deposuit potentes
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Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis
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Magnificat in D, BWV243: x. Terzetto: Suscepit Israel
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Magnificat in D, BWV243: xi. Coro: Sicut locutus est
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Magnificat in D, BWV243: xii. Coro: Gloria Patri
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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio
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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro
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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante
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Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro
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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio
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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai
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Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco
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No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto
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Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro
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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano
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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro
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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio
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Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio
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Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace
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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro
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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo
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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro
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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio
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Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro
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Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen
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Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte
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Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen
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Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester
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Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest
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Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien
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Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath
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Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete
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Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du
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Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu
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Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer
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Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz
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Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der sen Brot
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Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere
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Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt
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Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte bfen
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Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir
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Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
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Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken
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Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten
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Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter
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Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm
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Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen
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Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe
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Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz
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Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen
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Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig
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Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
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Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen
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Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern
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Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit
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Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend
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Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
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Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren
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Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß
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Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin
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Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten
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Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'
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Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
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Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
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Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!
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Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig
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Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe
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Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen
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Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen
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Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen
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Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott
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Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen
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Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an
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Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel
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Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder
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Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat
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Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege
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Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!
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Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!
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Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte
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Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan
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Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
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Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los
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Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!
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Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen
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Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig
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Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden
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Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten
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Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
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Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, ses Kreuz, so will ich sagen
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Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst
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Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen
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Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!
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Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand
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Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recita
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Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden
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Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da
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Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war
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Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein
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Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen
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Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht
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Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tr鋘en nieder
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Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace
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Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce
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Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro
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Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]
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Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio
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Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro
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Partita in A Minor for Solo Flute, BWV 1013: i. Allemande
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Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente
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Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande
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Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise
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Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto
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Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro
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Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano
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Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid
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Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro
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Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante
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Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe
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Cantata No. 202: Weichet nur, betr黚te Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta
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Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): H鯿hster, mache deine G黩e
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Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erw鋑e doch, Kind Gottes
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel w鋜
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgef鋜bten Fahne
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen
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Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine H鋘de auf
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah?
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zur点k
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke
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Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 1 (a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 2 (a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 3 (canone all'unisuono a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 4 (a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 5 (a 1 o vero 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 6 (canone alla seconda a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 8 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 9 (canone alla terza a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 10 (fughetta a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 11 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 12 (canone alla quarta a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 13 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 14 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 16 (ouverture a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 17 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 18 (canone alla sexta a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 19 (a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 20 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 21 (canone alla settima a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 22 (a 1 clav. alla breve)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 23 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 24 (canone all'ottava a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 25 (a 2 clav.: Adagio)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 26 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 27 (canone alla nona a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 28 (a 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 29 (a 1 o vero 2 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 30 (quodlibet a 1 clav.)
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Variation 31
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Goldberg Variations, BWV988 (Clavier-蹑ung IV): Aria da capo
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: i. Sinfonia
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: ii. Adagio
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter M鋘ner Sinn
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: v. Aria (Soprano): Seele, deine Spezereien
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft
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263 Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: x. Recitative (Bass): Wir sind erfreut
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Easter Oratorio (Kommt, eilet und laufet, ihr fl点htigen Fe), BWV249: xi. Chorus: Preis und Dank
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Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten S黱der
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn k鳇mt der Tag
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): La迟 der Sp鰐ter Zungen schm锋en
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser gro遝 Tag
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag
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Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht
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Cantata No. 53: Schlage doch, gew黱schte Stunde, BWV53: Aria, 揝chlage doch, gewunschte Stunde�
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Passion According to St. John, BWV245: Aria, 揈st ist vollbracht�
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Cantata No. 54: Widerstehe doch der S黱de (Trinity), BWV 54: Aria, 揥iderstehe doch der S黱de�
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Passion According to St. Matthew, BWV244: Recitative, 揇u Lieber Heiland�
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Cantata No.55: Ich armer Mensch, ich S黱denknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'
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Cantata No. 54: Widerstehe doch der S黱de (Trinity), BWV 54: Recitative: 揇ie art verruchter S黱den�
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Cantata No. 54: Widerstehe doch der S黱de (Trinity), BWV 54: Aria, 揥er Sunde tut�
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Christmas Oratorio, BWV248: Aria, 揃ereite dich, Zion�
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes?
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei
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Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du se Liebe, schenk uns deine Gunst
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