| One police textbook recognized this when it advised the detective, while questioning the suspect, to sit quite close to him with no table or other obstruction between and to move even closer as the interrogation progressed. As a matter of fact, the degree of closeness can convey messages far subtler than a threat. The third part tells you how the distance reflects personal relationship. It neatly expresses the nature of any encounter. In fact there is a whole scale of distances, each felt to be appropriate in America for a particular kind of relationship. Contact to 18 inches apart is the distance for wrestling or lovemaking or for intimate talk, even a discussion of the weather becomes highly charged. At this range, people communicate not only by words but by touch, smell, body heat. Each is aware of how fast the other is breathing, of changes in the pallor or texture of the skin. | |
| 警察教科书发现这一现象后便建议警察在审问嫌疑犯时，坐得离他很近,不放桌子或者其他障碍物挡在两人之间，而且随着审问的进行不断逼近该嫌疑人。事实上，从亲密的程度除了发现威胁外，还可以看出其他更隐秘的信息。在第三部分，我将告诉你距离如何反映个人关系。通过距离可以看出你和你遇见的人之间的关系究竟好不好。其实一般来说，距离在美国人看来都觉得是适当的，因为它反映了某种特殊关系（这句翻译总觉得不顺。。不知道有木有好的建议嗒~）。18英寸的距离的接触为摔跤或性爱或亲密的交谈,甚至是讨论进入白热化阶段。在这个范围内,人们除了通过言语也可以通过触觉、嗅觉和体热进行交流；每一个人都知道对方的呼吸有多快，以及脸色变化和表情变化。 |
| One police textbook recognized this when it advised the detective, while questioning the suspect, to sit quite close to him with no table or other obstruction between and to move even closer as the interrogation progressed. As a matter of fact, the degree of closeness can convey messages far subtler than a threat. The third part tells you how the distance reflects personal relationship. It neatly expresses the nature of any encounter. In fact there is a whole scale of distances, each felt to be appropriate in America for a particular kind of relationship. Contact to 18 inches apart is the distance for wrestling or lovemaking or for intimate talk, even a discussion of the weather becomes highly charged. At this range, people communicate not only by words but by touch, smell, body heat. Each is aware of how fast the other is breathing, of changes in the pallor or texture of the skin. | |
| jing cha jiao ke shu fa xian zhe yi xian xiang hou bian jian yi jing cha zai shen wen xian yi fan shi, zuo de li ta hen jin, bu fang zhuo zi huo zhe qi ta zhang ai wu dang zai liang ren zhi jian, er qie sui zhe shen wen de jin xing bu duan bi jin gai xian yi ren. shi shi shang, cong qin mi de cheng du chu le fa xian wei xie wai, hai ke yi kan chu qi ta geng yin mi de xin xi. zai di san bu fen, wo jiang gao su ni ju li ru he fan ying ge ren guan xi. tong guo ju li ke yi kan chu ni he ni yu jian de ren zhi jian de guan xi jiu jing hao bu hao. qi shi yi ban lai shuo, ju li zai mei guo ren kan lai dou jue de shi shi dang de, yin wei ta fan ying le mou zhong te shu guan xi zhe ju fan yi zong jue de bu shun.. bu zhi dao you mu you hao de jian yi da. 18 ying cun de ju li de jie chu wei shuai jiao huo xing ai huo qin mi de jiao tan, shen zhi shi tao lun jin ru bai re hua jie duan. zai zhe ge fan wei nei, ren men chu le tong guo yan yu ye ke yi tong guo chu jue xiu jue he ti re jin xing jiao liu mei yi ge ren dou zhi dao dui fang de hu xi you duo kuai, yi ji lian se bian hua he biao qing bian hua. |
| One police textbook recognized this when it advised the detective, while questioning the suspect, to sit quite close to him with no table or other obstruction between and to move even closer as the interrogation progressed. As a matter of fact, the degree of closeness can convey messages far subtler than a threat. The third part tells you how the distance reflects personal relationship. It neatly expresses the nature of any encounter. In fact there is a whole scale of distances, each felt to be appropriate in America for a particular kind of relationship. Contact to 18 inches apart is the distance for wrestling or lovemaking or for intimate talk, even a discussion of the weather becomes highly charged. At this range, people communicate not only by words but by touch, smell, body heat. Each is aware of how fast the other is breathing, of changes in the pallor or texture of the skin. | |
| jǐng chá jiào kē shū fā xiàn zhè yī xiàn xiàng hòu biàn jiàn yì jǐng chá zài shěn wèn xián yí fàn shí, zuò dé lí tā hěn jìn, bù fàng zhuō zi huò zhě qí tā zhàng ài wù dǎng zài liǎng rén zhī jiān, ér qiě suí zhe shěn wèn de jìn xíng bù duàn bī jìn gāi xián yí rén. shì shí shàng, cóng qīn mì de chéng dù chú le fā xiàn wēi xié wài, hái kě yǐ kàn chū qí tā gèng yǐn mì de xìn xī. zài dì sān bù fèn, wǒ jiāng gào sù nǐ jù lí rú hé fǎn yìng gè rén guān xì. tōng guò jù lí kě yǐ kàn chū nǐ hé nǐ yù jiàn de rén zhī jiān de guān xì jiū jìng hǎo bù hǎo. qí shí yì bān lái shuō, jù lí zài měi guó rén kàn lái dōu jué de shì shì dàng de, yīn wèi tā fǎn yìng le mǒu zhǒng tè shū guān xì zhè jù fān yì zǒng jué de bù shùn.. bù zhī dào yǒu mù yǒu hǎo de jiàn yì dā. 18 yīng cùn de jù lí de jiē chù wèi shuāi jiāo huò xìng ài huò qīn mì de jiāo tán, shèn zhì shì tǎo lùn jìn rù bái rè huà jiē duàn. zài zhè gè fàn wéi nèi, rén men chú le tōng guò yán yǔ yě kě yǐ tōng guò chù jué xiù jué hé tǐ rè jìn xíng jiāo liú měi yí ge rén dōu zhī dào duì fāng de hū xī yǒu duō kuài, yǐ jí liǎn sè biàn huà hé biǎo qíng biàn huà. |
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