| [00:00.14] | HYACINTH |
| [00:00.56] | If I’m ever to show my face in society again, |
| [00:02.85] | I’ve got to find a new cause of my own and quickly. Come, come, any ideas? |
| [00:07.55] | |
| [00:07.80] | ENTOURAGE |
| [00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
| [00:11.07] | |
| [00:11.30] | HYACINTH |
| [00:11.47] | And the fund for sailor’s widows? |
| [00:13.08] | |
| [00:13.27] | ENTOURAGE |
| [00:13.46] | That’s the two of them combined |
| [00:15.20] | |
| [00:15.46] | HYACINTH |
| [00:15.92] | Nightschool for the nervous? |
| [00:17.25] | |
| [00:17.47] | ENTOURAGE |
| [00:17.64] | Lady Beach and Margaret Guest |
| [00:19.12] | |
| [00:19.32] | HYACINTH |
| [00:19.53] | Crutches for the crippled? |
| [00:21.02] | |
| [00:21.21] | ENTOURAGE |
| [00:21.39] | That was Elsie Ponds’ bequest |
| [00:25.74] | |
| [00:25.93] | HYACINTH |
| [00:26.14] | Wayward women |
| [00:27.36] | |
| [00:27.55] | ENTOURAGE |
| [00:27.73] | Daisy Greville |
| [00:29.19] | |
| [00:29.39] | HYACINTH |
| [00:29.55] | Who’s behind disfigured men? |
| [00:31.77] | |
| [00:31.99] | ENTOURAGE |
| [00:32.17] | Daisy Greville |
| [00:34.30] | |
| [00:34.50] | HYACINTH |
| [00:34.68] | And the deaf… don’t tell me it’s Greville yet again. |
| [00:39.44] | Everyone’s got something can’t you see why I’m bereft. |
| [00:44.65] | I want to do some good but what the devil’s left? |
| [00:48.96] | |
| [00:49.33] | ENTOURAGE |
| [00:49.76] | What the devil’s left? |
| [00:52.28] | |
| [00:53.15] | MONTY NAVARRO |
| [00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days… |
| [01:01.84] | |
| [01:02.09] | HYACINTH |
| [01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
| [01:09.40] | Home to the great pyramids and the sphinx. |
| [01:12.58] | |
| [01:12.84] | That’s it! We’ll populate an orphanage in Cairo, |
| [01:19.83] | with foundlings from the reeds along the Nile. |
| [01:23.74] | To watch a creature grow, to swaddle it and know |
| [01:27.42] | the joy of its pathetic little smile |
| [01:30.15] | |
| [01:30.40] | ENTOURAGE |
| [01:30.60] | It’s little smile |
| [01:31.66] | |
| [01:31.85] | HYACINTH |
| [01:32.03] | The news will travel soon enough to London |
| [01:34.06] | |
| [01:34.24] | ENTOURAGE |
| [01:34.41] | To London |
| [01:34.99] | |
| [01:35.17] | HYACINTH |
| [01:35.34] | Our selflessness will meet with great acclaim |
| [01:38.12] | |
| [01:38.27] | ENTOURAGE |
| [01:38.43] | Huzzah |
| [01:38.98] | |
| [01:39.02] | HYACINTH |
| [01:39.19] | The sniping will be stilled, and the empire will be filled, |
| [01:42.81] | with homes for bastard children in my name. |
| [01:46.27] | All aboard the Luxor express to Cairo. |
| [01:49.82] | |
| [01:50.35] | MONTY NAVARRO |
| [01:50.63] | And off she went, |
| [01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
| [01:58.10] | and no british citizen was considered safe, |
| [02:01.87] | so you can imagine my surprise when |
| [02:03.90] | Lady Hyacinth returned to London quite unharmed. |
| [02:07.78] | |
| [02:08.07] | HYACINTH |
| [02:08.75] | Oh where will my largesse be truly appreciated, |
| [02:11.79] | I need a place so low that hope itself has been abandoned |
| [02:15.57] | |
| [02:15.78] | MONTY NAVARRO |
| [02:15.97] | You’ve heard of course of the untouchables in India. |
| [02:20.04] | |
| [02:20.42] | HYACINTH |
| [02:20.77] | India. Land of Hindus and Muslims, |
| [02:25.91] | of tamarind and saffron. Exotic and unknowable. |
