| Now, tell me about this book. Well, this album, which is now empty, was the album in which 600 drawings by Leonardo came to England in the 17th century, into the collection in the reign of Charles II. So the largest quantity of Leonardo drawings of flowers, of plants. Yes, almost his studies for paintings, his study for The Last Supper, Madonna and Child with St Anne, all his studies were in here. And so then they were cut out, were they? Well, they were removed, shall we say, in Queen Victoria's reign for individual mounting, so they could be exhibited, and to prevent them rubbing against each other on the pages of the album. And then this was originally in this book? Yes. I mean, he's got this absolutely perfect. I mean, it's very tender, this little drawing, isn't it? It's a beautiful thing, little curled up figure with red chalk, feeling like flesh and blood. Very moving. Incredible. And what about this, this is his famous mirror writing? It's his backwards writing. Yes, because he was left handed, he wrote throughout his life in mirror writing. And why did he do that? We don't really know. It must have been simpler for him, as a left hander, without smudging the ink. And so all his writing here, what's he doing here, he's making notes about? He would use these sheets as little mementoes and he would remind himself of whatever it was he was studying at any one time. | |
| 给我介绍下这本书吧~ 这本画集现在已经空了,原来有达芬奇的600幅的画作。在17世纪查理二世统治时期传到英国，大量达芬奇画的花，还有植物…他研习的画作，像《最后的晚餐》、《圣母子与圣安妮》都在这里。 后来被裁剪掉了？ 是为了个人的展览，在维多利亚时期被剪掉的，那样就可以展出了，也避免了每个人翻来翻去。 这些就是原来画集中的是吧？ 是的，他画得很完美。这幅画看着很有爱，手指微微弯曲，就像红色粉笔画的一样，很美…… 感觉就是个有血有肉的人，很令人感动。 难以置信！这个是……是那个很出名的镜像书写？ 就是反过来书写的 对，因为他是左撇子，写出来的东西都是反过来的，那他为什么要那样做？ 也不是很清楚，可能也很容易理解，一个左撇子，写字不会擦到墨水。所有他在这里写的和做的都是一些记录…他用这些小纸片做个备忘录，在研究中碰到的问题随时能记录下来。 |
| Now, tell me about this book. Well, this album, which is now empty, was the album in which 600 drawings by Leonardo came to England in the 17th century, into the collection in the reign of Charles II. So the largest quantity of Leonardo drawings of flowers, of plants. Yes, almost his studies for paintings, his study for The Last Supper, Madonna and Child with St Anne, all his studies were in here. And so then they were cut out, were they? Well, they were removed, shall we say, in Queen Victoria' s reign for individual mounting, so they could be exhibited, and to prevent them rubbing against each other on the pages of the album. And then this was originally in this book? Yes. I mean, he' s got this absolutely perfect. I mean, it' s very tender, this little drawing, isn' t it? It' s a beautiful thing, little curled up figure with red chalk, feeling like flesh and blood. Very moving. Incredible. And what about this, this is his famous mirror writing? It' s his backwards writing. Yes, because he was left handed, he wrote throughout his life in mirror writing. And why did he do that? We don' t really know. It must have been simpler for him, as a left hander, without smudging the ink. And so all his writing here, what' s he doing here, he' s making notes about? He would use these sheets as little mementoes and he would remind himself of whatever it was he was studying at any one time. | |
