| In one room after another, Nash created a virtuoso display of dazzling interior design. Unfortunately for Nash, George IV was a very hands-on client. And Nash despaired that, every time they met, George insisted on new additions and alterations. The vision for the Palace got bigger and bigger, and the budget just spiralled out of control . | |
| The King's constant revisions made Buckingham Palace one of the most difficult commissions of Nash's career. | |
| How did Nash respond to that? Did Nash think that George IV was in one sense you know, the client from hell because he kept changing all the time, or did Nash just think, "Yes, you know, more is better"? | |
| The sense that one gets, and it is only a sense, is that they both well, were old men, and they'd not long to live, either of them. | |
| Nash was 73, wasn't he, at this stage? | |
| Yes, and the King was in decline, and they must have just said, "Let's do this, because it's what we want to do." And I think Nash thought, " Here is the opportunity to create my masterpiece, and he didn't really care too much about the small print ." | |
| I think it's a fantastically theatrical performance of a room, isn't it ? | |
| It is. He was the great theatre architect. | |
| How would you describe Nash's style? | |
| It's a classical style, but it doesn't really stick to the rules of classical architecture. He was a very eclectic, pick-and-mix sort of classical architect . | |
| So, the little crowns in this kind of sunburst on the doors, does that come from anywhere? | |
| Well, again, I think it is an invention of Nash, and it's a highly suitable sort of festive motif for Buckingham Palace, which I don't think occurred anywhere before. It's almost like a firework, isn't it, with a crown appearing in the sky. Very celebratory. | |
| 一个连着一个的房间。纳什眼花缭乱的室内设计，有着艺术鉴赏家一样的展示。但纳什也很不幸，乔治四世是个好为人师的家伙。每次他们相见，纳什都很绝望。因为乔治四世总是要求添加新的东西或做些改变。宫殿的规模越来越大，建筑预算几近失控。 国王不断的调整，使改建白金汉宫的工作成为纳什职业生涯中最艰难的时期。 纳什是如何回应国王的要求的？纳什是不是认为乔治四世就是个很难缠的家伙？因为他老是要改变，又或者是他认为宫殿越大越好？ 他得到的感觉也仅仅是他自己感受到的。他们两个都是老人了，已经时日无多。 这个时候，纳什已经73岁了。 对，国王也垂垂老矣，他们一定会那样说。“干吧，这就是我们想要做的” 我觉得纳什也会认为这就是成就我杰作的机会。他不太需要去关心细枝末节的东西，所以就在这个房间里上演了神奇的大戏，是吧？ 是的。纳什是位伟大的剧院建筑师。 你会如何描述纳什的风格？ 这是种古典的风格，但他并不严格遵循古典建筑的规则。他是位兼具中庸，包容的古典建筑师。 太阳里的那一顶小皇冠是怎么来的呢？ 呃……我想是纳什自己的发明。它非常契合白金汉宫节日时的气氛，这种装饰以前从没有出现过，非常像烟花，呈现在天空中的皇冠很喜庆。 |
| In one room after another, Nash created a virtuoso display of dazzling interior design. Unfortunately for Nash, George IV was a very handson client. And Nash despaired that, every time they met, George insisted on new additions and alterations. The vision for the Palace got bigger and bigger, and the budget just spiralled out of control . | |
| The King' s constant revisions made Buckingham Palace one of the most difficult commissions of Nash' s career. | |
| How did Nash respond to that? Did Nash think that George IV was in one sense you know, the client from hell because he kept changing all the time, or did Nash just think, " Yes, you know, more is better"? | |
| The sense that one gets, and it is only a sense, is that they both well, were old men, and they' d not long to live, either of them. | |
| Nash was 73, wasn' t he, at this stage? | |
| Yes, and the King was in decline, and they must have just said, " Let' s do this, because it' s what we want to do." And I think Nash thought, " Here is the opportunity to create my masterpiece, and he didn' t really care too much about the small print ." | |
| I think it' s a fantastically theatrical performance of a room, isn' t it ? | |
| It is. He was the great theatre architect. | |
| How would you describe Nash' s style? | |
| It' s a classical style, but it doesn' t really stick to the rules of classical architecture. He was a very eclectic, pickandmix sort of classical architect . | |
| So, the little crowns in this kind of sunburst on the doors, does that come from anywhere? | |
| Well, again, I think it is an invention of Nash, and it' s a highly suitable sort of festive motif for Buckingham Palace, which I don' t think occurred anywhere before. It' s almost like a firework, isn' t it, with a crown appearing in the sky. Very celebratory. | |