| [02:30.87] | |
| [02:32.17] | That’s it! We’ll find ourselves some lepers in the Punjab. |
| [02:38.33] | The hopeless and the wretched and the cursed. |
| [02:42.44] | Forgotten and Unblessed |
| [02:43.78] | |
| [02:44.01] | ENTOURAGE |
| [02:44.16] | Unblessed |
| [02:44.48] | |
| [02:44.65] | HYACINTH |
| [02:44.82] | I’ll take them to my breast |
| [02:45.76] | |
| [02:45.92] | ENTOURAGE |
| [02:46.08] | Your Breast |
| [02:46.37] | |
| [02:46.54] | HYACINTH |
| [02:46.71] | If Daisy Greville doesn’t get there first. |
| [02:50.05] | When we arrive, they’ll hobble out to greet us |
| [02:53.07] | |
| [02:53.27] | ENTOURAGE |
| [02:53.43] | Hello there |
| [02:53.81] | |
| [02:54.09] | HYACINTH |
| [02:54.27] | Their toothless grins would melt a heart of stone |
| [02:56.49] | |
| [02:56.66] | ENTOURAGE |
| [02:56.85] | Awww |
| [02:57.68] | |
| [02:57.84] | HYACINTH |
| [02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
| [03:05.28] | now not a word to even your mothers til we leave although, |
| [03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
| [03:20.07] | call the Times of London. |
| [03:22.21] | |
| [03:22.59] | MONTY NAVARRO |
| [03:23.48] | And off she went, |
| [03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
| [03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
| [03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
| [03:42.52] | I don’t suppose you’d be willing to penetrate the jungle of deepest darkest Africa… |
| [03:48.59] | |
| [03:48.80] | HYACINTH |
| [03:49.73] | Africa. From Zululand to Yoruba, |
| [03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
| [04:00.42] | We’ll civilize a village in the jungle |
| [04:03.58] | |
| [04:03.79] | ENTOURAGE |
| [04:03.96] | The Jungle |
| [04:04.59] | |
| [04:04.77] | HYACINTH |
| [04:04.94] | It can’t take long to learn their mother tongue |
| [04:06.98] | |
| [04:07.15] | ENTOURAGE |
| [04:07.32] | Not long then |
| [04:08.21] | |
| [04:08.39] | HYACINTH |
| [04:08.55] | The words they have are six and five of them are clicks |
| [04:11.80] | |
| [04:12.00] | HYACINTH |
| [04:12.36] | And all of them are different words for dong. |
| [04:16.29] | And can’t you see their frightful painted faces |
| [04:18.93] | |
| [04:19.10] | ENTOURAGE |
| [04:19.28] | Their faces |
| [04:19.81] | |
| [04:19.78] | HYACINTH |
| [04:19.99] | They’ll teach us how to swing from vine to vine |
| [04:22.26] | |
| [04:22.44] | ENTOURAGE |
| [04:22.60] | From vine to vine to vine |
| [04:23.52] | |
| [04:23.69] | HYACINTH |
| [04:23.85] | It’s Daisy Greville’s loss, she’ll never come across, |
| [04:27.32] | a tribe of backward natives worse than mine. |
| [04:31.01] | |
| [04:31.20] | Their may appall us. But even they are part of God’s design |
| [04:39.24] | |
| [04:39.44] | ENTOURAGE |
| [04:39.67] | Awww |
| [04:41.07] | |
| [04:41.29] | HYACINTH |
| [04:41.47] | We bid you all goodbye |
| [04:42.80] | |
| [04:42.98] | ENTOURAGE |
| [04:43.13] | Goodbye |
| [04:43.36] | |
| [04:43.53] | HYACINTH |
| [04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
| [04:51.23] | Charity towards others is divine. |
| [04:58.74] | |
| [04:59.00] | ENTOURAGE |
| [04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
| [05:02.16] |
| [00:00.14] | HYACINTH |
| [00:00.56] | If I' m ever to show my face in society again, |
| [00:02.85] | I' ve got to find a new cause of my own and quickly. Come, come, any ideas? |
