| 歌曲 | Opening Doors |
| 歌手 | Stephen Sondheim |
| 专辑 | Sondheim on Sondheim (original broadway cast recording) |
| 下载 | Image LRC TXT |
| [00:19.093] | How's it going? |
| [00:19.842] | Good, you? |
| [00:20.593] | Fair |
| [00:21.093] | Yeah, tell me |
| [00:22.093] | |
| [00:22.592] | Chinese laundry |
| [00:23.342] | Hi |
| [00:23.843] | Mary |
| [00:24.342] | Say hello |
| [00:25.092] | |
| [00:25.343] | I think I got a job |
| [00:26.593] | Where? |
| [00:27.092] | True Romances |
| [00:27.843] | |
| [00:28.092] | Posing? |
| [00:28.842] | Thank you, writing captions |
| [00:30.093] | What about the book? |
| [00:30.842] | What about the book? |
| [00:31.343] | |
| [00:31.592] | Nothing, are you working on your book? |
| [00:32.592] | Yes |
| [00:33.092] | Good |
| [00:33.343] | No |
| [00:33.843] | |
| [00:34.092] | Mary |
| [00:34.593] | Right, I know, yes, me and Balzac |
| [00:36.343] | |
| [00:39.842] | I finished the one act |
| [00:40.592] | I got an audition |
| [00:41.593] | I started the story |
| [00:42.592] | Rehearsal pianist |
| [00:43.342] | |
| [00:43.342] | So where are we eating? |
| [00:44.592] | I'm moving to Playboy |
| [00:45.592] | The publisher called me |
| [00:46.342] | I'm doing a rewrite |
| [00:47.093] | |
| [00:47.343] | My parents are coming |
| [00:48.342] | I saw My Fair Lady |
| [00:49.342] | I rewrote the rewrite |
| [00:50.093] | I sort of enjoyed it |
| [00:50.843] | |
| [00:51.342] | I threw out the story |
| [00:51.843] | I'm meeting an agent |
| [00:53.092] | We'll all get together on Sunday |
| [00:54.343] | |
| [00:54.592] | We're opening doors |
| [00:55.843] | Singing, 'Here we are' |
| [00:58.093] | We're filling up days |
| [00:59.593] | On a dime |
| [01:01.342] | |
| [01:01.843] | That faraway shore's |
| [01:03.343] | Looking not too far |
| [01:05.342] | We're following every star |
| [01:07.343] | There's not enough time |
| [01:10.093] | |
| [01:15.843] | I called a producer |
| [01:16.594] | I sent off the one act |
| [01:17.593] | I started the story |
| [01:18.593] | He said to come see him |
| [01:19.342] | |
| [01:19.593] | I dropped out of college |
| [01:20.593] | I met this musician |
| [01:21.592] | I'm playing a nightclub |
| [01:22.593] | They're doing my one act |
| [01:23.343] | |
| [01:23.592] | I'm working for Redbook |
| [01:24.593] | I rewrote the ballad |
| [01:25.592] | I finished the story |
| [01:26.342] | We started rehearsals |
| [01:27.344] | |
| [01:27.344] | I threw out the story |
| [01:28.342] | And then the musician |
| [01:29.343] | I'm moving to Popular Science |
| [01:30.592] | |
| [01:30.842] | We're opening doors |
| [01:32.343] | Singing, 'Look who's here' |
| [01:34.342] | Beginning to sail |
| [01:35.843] | On a dime |
| [01:37.843] | |
| [01:38.092] | That faraway shore's |
| [01:39.593] | Getting very near |
| [01:41.842] | We haven't a thing to fear |
| [01:43.843] | We haven't got time |
| [01:47.342] | |
| [01:48.791] | How's it coming? |
| [01:49.291] | Good, You? |
| [01:50.291] | Done |
| [01:50.791] | One minute |
| [01:51.542] | |
| [01:51.791] | Hamburg Heaven |
| [01:53.041] | Hi |
| [01:53.540] | Mary |
| [01:53.791] | Say hello |
| [01:54.541] | |
| [01:54.791] | I got another job |
| [01:56.290] | Where? |
| [01:56.790] | Chic |
| [01:57.291] | What's that? |
| [01:57.792] | |
| [01:58.041] | A brand new concept: |
| [01:58.540] | Pop up pictures |
| [01:59.541] | What about the book? |
| [02:00.291] | What about the book? |
| [02:00.791] | |
| [02:01.041] | Did you give the publisher the book? |
| [02:02.041] | Yes |
| [02:02.540] | Good |
| [02:03.041] | No |
| [02:03.291] | |
| [02:03.541] | Mary |
| [02:04.041] | Look, I |
| [02:04.291] | Finished |
| [02:04.790] | Let me call you back |
| [02:05.291] | Right |
| [02:05.541] | |
| [02:06.290] | This is just a draft |
