[00:00.14] | HYACINTH |
[00:00.56] | If I’m ever to show my face in society again, |
[00:02.85] | I’ve got to find a new cause of my own and quickly. Come, come, any ideas? |
[00:07.55] | |
[00:07.80] | ENTOURAGE |
[00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
[00:11.07] | |
[00:11.30] | HYACINTH |
[00:11.47] | And the fund for sailor’s widows? |
[00:13.08] | |
[00:13.27] | ENTOURAGE |
[00:13.46] | That’s the two of them combined |
[00:15.20] | |
[00:15.46] | HYACINTH |
[00:15.92] | Nightschool for the nervous? |
[00:17.25] | |
[00:17.47] | ENTOURAGE |
[00:17.64] | Lady Beach and Margaret Guest |
[00:19.12] | |
[00:19.32] | HYACINTH |
[00:19.53] | Crutches for the crippled? |
[00:21.02] | |
[00:21.21] | ENTOURAGE |
[00:21.39] | That was Elsie Ponds’ bequest |
[00:25.74] | |
[00:25.93] | HYACINTH |
[00:26.14] | Wayward women |
[00:27.36] | |
[00:27.55] | ENTOURAGE |
[00:27.73] | Daisy Greville |
[00:29.19] | |
[00:29.39] | HYACINTH |
[00:29.55] | Who’s behind disfigured men? |
[00:31.77] | |
[00:31.99] | ENTOURAGE |
[00:32.17] | Daisy Greville |
[00:34.30] | |
[00:34.50] | HYACINTH |
[00:34.68] | And the deaf… don’t tell me it’s Greville yet again. |
[00:39.44] | Everyone’s got something can’t you see why I’m bereft. |
[00:44.65] | I want to do some good but what the devil’s left? |
[00:48.96] | |
[00:49.33] | ENTOURAGE |
[00:49.76] | What the devil’s left? |
[00:52.28] | |
[00:53.15] | MONTY NAVARRO |
[00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days… |
[01:01.84] | |
[01:02.09] | HYACINTH |
[01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
[01:09.40] | Home to the great pyramids and the sphinx. |
[01:12.58] | |
[01:12.84] | That’s it! We’ll populate an orphanage in Cairo, |
[01:19.83] | with foundlings from the reeds along the Nile. |
[01:23.74] | To watch a creature grow, to swaddle it and know |
[01:27.42] | the joy of its pathetic little smile |
[01:30.15] | |
[01:30.40] | ENTOURAGE |
[01:30.60] | It’s little smile |
[01:31.66] | |
[01:31.85] | HYACINTH |
[01:32.03] | The news will travel soon enough to London |
[01:34.06] | |
[01:34.24] | ENTOURAGE |
[01:34.41] | To London |
[01:34.99] | |
[01:35.17] | HYACINTH |
[01:35.34] | Our selflessness will meet with great acclaim |
[01:38.12] | |
[01:38.27] | ENTOURAGE |
[01:38.43] | Huzzah |
[01:38.98] | |
[01:39.02] | HYACINTH |
[01:39.19] | The sniping will be stilled, and the empire will be filled, |
[01:42.81] | with homes for bastard children in my name. |
[01:46.27] | All aboard the Luxor express to Cairo. |
[01:49.82] | |
[01:50.35] | MONTY NAVARRO |
[01:50.63] | And off she went, |
[01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
[01:58.10] | and no british citizen was considered safe, |
[02:01.87] | so you can imagine my surprise when |
[02:03.90] | Lady Hyacinth returned to London quite unharmed. |
[02:07.78] | |
[02:08.07] | HYACINTH |
[02:08.75] | Oh where will my largesse be truly appreciated, |
[02:11.79] | I need a place so low that hope itself has been abandoned |
[02:15.57] | |
[02:15.78] | MONTY NAVARRO |
[02:15.97] | You’ve heard of course of the untouchables in India. |
[02:20.04] | |
[02:20.42] | HYACINTH |
[02:20.77] | India. Land of Hindus and Muslims, |
[02:25.91] | of tamarind and saffron. Exotic and unknowable. |
[02:30.87] | |
[02:32.17] | That’s it! We’ll find ourselves some lepers in the Punjab. |
[02:38.33] | The hopeless and the wretched and the cursed. |
[02:42.44] | Forgotten and Unblessed |
[02:43.78] | |
[02:44.01] | ENTOURAGE |
[02:44.16] | Unblessed |
[02:44.48] | |
[02:44.65] | HYACINTH |
[02:44.82] | I’ll take them to my breast |
[02:45.76] | |
[02:45.92] | ENTOURAGE |
[02:46.08] | Your Breast |
[02:46.37] | |
[02:46.54] | HYACINTH |
[02:46.71] | If Daisy Greville doesn’t get there first. |
[02:50.05] | When we arrive, they’ll hobble out to greet us |