| [00:07.55] | |
| [00:07.80] | ENTOURAGE |
| [00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
| [00:11.07] | |
| [00:11.30] | HYACINTH |
| [00:11.47] | And the fund for sailor' s widows? |
| [00:13.08] | |
| [00:13.27] | ENTOURAGE |
| [00:13.46] | That' s the two of them combined |
| [00:15.20] | |
| [00:15.46] | HYACINTH |
| [00:15.92] | Nightschool for the nervous? |
| [00:17.25] | |
| [00:17.47] | ENTOURAGE |
| [00:17.64] | Lady Beach and Margaret Guest |
| [00:19.12] | |
| [00:19.32] | HYACINTH |
| [00:19.53] | Crutches for the crippled? |
| [00:21.02] | |
| [00:21.21] | ENTOURAGE |
| [00:21.39] | That was Elsie Ponds' bequest |
| [00:25.74] | |
| [00:25.93] | HYACINTH |
| [00:26.14] | Wayward women |
| [00:27.36] | |
| [00:27.55] | ENTOURAGE |
| [00:27.73] | Daisy Greville |
| [00:29.19] | |
| [00:29.39] | HYACINTH |
| [00:29.55] | Who' s behind disfigured men? |
| [00:31.77] | |
| [00:31.99] | ENTOURAGE |
| [00:32.17] | Daisy Greville |
| [00:34.30] | |
| [00:34.50] | HYACINTH |
| [00:34.68] | And the deaf don' t tell me it' s Greville yet again. |
| [00:39.44] | Everyone' s got something can' t you see why I' m bereft. |
| [00:44.65] | I want to do some good but what the devil' s left? |
| [00:48.96] | |
| [00:49.33] | ENTOURAGE |
| [00:49.76] | What the devil' s left? |
| [00:52.28] | |
| [00:53.15] | MONTY NAVARRO |
| [00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days |
| [01:01.84] | |
| [01:02.09] | HYACINTH |
| [01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
| [01:09.40] | Home to the great pyramids and the sphinx. |
| [01:12.58] | |
| [01:12.84] | That' s it! We' ll populate an orphanage in Cairo, |
| [01:19.83] | with foundlings from the reeds along the Nile. |
| [01:23.74] | To watch a creature grow, to swaddle it and know |
| [01:27.42] | the joy of its pathetic little smile |
| [01:30.15] | |
| [01:30.40] | ENTOURAGE |
| [01:30.60] | It' s little smile |
| [01:31.66] | |
| [01:31.85] | HYACINTH |
| [01:32.03] | The news will travel soon enough to London |
| [01:34.06] | |
| [01:34.24] | ENTOURAGE |
| [01:34.41] | To London |
| [01:34.99] | |
| [01:35.17] | HYACINTH |
| [01:35.34] | Our selflessness will meet with great acclaim |
| [01:38.12] | |
| [01:38.27] | ENTOURAGE |
| [01:38.43] | Huzzah |
| [01:38.98] | |
| [01:39.02] | HYACINTH |
| [01:39.19] | The sniping will be stilled, and the empire will be filled, |
| [01:42.81] | with homes for bastard children in my name. |
| [01:46.27] | All aboard the Luxor express to Cairo. |
| [01:49.82] | |
| [01:50.35] | MONTY NAVARRO |
| [01:50.63] | And off she went, |
| [01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
| [01:58.10] | and no british citizen was considered safe, |
| [02:01.87] | so you can imagine my surprise when |
| [02:03.90] | Lady Hyacinth returned to London quite unharmed. |
| [02:07.78] | |
| [02:08.07] | HYACINTH |
| [02:08.75] | Oh where will my largesse be truly appreciated, |
| [02:11.79] | I need a place so low that hope itself has been abandoned |
| [02:15.57] | |
| [02:15.78] | MONTY NAVARRO |
| [02:15.97] | You' ve heard of course of the untouchables in India. |
| [02:20.04] | |
| [02:20.42] | HYACINTH |
| [02:20.77] | India. Land of Hindus and Muslims, |
| [02:25.91] | of tamarind and saffron. Exotic and unknowable. |
| [02:30.87] | |
| [02:32.17] | That' s it! We' ll find ourselves some lepers in the Punjab. |
