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(Concerto for Cello and Orchestra (1955–56)) - III. Tema ed improvvisazioni
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Concerto for Cello and Orchestra (1955–56)) - I. Moderato
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Concerto for Cello and Orchestra (1955–56)) - II. Allegro appassionato
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Passacaglia for Cello Solo (1979–80)) - Passacaglia for Cello Solo (1979–80)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Cello Concerto (1940)) - I. Mäßig schnell (Allegro moderato) – Breit (Largo) – Im Hauptzeitmaß
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Cello Concerto (1940)) - II. Ruhig bewegt (Andante con moto) – Sehr lebhaft (Allegro assai) – Im früheren langsamen Zeitmaß (Tempo primo)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Cello Concerto (1940)) - III. Marsch. Lebhaft (Allegro marciale) – Trio (nach einem alten Marsch) – Lebhafter (Più mosso)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - I. Lebhaft, sehr markiert (mit festen Bogenstrichen)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - II. Mäßig schnell, gemächlich (durchweg sehr leise)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - III. Langsam
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - IV. Lebhafte Viertel (ohne jeden Ausdruck und stets pianissimo)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - V. Mäßig schnell (sehr scharf markierte Viertel)
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Christian Poltéra
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Walton & Hindemith: Cello Concertos
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