[02:53.07] | |
[02:53.27] | ENTOURAGE |
[02:53.43] | Hello there |
[02:53.81] | |
[02:54.09] | HYACINTH |
[02:54.27] | Their toothless grins would melt a heart of stone |
[02:56.49] | |
[02:56.66] | ENTOURAGE |
[02:56.85] | Awww |
[02:57.68] | |
[02:57.84] | HYACINTH |
[02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
[03:05.28] | now not a word to even your mothers til we leave although, |
[03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
[03:20.07] | call the Times of London. |
[03:22.21] | |
[03:22.59] | MONTY NAVARRO |
[03:23.48] | And off she went, |
[03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
[03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
[03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
[03:42.52] | I don’t suppose you’d be willing to penetrate the jungle of deepest darkest Africa… |
[03:48.59] | |
[03:48.80] | HYACINTH |
[03:49.73] | Africa. From Zululand to Yoruba, |
[03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
[04:00.42] | We’ll civilize a village in the jungle |
[04:03.58] | |
[04:03.79] | ENTOURAGE |
[04:03.96] | The Jungle |
[04:04.59] | |
[04:04.77] | HYACINTH |
[04:04.94] | It can’t take long to learn their mother tongue |
[04:06.98] | |
[04:07.15] | ENTOURAGE |
[04:07.32] | Not long then |
[04:08.21] | |
[04:08.39] | HYACINTH |
[04:08.55] | The words they have are six and five of them are clicks |
[04:11.80] | |
[04:12.00] | HYACINTH |
[04:12.36] | And all of them are different words for dong. |
[04:16.29] | And can’t you see their frightful painted faces |
[04:18.93] | |
[04:19.10] | ENTOURAGE |
[04:19.28] | Their faces |
[04:19.81] | |
[04:19.78] | HYACINTH |
[04:19.99] | They’ll teach us how to swing from vine to vine |
[04:22.26] | |
[04:22.44] | ENTOURAGE |
[04:22.60] | From vine to vine to vine |
[04:23.52] | |
[04:23.69] | HYACINTH |
[04:23.85] | It’s Daisy Greville’s loss, she’ll never come across, |
[04:27.32] | a tribe of backward natives worse than mine. |
[04:31.01] | |
[04:31.20] | Their may appall us. But even they are part of God’s design |
[04:39.24] | |
[04:39.44] | ENTOURAGE |
[04:39.67] | Awww |
[04:41.07] | |
[04:41.29] | HYACINTH |
[04:41.47] | We bid you all goodbye |
[04:42.80] | |
[04:42.98] | ENTOURAGE |
[04:43.13] | Goodbye |
[04:43.36] | |
[04:43.53] | HYACINTH |
[04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
[04:51.23] | Charity towards others is divine. |
[04:58.74] | |
[04:59.00] | ENTOURAGE |
[04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
[05:02.16] |
[00:00.14] | HYACINTH |
[00:00.56] | If I' m ever to show my face in society again, |
[00:02.85] | I' ve got to find a new cause of my own and quickly. Come, come, any ideas? |
[00:07.55] | |
[00:07.80] | ENTOURAGE |
[00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
[00:11.07] | |
[00:11.30] | HYACINTH |
[00:11.47] | And the fund for sailor' s widows? |
[00:13.08] | |
[00:13.27] | ENTOURAGE |
[00:13.46] | That' s the two of them combined |
[00:15.20] | |
[00:15.46] | HYACINTH |
[00:15.92] | Nightschool for the nervous? |
[00:17.25] | |
[00:17.47] | ENTOURAGE |
[00:17.64] | Lady Beach and Margaret Guest |
[00:19.12] | |
[00:19.32] | HYACINTH |
[00:19.53] | Crutches for the crippled? |
[00:21.02] | |
[00:21.21] | ENTOURAGE |
[00:21.39] | That was Elsie Ponds' bequest |
[00:25.74] | |
[00:25.93] | HYACINTH |
[00:26.14] | Wayward women |
[00:27.36] | |
[00:27.55] | ENTOURAGE |
[00:27.73] | Daisy Greville |
[00:29.19] | |
[00:29.39] | HYACINTH |
[00:29.55] | Who' s behind disfigured men? |
[00:31.77] | |
[00:31.99] | ENTOURAGE |
[00:32.17] | Daisy Greville |
[00:34.30] | |
[00:34.50] | HYACINTH |
[00:34.68] | And the deaf don' t tell me it' s Greville yet again. |
[00:39.44] | Everyone' s got something can' t you see why I' m bereft. |
[00:44.65] | I want to do some good but what the devil' s left? |