| [02:38.33] | The hopeless and the wretched and the cursed. |
| [02:42.44] | Forgotten and Unblessed |
| [02:43.78] | |
| [02:44.01] | ENTOURAGE |
| [02:44.16] | Unblessed |
| [02:44.48] | |
| [02:44.65] | HYACINTH |
| [02:44.82] | I' ll take them to my breast |
| [02:45.76] | |
| [02:45.92] | ENTOURAGE |
| [02:46.08] | Your Breast |
| [02:46.37] | |
| [02:46.54] | HYACINTH |
| [02:46.71] | If Daisy Greville doesn' t get there first. |
| [02:50.05] | When we arrive, they' ll hobble out to greet us |
| [02:53.07] | |
| [02:53.27] | ENTOURAGE |
| [02:53.43] | Hello there |
| [02:53.81] | |
| [02:54.09] | HYACINTH |
| [02:54.27] | Their toothless grins would melt a heart of stone |
| [02:56.49] | |
| [02:56.66] | ENTOURAGE |
| [02:56.85] | Awww |
| [02:57.68] | |
| [02:57.84] | HYACINTH |
| [02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
| [03:05.28] | now not a word to even your mothers til we leave although, |
| [03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
| [03:20.07] | call the Times of London. |
| [03:22.21] | |
| [03:22.59] | MONTY NAVARRO |
| [03:23.48] | And off she went, |
| [03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
| [03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
| [03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
| [03:42.52] | I don' t suppose you' d be willing to penetrate the jungle of deepest darkest Africa |
| [03:48.59] | |
| [03:48.80] | HYACINTH |
| [03:49.73] | Africa. From Zululand to Yoruba, |
| [03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
| [04:00.42] | We' ll civilize a village in the jungle |
| [04:03.58] | |
| [04:03.79] | ENTOURAGE |
| [04:03.96] | The Jungle |
| [04:04.59] | |
| [04:04.77] | HYACINTH |
| [04:04.94] | It can' t take long to learn their mother tongue |
| [04:06.98] | |
| [04:07.15] | ENTOURAGE |
| [04:07.32] | Not long then |
| [04:08.21] | |
| [04:08.39] | HYACINTH |
| [04:08.55] | The words they have are six and five of them are clicks |
| [04:11.80] | |
| [04:12.00] | HYACINTH |
| [04:12.36] | And all of them are different words for dong. |
| [04:16.29] | And can' t you see their frightful painted faces |
| [04:18.93] | |
| [04:19.10] | ENTOURAGE |
| [04:19.28] | Their faces |
| [04:19.81] | |
| [04:19.78] | HYACINTH |
| [04:19.99] | They' ll teach us how to swing from vine to vine |
| [04:22.26] | |
| [04:22.44] | ENTOURAGE |
| [04:22.60] | From vine to vine to vine |
| [04:23.52] | |
| [04:23.69] | HYACINTH |
| [04:23.85] | It' s Daisy Greville' s loss, she' ll never come across, |
| [04:27.32] | a tribe of backward natives worse than mine. |
| [04:31.01] | |
| [04:31.20] | Their may appall us. But even they are part of God' s design |
| [04:39.24] | |
| [04:39.44] | ENTOURAGE |
| [04:39.67] | Awww |
| [04:41.07] | |
| [04:41.29] | HYACINTH |
| [04:41.47] | We bid you all goodbye |
| [04:42.80] | |
| [04:42.98] | ENTOURAGE |
| [04:43.13] | Goodbye |
| [04:43.36] | |
| [04:43.53] | HYACINTH |
| [04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
| [04:51.23] | Charity towards others is divine. |
| [04:58.74] | |
| [04:59.00] | ENTOURAGE |
| [04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
| [05:02.16] |
| [00:00.14] | HYACINTH |
| [00:00.56] | If I' m ever to show my face in society again, |
| [00:02.85] | I' ve got to find a new cause of my own and quickly. Come, come, any ideas? |
| [00:07.55] | |
| [00:07.80] | ENTOURAGE |
| [00:08.21] | Daisy Greville has the old. Lady Sit well has the blind |
