| But ultimately there was no escape from her royal destiny. Mary had to provide an heir and so marry again. One man stood out, her cousin, Henry Stuart Lord Darnley, painted here aged 17, alongside his younger brother. It would be a disastrous choice. As always with these portraits, it's about much more than just what he looks like, though he's a fine figure of a man. The painting is full of symbols about their status and their power and their importance as a family. Just look at the watch he's wearing around his neck and the expensive gloves he's holding in his hand. It might seem rather funereal to us these days that they're both dressed head to toe in black, but back then only the seriously wealthy could afford black clothes because black was the most expensive kind of dye. Darnley was a good looking man. Mary was smitten. | |
| 但是最终，她仍然没能逃避皇室的天命。为了后继有人，她必须再婚，有个人选脱颖而出：她的堂亲，亨利斯图亚特，即是达恩利勋爵。这是他17岁时和弟弟一起的画像，这个人选却会带来大灾难。他相当英俊，是很有活力的年轻人，你没看走眼，画的是一位男子，他只一个身体苗条的男人，这幅画充满了他们地位和权力的象征，还有他们成家的重要性。仅仅看他脖子上的这块表，还有他手上握着的昂贵的手套。今天我们看来这可能有点像葬礼一样的装束，他们从头到脚都是黑色的装扮，但是在那时只有有钱人才能买得起黑色的衣服，因为黑色是最昂贵的染料。达恩利是一个帅气的男人，玛丽深深的爱上了他。 |
| But ultimately there was no escape from her royal destiny. Mary had to provide an heir and so marry again. One man stood out, her cousin, Henry Stuart Lord Darnley, painted here aged 17, alongside his younger brother. It would be a disastrous choice. As always with these portraits, it' s about much more than just what he looks like, though he' s a fine figure of a man. The painting is full of symbols about their status and their power and their importance as a family. Just look at the watch he' s wearing around his neck and the expensive gloves he' s holding in his hand. It might seem rather funereal to us these days that they' re both dressed head to toe in black, but back then only the seriously wealthy could afford black clothes because black was the most expensive kind of dye. Darnley was a good looking man. Mary was smitten. | |
| dan shi zui zhong, ta reng ran mei neng tao bi huang shi de tian ming. wei le hou ji you ren, ta bi xu zai hun, you ge ren xuan tuo ying er chu: ta de tang qin, heng li si tu ya te, ji shi da en li xun jue. zhe shi ta 17 sui shi he di di yi qi de hua xiang, zhe ge ren xuan que hui dai lai da zai nan. ta xiang dang ying jun, shi hen you huo li de nian qing ren, ni mei kan zou yan, hua de shi yi wei nan zi, ta zhi yi ge shen ti miao tiao de nan ren, zhe fu hua chong man le ta men di wei he quan li de xiang zheng, hai you ta men cheng jia de zhong yao xing. jin jin kan ta bo zi shang de zhe kuai biao, hai you ta shou shang wo zhe de ang gui de shou tao. jin tian wo men kan lai zhe ke neng you dian xiang zang li yi yang de zhuang shu, ta men cong tou dao jiao dou shi hei se de zhuang ban, dan shi zai na shi zhi you you qian ren cai neng mai de qi hei se de yi fu, yin wei hei se shi zui ang gui de ran liao. da en li shi yi ge shuai qi de nan ren, ma li shen shen de ai shang le ta. |
| But ultimately there was no escape from her royal destiny. Mary had to provide an heir and so marry again. One man stood out, her cousin, Henry Stuart Lord Darnley, painted here aged 17, alongside his younger brother. It would be a disastrous choice. As always with these portraits, it' s about much more than just what he looks like, though he' s a fine figure of a man. The painting is full of symbols about their status and their power and their importance as a family. Just look at the watch he' s wearing around his neck and the expensive gloves he' s holding in his hand. It might seem rather funereal to us these days that they' re both dressed head to toe in black, but back then only the seriously wealthy could afford black clothes because black was the most expensive kind of dye. Darnley was a good looking man. Mary was smitten. | |
| dàn shì zuì zhōng, tā réng rán méi néng táo bì huáng shì de tiān mìng. wèi le hòu jì yǒu rén, tā bì xū zài hūn, yǒu gè rén xuǎn tuō yǐng ér chū: tā de táng qīn, hēng lì sī tú yà tè, jí shì dá ēn lì xūn jué. zhè shì tā 17 suì shí hé dì di yì qǐ de huà xiàng, zhè gè rén xuǎn què huì dài lái dà zāi nàn. tā xiāng dāng yīng jùn, shì hěn yǒu huó lì de nián qīng rén, nǐ méi kàn zǒu yǎn, huà de shì yī wèi nán zǐ, tā zhǐ yí gè shēn tǐ miáo tiáo de nán rén, zhè fú huà chōng mǎn le tā men dì wèi hé quán lì de xiàng zhēng, hái yǒu tā men chéng jiā de zhòng yào xìng. jǐn jǐn kàn tā bó zi shàng de zhè kuài biǎo, hái yǒu tā shǒu shàng wò zhe de áng guì de shǒu tào. jīn tiān wǒ men kàn lái zhè kě néng yǒu diǎn xiàng zàng lǐ yí yàng de zhuāng shù, tā men cóng tóu dào jiǎo dōu shì hēi sè de zhuāng bàn, dàn shì zài nà shí zhǐ yǒu yǒu qián rén cái néng mǎi de qǐ hēi sè de yī fú, yīn wèi hēi sè shì zuì áng guì de rǎn liào. dá ēn lì shì yí gè shuài qì de nán rén, mǎ lì shēn shēn de ài shàng le tā. |
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