| [02:06.540] | Right |
| [02:07.041] | Probably it stinks |
| [02:07.541] | Right |
| [02:08.040] | I haven't had the time to do a polish |
| [02:09.727] | Will you sing |
| [02:10.228] | |
| [02:10.477] | Right |
| [02:10.978] | "Who wants to live in New York? |
| [02:13.727] | Who wants the worry, the noise, the dirt, the heat? |
| [02:16.477] | Who wants the garbage cans clanging in the street? |
| [02:19.477] | Suddenly I do |
| [02:21.477] | |
| [02:22.226] | They're always popping the cork |
| [02:24.227] | I'll fix that line |
| [02:25.727] | The cops, the cabbies, the salesgirls up at Saks |
| [02:28.227] | You gotta have a real taste for maniacs |
| [02:30.977] | Suddenly I do |
| [02:33.227] | |
| [02:33.726] | That's great, that's swell |
| [02:36.727] | The other stuff as well |
| [02:39.727] | It isn't every day |
| [02:40.977] | I hear a score this strong |
| [02:42.727] | But fellas, if I may |
| [02:43.728] | There's only one thing wrong |
| [02:45.227] | |
| [02:45.478] | There's not a tune you can hum |
| [02:48.477] | There's not a tune you go bum, bum, bum, di, dum |
| [02:51.477] | You need a tune you can bum, bum, bum, di, dum |
| [02:54.477] | Give me a melody |
| [02:56.421] | |
| [02:57.420] | Why can't you throw 'em a crumb? |
| [03:00.171] | What's wrong with letting 'em tap their toes a bit? |
| [03:02.920] | I'll let you know when Stravinsky has a hit |
| [03:05.921] | Give me some melody |
| [03:08.421] | |
| [03:08.670] | Oh sure, I know |
| [03:11.672] | It's not that kind of show |
| [03:14.671] | But can't you have a score |
| [03:16.170] | That's sort of in between? |
| [03:17.671] | Look, play a little more |
| [03:18.921] | I'll show you what I mean |
| [03:20.420] | |
| [03:20.670] | Who wants to live in New York? |
| [03:23.420] | I always hated the dirt, the heat, the noise |
| [03:26.171] | But ever since I met you, I |
| [03:29.365] | |
| [03:29.615] | Listen, boys, maybe it's me |
| [03:31.616] | But that's just not a humable melody |
| [03:36.865] | Write more, work hard |
| [03:38.116] | Leave your name with the girl |
| [03:39.116] | |
| [03:39.616] | Less avant-garde |
| [03:41.116] | Leave your name with the girl |
| [03:43.116] | Just write a plain old melodey |
| [03:57.366] | |
| [04:01.866] | They're stopping rehearsals |
| [04:02.615] | They ran out of money |
| [04:04.865] | We lasted one issue |
| [04:05.617] | My book was rejected |
| [04:06.866] | |
| [04:07.865] | The nightclub was raided |
| [04:08.866] | I have to start coaching |
| [04:11.616] | My parents are coming |
| [04:12.615] | They screwed up the laundry |
| [04:13.866] | |
| [04:14.115] | My wallet was stolen |
| [04:14.866] | I saw the musician |
| [04:15.865] | We're being evicted |
| [04:16.865] | I'm having a breakdown |
| [04:17.865] | We'll all get together on Sunday |
| [04:18.616] | |
| [04:19.365] | They're slamming doors |
| [04:20.615] | Singing, 'Go away' |
| [04:22.865] | It's less of a sail |
| [04:24.616] | Than a climb |
| [04:26.365] | |
| [04:26.617] | That faraway shore's |
| [04:28.366] | Farther every day |
| [04:30.616] | We're learning to ricochet |
| [04:32.366] | We still have a lot to say |
| [04:33.866] | |
| [04:34.615] | You know what we'll do? |
| [04:35.866] | What? |
| [04:36.616] | We'll do a revue |
| [04:37.615] | What? |
| [04:38.365] | |
| [04:38.616] | What? |
| [04:39.115] | We'll do a revue of our own |
| [04:41.366] | What? Where? |
| [04:41.866] | Why? When? |
| [04:42.865] | |
| [04:43.116] | Not just songs but stories, scenes |
| [04:44.616] | Piano pieces, mime |
| [04:46.115] | Yeah |
| [04:46.867] | |
| [04:47.366] | Frankly Frank |
| [04:47.865] | A showcase of our own? |
| [04:49.116] | Where? |
| [04:49.615] | |
| [04:49.615] | The club's reopening |
| [04:50.616] | We'll write a lot of new stuff |