| [00:11.07] | |
| [00:11.30] | HYACINTH |
| [00:11.47] | And the fund for sailor' s widows? |
| [00:13.08] | |
| [00:13.27] | ENTOURAGE |
| [00:13.46] | That' s the two of them combined |
| [00:15.20] | |
| [00:15.46] | HYACINTH |
| [00:15.92] | Nightschool for the nervous? |
| [00:17.25] | |
| [00:17.47] | ENTOURAGE |
| [00:17.64] | Lady Beach and Margaret Guest |
| [00:19.12] | |
| [00:19.32] | HYACINTH |
| [00:19.53] | Crutches for the crippled? |
| [00:21.02] | |
| [00:21.21] | ENTOURAGE |
| [00:21.39] | That was Elsie Ponds' bequest |
| [00:25.74] | |
| [00:25.93] | HYACINTH |
| [00:26.14] | Wayward women |
| [00:27.36] | |
| [00:27.55] | ENTOURAGE |
| [00:27.73] | Daisy Greville |
| [00:29.19] | |
| [00:29.39] | HYACINTH |
| [00:29.55] | Who' s behind disfigured men? |
| [00:31.77] | |
| [00:31.99] | ENTOURAGE |
| [00:32.17] | Daisy Greville |
| [00:34.30] | |
| [00:34.50] | HYACINTH |
| [00:34.68] | And the deaf don' t tell me it' s Greville yet again. |
| [00:39.44] | Everyone' s got something can' t you see why I' m bereft. |
| [00:44.65] | I want to do some good but what the devil' s left? |
| [00:48.96] | |
| [00:49.33] | ENTOURAGE |
| [00:49.76] | What the devil' s left? |
| [00:52.28] | |
| [00:53.15] | MONTY NAVARRO |
| [00:54.60] | If I may your Ladyship, one hears about such terrible poverty in Egypt these days |
| [01:01.84] | |
| [01:02.09] | HYACINTH |
| [01:02.31] | Egypt. Land of the pharaohs and of Moses the Israelite. |
| [01:09.40] | Home to the great pyramids and the sphinx. |
| [01:12.58] | |
| [01:12.84] | That' s it! We' ll populate an orphanage in Cairo, |
| [01:19.83] | with foundlings from the reeds along the Nile. |
| [01:23.74] | To watch a creature grow, to swaddle it and know |
| [01:27.42] | the joy of its pathetic little smile |
| [01:30.15] | |
| [01:30.40] | ENTOURAGE |
| [01:30.60] | It' s little smile |
| [01:31.66] | |
| [01:31.85] | HYACINTH |
| [01:32.03] | The news will travel soon enough to London |
| [01:34.06] | |
| [01:34.24] | ENTOURAGE |
| [01:34.41] | To London |
| [01:34.99] | |
| [01:35.17] | HYACINTH |
| [01:35.34] | Our selflessness will meet with great acclaim |
| [01:38.12] | |
| [01:38.27] | ENTOURAGE |
| [01:38.43] | Huzzah |
| [01:38.98] | |
| [01:39.02] | HYACINTH |
| [01:39.19] | The sniping will be stilled, and the empire will be filled, |
| [01:42.81] | with homes for bastard children in my name. |
| [01:46.27] | All aboard the Luxor express to Cairo. |
| [01:49.82] | |
| [01:50.35] | MONTY NAVARRO |
| [01:50.63] | And off she went, |
| [01:52.07] | what I failed to tell her was that a violent uprising against the empire was imminent |
| [01:58.10] | and no british citizen was considered safe, |
| [02:01.87] | so you can imagine my surprise when |
| [02:03.90] | Lady Hyacinth returned to London quite unharmed. |
| [02:07.78] | |
| [02:08.07] | HYACINTH |
| [02:08.75] | Oh where will my largesse be truly appreciated, |
| [02:11.79] | I need a place so low that hope itself has been abandoned |
| [02:15.57] | |
| [02:15.78] | MONTY NAVARRO |
| [02:15.97] | You' ve heard of course of the untouchables in India. |
| [02:20.04] | |
| [02:20.42] | HYACINTH |
| [02:20.77] | India. Land of Hindus and Muslims, |
| [02:25.91] | of tamarind and saffron. Exotic and unknowable. |
| [02:30.87] | |
| [02:32.17] | That' s it! We' ll find ourselves some lepers in the Punjab. |
| [02:38.33] | The hopeless and the wretched and the cursed. |