[00:48.96] | |
[00:49.33] | ENTOURAGE |
[00:49.76] | What the devil' s left? |
[00:52.28] | |
[00:53.15] | MONTY NAVARRO |
[00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days |
[01:01.84] | |
[01:02.09] | HYACINTH |
[01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
[01:09.40] | Home to the great pyramids and the sphinx. |
[01:12.58] | |
[01:12.84] | That' s it! We' ll populate an orphanage in Cairo, |
[01:19.83] | with foundlings from the reeds along the Nile. |
[01:23.74] | To watch a creature grow, to swaddle it and know |
[01:27.42] | the joy of its pathetic little smile |
[01:30.15] | |
[01:30.40] | ENTOURAGE |
[01:30.60] | It' s little smile |
[01:31.66] | |
[01:31.85] | HYACINTH |
[01:32.03] | The news will travel soon enough to London |
[01:34.06] | |
[01:34.24] | ENTOURAGE |
[01:34.41] | To London |
[01:34.99] | |
[01:35.17] | HYACINTH |
[01:35.34] | Our selflessness will meet with great acclaim |
[01:38.12] | |
[01:38.27] | ENTOURAGE |
[01:38.43] | Huzzah |
[01:38.98] | |
[01:39.02] | HYACINTH |
[01:39.19] | The sniping will be stilled, and the empire will be filled, |
[01:42.81] | with homes for bastard children in my name. |
[01:46.27] | All aboard the Luxor express to Cairo. |
[01:49.82] | |
[01:50.35] | MONTY NAVARRO |
[01:50.63] | And off she went, |
[01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
[01:58.10] | and no british citizen was considered safe, |
[02:01.87] | so you can imagine my surprise when |
[02:03.90] | Lady Hyacinth returned to London quite unharmed. |
[02:07.78] | |
[02:08.07] | HYACINTH |
[02:08.75] | Oh where will my largesse be truly appreciated, |
[02:11.79] | I need a place so low that hope itself has been abandoned |
[02:15.57] | |
[02:15.78] | MONTY NAVARRO |
[02:15.97] | You' ve heard of course of the untouchables in India. |
[02:20.04] | |
[02:20.42] | HYACINTH |
[02:20.77] | India. Land of Hindus and Muslims, |
[02:25.91] | of tamarind and saffron. Exotic and unknowable. |
[02:30.87] | |
[02:32.17] | That' s it! We' ll find ourselves some lepers in the Punjab. |
[02:38.33] | The hopeless and the wretched and the cursed. |
[02:42.44] | Forgotten and Unblessed |
[02:43.78] | |
[02:44.01] | ENTOURAGE |
[02:44.16] | Unblessed |
[02:44.48] | |
[02:44.65] | HYACINTH |
[02:44.82] | I' ll take them to my breast |
[02:45.76] | |
[02:45.92] | ENTOURAGE |
[02:46.08] | Your Breast |
[02:46.37] | |
[02:46.54] | HYACINTH |
[02:46.71] | If Daisy Greville doesn' t get there first. |
[02:50.05] | When we arrive, they' ll hobble out to greet us |
[02:53.07] | |
[02:53.27] | ENTOURAGE |
[02:53.43] | Hello there |
[02:53.81] | |
[02:54.09] | HYACINTH |
[02:54.27] | Their toothless grins would melt a heart of stone |
[02:56.49] | |
[02:56.66] | ENTOURAGE |
[02:56.85] | Awww |
[02:57.68] | |
[02:57.84] | HYACINTH |
[02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
[03:05.28] | now not a word to even your mothers til we leave although, |
[03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
[03:20.07] | call the Times of London. |
[03:22.21] | |
[03:22.59] | MONTY NAVARRO |
[03:23.48] | And off she went, |
[03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
[03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
[03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
[03:42.52] | I don' t suppose you' d be willing to penetrate the jungle of deepest darkest Africa |
[03:48.59] | |
[03:48.80] | HYACINTH |
[03:49.73] | Africa. From Zululand to Yoruba, |
[03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
[04:00.42] | We' ll civilize a village in the jungle |
[04:03.58] | |
[04:03.79] | ENTOURAGE |
[04:03.96] | The Jungle |
[04:04.59] | |
[04:04.77] | HYACINTH |
[04:04.94] | It can' t take long to learn their mother tongue |
[04:06.98] | |
[04:07.15] | ENTOURAGE |