| yi ge lian zhe yi ge de fang jian. na shi yan hua liao luan de shi nei she ji, you zhe yi shu jian shang jia yi yang de zhan shi. dan na shi ye hen bu xing, qiao zhi si shi shi ge hao wei ren shi de jia huo. mei ci ta men xiang jian, na shi dou hen jue wang. yin wei qiao zhi si shi zong shi yao qiu tian jia xin de dong xi huo zuo xie gai bian. gong dian de gui mo yue lai yue da, jian zhu yu suan ji jin shi kong. guo wang bu duan de tiao zheng, shi gai jian bai jin han gong de gong zuo cheng wei na shi zhi ye sheng ya zhong zui jian nan de shi qi. na shi shi ru he hui ying guo wang de yao qiu de? na shi shi bu shi ren wei qiao zhi si shi jiu shi ge hen nan chan de jia huo? yin wei ta lao shi yao gai bian, you huo zhe shi ta ren wei gong dian yue da yue hao? ta de dao de gan jue ye jin jin shi ta zi ji gan shou dao de. ta men liang ge dou shi lao ren le, yi jing shi ri wu duo. zhe ge shi hou, na shi yi jing 73 sui le. dui, guo wang ye chui chui lao yi, ta men yi ding hui na yang shuo." gan ba, zhe jiu shi wo men xiang yao zuo de" wo jue de na shi ye hui ren wei zhe jiu shi cheng jiu wo jie zuo de ji hui. ta bu tai xu yao qu guan xin xi zhi mo jie de dong xi, suo yi jiu zai zhe ge fang jian li shang yan le shen qi de da xi, shi ba? shi de. na shi shi wei wei da de ju yuan jian zhu shi. ni hui ru he miao shu na shi de feng ge? zhe shi zhong gu dian de feng ge, dan ta bing bu yan ge zun xun gu dian jian zhu de gui ze. ta shi wei jian ju zhong yong, bao rong de gu dian jian zhu shi. tai yang li de na yi ding xiao huang guan shi zen me lai de ne? e wo xiang shi na shi zi ji de fa ming. ta fei chang qi he bai jin han gong jie ri shi de qi fen, zhe zhong zhuang shi yi qian cong mei you chu xian guo, fei chang xiang yan hua, cheng xian zai tian kong zhong de huang guan hen xi qing. |
| In one room after another, Nash created a virtuoso display of dazzling interior design. Unfortunately for Nash, George IV was a very handson client. And Nash despaired that, every time they met, George insisted on new additions and alterations. The vision for the Palace got bigger and bigger, and the budget just spiralled out of control . | |
| The King' s constant revisions made Buckingham Palace one of the most difficult commissions of Nash' s career. | |
| How did Nash respond to that? Did Nash think that George IV was in one sense you know, the client from hell because he kept changing all the time, or did Nash just think, " Yes, you know, more is better"? | |
| The sense that one gets, and it is only a sense, is that they both well, were old men, and they' d not long to live, either of them. | |
| Nash was 73, wasn' t he, at this stage? | |
| Yes, and the King was in decline, and they must have just said, " Let' s do this, because it' s what we want to do." And I think Nash thought, " Here is the opportunity to create my masterpiece, and he didn' t really care too much about the small print ." | |
| I think it' s a fantastically theatrical performance of a room, isn' t it ? | |
| It is. He was the great theatre architect. | |
| How would you describe Nash' s style? | |
| It' s a classical style, but it doesn' t really stick to the rules of classical architecture. He was a very eclectic, pickandmix sort of classical architect . | |
| So, the little crowns in this kind of sunburst on the doors, does that come from anywhere? | |
| Well, again, I think it is an invention of Nash, and it' s a highly suitable sort of festive motif for Buckingham Palace, which I don' t think occurred anywhere before. It' s almost like a firework, isn' t it, with a crown appearing in the sky. Very celebratory. | |
| yí gè lián zhe yí gè de fáng jiān. nà shí yǎn huā liáo luàn de shì nèi shè jì, yǒu zhe yì shù jiàn shǎng jiā yí yàng de zhǎn shì. dàn nà shí yě hěn bù xìng, qiáo zhì sì shì shì gè hào wéi rén shī de jiā huo. měi cì tā men xiāng jiàn, nà shí dōu hěn jué wàng. yīn wèi qiáo zhì sì shì zǒng shì yāo qiú tiān jiā xīn de dōng xī huò zuò xiē gǎi biàn. gōng diàn de guī mó yuè lái yuè dà, jiàn zhù yù suàn jī jìn shī kòng. guó wáng bù duàn de tiáo zhěng, shǐ gǎi jiàn bái jīn hàn gōng de gōng zuò chéng wéi nà shí zhí yè shēng yá zhōng zuì jiān nán de shí qī. nà shí shì rú hé huí yìng guó wáng de yāo qiú de? nà shí shì bú shì rèn wéi qiáo zhì sì shì jiù shì gè hěn nán chán de jiā huo? yīn wèi tā lǎo shì yào gǎi biàn, yòu huò zhě shì tā rèn wéi gōng diàn yuè dà yuè hǎo? tā dé dào de gǎn jué yě jǐn jǐn shì tā zì jǐ gǎn shòu dào de. tā men liǎng gè dōu shì lǎo rén le, yǐ jīng shí rì wú duō. zhè gè shí hòu, nà shí yǐ jīng 73 suì le. duì, guó wáng yě chuí chuí lǎo yǐ, tā men yí dìng huì nà yàng shuō." gàn ba, zhè jiù shì wǒ men xiǎng yào zuò de" wǒ jué de nà shí yě huì rèn wéi zhè jiù shì chéng jiù wǒ jié zuò de jī huì. tā bù tài xū yào qù guān xīn xì zhī mò jié de dōng xī, suǒ yǐ jiù zài zhè gè fáng jiān lǐ shàng yǎn le shén qí de dà xì, shì ba? shì de. nà shí shì wèi wěi dà de jù yuàn jiàn zhù shī. nǐ huì rú hé miáo shù nà shí de fēng gé? zhè shì zhǒng gǔ diǎn de fēng gé, dàn tā bìng bù yán gé zūn xún gǔ diǎn jiàn zhù de guī zé. tā shì wèi jiān jù zhōng yōng, bāo róng de gǔ diǎn jiàn zhù shī. tài yáng lǐ de nà yī dǐng xiǎo huáng guān shì zěn me lái de ne? è wǒ xiǎng shì nà shí zì jǐ de fā míng. tā fēi cháng qì hé bái jīn hàn gōng jié rì shí de qì fēn, zhè zhǒng zhuāng shì yǐ qián cóng méi yǒu chū xiàn guò, fēi cháng xiàng yān huā, chéng xiàn zài tiān kōng zhōng de huáng guān hěn xǐ qìng. |
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