| [02:42.44] | Forgotten and Unblessed |
| [02:43.78] | |
| [02:44.01] | ENTOURAGE |
| [02:44.16] | Unblessed |
| [02:44.48] | |
| [02:44.65] | HYACINTH |
| [02:44.82] | I' ll take them to my breast |
| [02:45.76] | |
| [02:45.92] | ENTOURAGE |
| [02:46.08] | Your Breast |
| [02:46.37] | |
| [02:46.54] | HYACINTH |
| [02:46.71] | If Daisy Greville doesn' t get there first. |
| [02:50.05] | When we arrive, they' ll hobble out to greet us |
| [02:53.07] | |
| [02:53.27] | ENTOURAGE |
| [02:53.43] | Hello there |
| [02:53.81] | |
| [02:54.09] | HYACINTH |
| [02:54.27] | Their toothless grins would melt a heart of stone |
| [02:56.49] | |
| [02:56.66] | ENTOURAGE |
| [02:56.85] | Awww |
| [02:57.68] | |
| [02:57.84] | HYACINTH |
| [02:58.01] | And every dilettante, will envy me and want a colony of lepers of her own, |
| [03:05.28] | now not a word to even your mothers til we leave although, |
| [03:12.70] | come to think of it what is the point of helping others unless you let the whole world know, |
| [03:20.07] | call the Times of London. |
| [03:22.21] | |
| [03:22.59] | MONTY NAVARRO |
| [03:23.48] | And off she went, |
| [03:25.14] | I neglected to mention the malaria pandemic in the Punjab |
| [03:29.44] | a bit of insurance in case leprosy itself failed to prove contagious, |
| [03:34.19] | so you can imagine my shock when Lady Hyacinth returned to London in record time quite the picture of health. |
| [03:42.52] | I don' t suppose you' d be willing to penetrate the jungle of deepest darkest Africa |
| [03:48.59] | |
| [03:48.80] | HYACINTH |
| [03:49.73] | Africa. From Zululand to Yoruba, |
| [03:54.25] | home of proud warriors that naked torsos rippling in the firelight. |
| [04:00.42] | We' ll civilize a village in the jungle |
| [04:03.58] | |
| [04:03.79] | ENTOURAGE |
| [04:03.96] | The Jungle |
| [04:04.59] | |
| [04:04.77] | HYACINTH |
| [04:04.94] | It can' t take long to learn their mother tongue |
| [04:06.98] | |
| [04:07.15] | ENTOURAGE |
| [04:07.32] | Not long then |
| [04:08.21] | |
| [04:08.39] | HYACINTH |
| [04:08.55] | The words they have are six and five of them are clicks |
| [04:11.80] | |
| [04:12.00] | HYACINTH |
| [04:12.36] | And all of them are different words for dong. |
| [04:16.29] | And can' t you see their frightful painted faces |
| [04:18.93] | |
| [04:19.10] | ENTOURAGE |
| [04:19.28] | Their faces |
| [04:19.81] | |
| [04:19.78] | HYACINTH |
| [04:19.99] | They' ll teach us how to swing from vine to vine |
| [04:22.26] | |
| [04:22.44] | ENTOURAGE |
| [04:22.60] | From vine to vine to vine |
| [04:23.52] | |
| [04:23.69] | HYACINTH |
| [04:23.85] | It' s Daisy Greville' s loss, she' ll never come across, |
| [04:27.32] | a tribe of backward natives worse than mine. |
| [04:31.01] | |
| [04:31.20] | Their may appall us. But even they are part of God' s design |
| [04:39.24] | |
| [04:39.44] | ENTOURAGE |
| [04:39.67] | Awww |
| [04:41.07] | |
| [04:41.29] | HYACINTH |
| [04:41.47] | We bid you all goodbye |
| [04:42.80] | |
| [04:42.98] | ENTOURAGE |
| [04:43.13] | Goodbye |
| [04:43.36] | |
| [04:43.53] | HYACINTH |
| [04:43.71] | Let all of London try, to find a tribe of natives worse than mine. |
| [04:51.23] | Charity towards others is divine. |
| [04:58.74] | |
| [04:59.00] | ENTOURAGE |
| [04:59.28] | Divine, Divine, Divine, Divine, Charity is Divine. |
| [05:02.16] |
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