[04:07.32] | Not long then |
[04:08.21] | |
[04:08.39] | HYACINTH |
[04:08.55] | The words they have are six and five of them are clicks |
[04:11.80] | |
[04:12.00] | HYACINTH |
[04:12.36] | And all of them are different words for dong. |
[04:16.29] | And can' t you see their frightful painted faces |
[04:18.93] | |
[04:19.10] | ENTOURAGE |
[04:19.28] | Their faces |
[04:19.81] | |
[04:19.78] | HYACINTH |
[04:19.99] | They' ll teach us how to swing from vine to vine |
[04:22.26] | |
[04:22.44] | ENTOURAGE |
[04:22.60] | From vine to vine to vine |
[04:23.52] | |
[04:23.69] | HYACINTH |
[04:23.85] | It' s Daisy Greville' s loss, she' ll never come across, |
[04:27.32] | a tribe of backward natives worse than mine. |
[04:31.01] | |
[04:31.20] | Their may appall us. But even they are part of God' s design |
[04:39.24] | |
[04:39.44] | ENTOURAGE |
[04:39.67] | Awww |
[04:41.07] | |
[04:41.29] | HYACINTH |
[04:41.47] | We bid you all goodbye |
[04:42.80] | |
[04:42.98] | ENTOURAGE |
[04:43.13] | Goodbye |
[04:43.36] | |
[04:43.53] | HYACINTH |
[04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
[04:51.23] | Charity towards others is divine. |
[04:58.74] | |
[04:59.00] | ENTOURAGE |
[04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
[05:02.16] |
[00:00.14] | HYACINTH |
[00:00.56] | If I' m ever to show my face in society again, |
[00:02.85] | I' ve got to find a new cause of my own and quickly. Come, come, any ideas? |
[00:07.55] | |
[00:07.80] | ENTOURAGE |
[00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
[00:11.07] | |
[00:11.30] | HYACINTH |
[00:11.47] | And the fund for sailor' s widows? |
[00:13.08] | |
[00:13.27] | ENTOURAGE |
[00:13.46] | That' s the two of them combined |
[00:15.20] | |
[00:15.46] | HYACINTH |
[00:15.92] | Nightschool for the nervous? |
[00:17.25] | |
[00:17.47] | ENTOURAGE |
[00:17.64] | Lady Beach and Margaret Guest |
[00:19.12] | |
[00:19.32] | HYACINTH |
[00:19.53] | Crutches for the crippled? |
[00:21.02] | |
[00:21.21] | ENTOURAGE |
[00:21.39] | That was Elsie Ponds' bequest |
[00:25.74] | |
[00:25.93] | HYACINTH |
[00:26.14] | Wayward women |
[00:27.36] | |
[00:27.55] | ENTOURAGE |
[00:27.73] | Daisy Greville |
[00:29.19] | |
[00:29.39] | HYACINTH |
[00:29.55] | Who' s behind disfigured men? |
[00:31.77] | |
[00:31.99] | ENTOURAGE |
[00:32.17] | Daisy Greville |
[00:34.30] | |
[00:34.50] | HYACINTH |
[00:34.68] | And the deaf don' t tell me it' s Greville yet again. |
[00:39.44] | Everyone' s got something can' t you see why I' m bereft. |
[00:44.65] | I want to do some good but what the devil' s left? |
[00:48.96] | |
[00:49.33] | ENTOURAGE |
[00:49.76] | What the devil' s left? |
[00:52.28] | |
[00:53.15] | MONTY NAVARRO |
[00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days |
[01:01.84] | |
[01:02.09] | HYACINTH |
[01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
[01:09.40] | Home to the great pyramids and the sphinx. |
[01:12.58] | |
[01:12.84] | That' s it! We' ll populate an orphanage in Cairo, |
[01:19.83] | with foundlings from the reeds along the Nile. |
[01:23.74] | To watch a creature grow, to swaddle it and know |
[01:27.42] | the joy of its pathetic little smile |
[01:30.15] | |
[01:30.40] | ENTOURAGE |
[01:30.60] | It' s little smile |
[01:31.66] | |
[01:31.85] | HYACINTH |
[01:32.03] | The news will travel soon enough to London |
[01:34.06] | |
[01:34.24] | ENTOURAGE |
[01:34.41] | To London |
[01:34.99] | |
[01:35.17] | HYACINTH |
[01:35.34] | Our selflessness will meet with great acclaim |
[01:38.12] | |
[01:38.27] | ENTOURAGE |
[01:38.43] | Huzzah |
[01:38.98] | |
[01:39.02] | HYACINTH |
[01:39.19] | The sniping will be stilled, and the empire will be filled, |
[01:42.81] | with homes for bastard children in my name. |
[01:46.27] | All aboard the Luxor express to Cairo. |
[01:49.82] | |