| gei wo jie shao xia zhe ben shu ba zhe ben hua ji xian zai yi jing kong le, yuan lai you da fen qi de 600 fu de hua zuo. zai 17 shi ji zha li er shi tong zhi shi qi chuan dao ying guo, da liang da fen qi hua de hua, hai you zhi wu ta yan xi de hua zuo, xiang zui hou de wan can sheng mu zi yu sheng an ni dou zai zhe li. hou lai bei cai jian diao le? shi wei le ge ren de zhan lan, zai wei duo li ya shi qi bei jian diao de, na yang jiu ke yi zhan chu le, ye bi mian le mei ge ren fan lai fan qu. zhei xie jiu shi yuan lai hua ji zhong de shi ba? shi de, ta hua de hen wan mei. zhe fu hua kan zhe hen you ai, shou zhi wei wei wan qu, jiu xiang hong se fen bi hua de yi yang, hen mei gan jue jiu shi ge you xue you rou de ren, hen ling ren gan dong. nan yi zhi xin! zhe ge shi shi na ge hen chu ming de jing xiang shu xie? jiu shi fan guo lai shu xie de dui, yin wei ta shi zuo pie zi, xie chu lai de dong xi dou shi fan guo lai de, na ta wei shi me yao na yang zuo? ye bu shi hen qing chu, ke neng ye hen rong yi li jie, yi ge zuo pie zi, xie zi bu hui ca dao mo shui. suo you ta zai zhe li xie de he zuo de dou shi yi xie ji lu ta yong zhei xie xiao zhi pian zuo ge bei wang lu, zai yan jiu zhong peng dao de wen ti sui shi neng ji lu xia lai. |
| Now, tell me about this book. Well, this album, which is now empty, was the album in which 600 drawings by Leonardo came to England in the 17th century, into the collection in the reign of Charles II. So the largest quantity of Leonardo drawings of flowers, of plants. Yes, almost his studies for paintings, his study for The Last Supper, Madonna and Child with St Anne, all his studies were in here. And so then they were cut out, were they? Well, they were removed, shall we say, in Queen Victoria' s reign for individual mounting, so they could be exhibited, and to prevent them rubbing against each other on the pages of the album. And then this was originally in this book? Yes. I mean, he' s got this absolutely perfect. I mean, it' s very tender, this little drawing, isn' t it? It' s a beautiful thing, little curled up figure with red chalk, feeling like flesh and blood. Very moving. Incredible. And what about this, this is his famous mirror writing? It' s his backwards writing. Yes, because he was left handed, he wrote throughout his life in mirror writing. And why did he do that? We don' t really know. It must have been simpler for him, as a left hander, without smudging the ink. And so all his writing here, what' s he doing here, he' s making notes about? He would use these sheets as little mementoes and he would remind himself of whatever it was he was studying at any one time. | |
| gěi wǒ jiè shào xià zhè běn shū ba zhè běn huà jí xiàn zài yǐ jīng kōng le, yuán lái yǒu dá fēn qí de 600 fú de huà zuò. zài 17 shì jì zhā lǐ èr shì tǒng zhì shí qī chuán dào yīng guó, dà liàng dá fēn qí huà de huā, hái yǒu zhí wù tā yán xí de huà zuò, xiàng zuì hòu de wǎn cān shèng mǔ zǐ yǔ shèng ān nī dōu zài zhè lǐ. hòu lái bèi cái jiǎn diào le? shì wèi le gè rén de zhǎn lǎn, zài wéi duō lì yà shí qī bèi jiǎn diào de, nà yàng jiù kě yǐ zhǎn chū le, yě bì miǎn le měi ge rén fān lái fān qù. zhèi xiē jiù shì yuán lái huà jí zhōng de shì ba? shì de, tā huà de hěn wán měi. zhè fú huà kàn zhe hěn yǒu ài, shǒu zhǐ wēi wēi wān qū, jiù xiàng hóng sè fěn bǐ huà de yí yàng, hěn měi gǎn jué jiù shì gè yǒu xuè yǒu ròu de rén, hěn lìng rén gǎn dòng. nán yǐ zhì xìn! zhè gè shì shì nà gè hěn chū míng de jìng xiàng shū xiě? jiù shì fǎn guò lái shū xiě de duì, yīn wèi tā shì zuǒ piě zǐ, xiě chū lái de dōng xī dōu shì fǎn guò lái de, nà tā wèi shí me yào nà yàng zuò? yě bú shì hěn qīng chǔ, kě néng yě hěn róng yì lǐ jiě, yí gè zuǒ piě zǐ, xiě zì bú huì cā dào mò shuǐ. suǒ yǒu tā zài zhè lǐ xiě de hé zuò de dōu shì yī xiē jì lù tā yòng zhèi xiē xiǎo zhǐ piàn zuò gè bèi wàng lù, zài yán jiū zhōng pèng dào de wèn tí suí shí néng jì lù xià lái. |
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