[01:50.35] | MONTY NAVARRO |
[01:50.63] | And off she went, |
[01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
[01:58.10] | and no british citizen was considered safe, |
[02:01.87] | so you can imagine my surprise when |
[02:03.90] | Lady Hyacinth returned to London quite unharmed. |
[02:07.78] | |
[02:08.07] | HYACINTH |
[02:08.75] | Oh where will my largesse be truly appreciated, |
[02:11.79] | I need a place so low that hope itself has been abandoned |
[02:15.57] | |
[02:15.78] | MONTY NAVARRO |
[02:15.97] | You' ve heard of course of the untouchables in India. |
[02:20.04] | |
[02:20.42] | HYACINTH |
[02:20.77] | India. Land of Hindus and Muslims, |
[02:25.91] | of tamarind and saffron. Exotic and unknowable. |
[02:30.87] | |
[02:32.17] | That' s it! We' ll find ourselves some lepers in the Punjab. |
[02:38.33] | The hopeless and the wretched and the cursed. |
[02:42.44] | Forgotten and Unblessed |
[02:43.78] | |
[02:44.01] | ENTOURAGE |
[02:44.16] | Unblessed |
[02:44.48] | |
[02:44.65] | HYACINTH |
[02:44.82] | I' ll take them to my breast |
[02:45.76] | |
[02:45.92] | ENTOURAGE |
[02:46.08] | Your Breast |
[02:46.37] | |
[02:46.54] | HYACINTH |
[02:46.71] | If Daisy Greville doesn' t get there first. |
[02:50.05] | When we arrive, they' ll hobble out to greet us |
[02:53.07] | |
[02:53.27] | ENTOURAGE |
[02:53.43] | Hello there |
[02:53.81] | |
[02:54.09] | HYACINTH |
[02:54.27] | Their toothless grins would melt a heart of stone |
[02:56.49] | |
[02:56.66] | ENTOURAGE |
[02:56.85] | Awww |
[02:57.68] | |
[02:57.84] | HYACINTH |
[02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
[03:05.28] | now not a word to even your mothers til we leave although, |
[03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
[03:20.07] | call the Times of London. |
[03:22.21] | |
[03:22.59] | MONTY NAVARRO |
[03:23.48] | And off she went, |
[03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
[03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
[03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
[03:42.52] | I don' t suppose you' d be willing to penetrate the jungle of deepest darkest Africa |
[03:48.59] | |
[03:48.80] | HYACINTH |
[03:49.73] | Africa. From Zululand to Yoruba, |
[03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
[04:00.42] | We' ll civilize a village in the jungle |
[04:03.58] | |
[04:03.79] | ENTOURAGE |
[04:03.96] | The Jungle |
[04:04.59] | |
[04:04.77] | HYACINTH |
[04:04.94] | It can' t take long to learn their mother tongue |
[04:06.98] | |
[04:07.15] | ENTOURAGE |
[04:07.32] | Not long then |
[04:08.21] | |
[04:08.39] | HYACINTH |
[04:08.55] | The words they have are six and five of them are clicks |
[04:11.80] | |
[04:12.00] | HYACINTH |
[04:12.36] | And all of them are different words for dong. |
[04:16.29] | And can' t you see their frightful painted faces |
[04:18.93] | |
[04:19.10] | ENTOURAGE |
[04:19.28] | Their faces |
[04:19.81] | |
[04:19.78] | HYACINTH |
[04:19.99] | They' ll teach us how to swing from vine to vine |
[04:22.26] | |
[04:22.44] | ENTOURAGE |
[04:22.60] | From vine to vine to vine |
[04:23.52] | |
[04:23.69] | HYACINTH |
[04:23.85] | It' s Daisy Greville' s loss, she' ll never come across, |
[04:27.32] | a tribe of backward natives worse than mine. |
[04:31.01] | |
[04:31.20] | Their may appall us. But even they are part of God' s design |
[04:39.24] | |
[04:39.44] | ENTOURAGE |
[04:39.67] | Awww |
[04:41.07] | |
[04:41.29] | HYACINTH |
[04:41.47] | We bid you all goodbye |
[04:42.80] | |
[04:42.98] | ENTOURAGE |
[04:43.13] | Goodbye |
[04:43.36] | |
[04:43.53] | HYACINTH |
[04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
[04:51.23] | Charity towards others is divine. |
[04:58.74] | |
[04:59.00] | ENTOURAGE |
[04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
[05:02.16] |