| [04:51.616] | Rewrite the old stuff |
| [04:52.366] | |
| [04:52.615] | What about the girl? |
| [04:53.116] | What about the girl? |
| [04:53.865] | Only that we're gonna need a girl |
| [04:55.116] | Well, Mary |
| [04:55.866] | |
| [04:56.116] | Thanks, I don't perform except at dinner |
| [04:58.615] | |
| [04:58.866] | Who wants to live in New York? |
| [05:02.116] | Who wants the worry, the noise, the dirt, the heat? |
| [05:05.116] | Who wants the garbage cans clanging in the street? |
| [05:08.365] | |
| [05:08.615] | Thank you,but we are looking for |
| [05:10.116] | Someone with more experience |
| [05:10.865] | |
| [05:11.365] | They're always popping their cork |
| [05:14.115] | Up a tone |
| [05:14.615] | The cops, the cabbies, the salesgirls up at Saks |
| [05:16.866] | Up a tone |
| [05:19.062] | You gotta have a real taste for maniacs |
| [05:20.812] | Thank you, you're hired |
| [05:23.062] | |
| [05:23.561] | I'm Beth |
| [05:24.562] | I'm Frank |
| [05:25.561] | I really thought I stank |
| [05:27.061] | I'm Mary |
| [05:27.561] | Charley |
| [05:28.061] | |
| [05:28.311] | By the way |
| [05:28.811] | I'm told we open Saturday |
| [05:31.562] | What |
| [05:32.061] | You're not serious |
| [05:32.561] | Nobody's ready |
| [05:33.311] | |
| [05:33.561] | Apparently someone cancelled a booking |
| [05:35.562] | The songs aren't finsihed |
| [05:36.561] | And what about costumes? |
| [05:37.561] | And how do I learn all these numbers? |
| [05:39.062] | I'll bring you the copies of everything later this evening. |
| [05:39.561] | |
| [05:40.061] | Okay, but I'll have to have all the music and |
| [05:40.561] | Saturday I've got to sing at a wedding |
| [05:40.811] | Oh God, is there dancing 'cause I'm not a dancer? |
| [05:41.310] | Not to mention I still haven't finished the |
| [05:41.811] | Synanon song or the Kennedy number |
| [05:42.312] | |
| [05:42.562] | You don't have to, we'll segue the |
| [05:43.062] | End of it into the dance we cut out |
| [05:43.312] | And what'll we do about getting publicity |
| [05:43.811] | Run around town putting stickers on windows? |
| [05:44.312] | |
| [05:44.811] | And have we decided or not on the restaurant sketch? |
| [05:45.311] | I need two or three days to replace it |
| [05:45.812] | | No, we'll use it but not with the long introduction |
| [05:46.811] | We'll worry about it on Sunday |
| [05:47.812] | |
| [05:48.061] | We're opening doors, singing, 'Here we are' |
| [05:51.811] | We're filling up days on a dime |
| [05:55.312] | That faraway shore's looking not too far |
| [05:59.508] | We're following every star |
| [06:00.758] | There's not enough time |
| [06:04.008] | |
| [06:04.508] | We're banging on doors, shouting, 'Here again' |
| [06:08.007] | We're risking it all on a dime |
| [06:11.759] | That faraway shore's looking near again |
| [06:15.508] | The only thing left is when |
| [06:17.507] | We know we should count to ten |
| [06:19.258] | We haven't got time, we haven't got time |
| [00:19.093] | How' s it going? |
| [00:19.842] | Good, you? |
| [00:20.593] | Fair |
| [00:21.093] | Yeah, tell me |
| [00:22.093] | |
| [00:22.592] | Chinese laundry |
| [00:23.342] | Hi |
| [00:23.843] | Mary |
| [00:24.342] | Say hello |
| [00:25.092] | |
| [00:25.343] | I think I got a job |
| [00:26.593] | Where? |
| [00:27.092] | True Romances |
| [00:27.843] | |
| [00:28.092] | Posing? |
| [00:28.842] | Thank you, writing captions |
| [00:30.093] | What about the book? |
| [00:30.842] | What about the book? |
| [00:31.343] | |
| [00:31.592] | Nothing, are you working on your book? |
| [00:32.592] | Yes |
| [00:33.092] | Good |
| [00:33.343] | No |
| [00:33.843] | |
| [00:34.092] | Mary |
| [00:34.593] | Right, I know, yes, me and Balzac |
| [00:36.343] | |
| [00:39.842] | I finished the one act |
| [00:40.592] | I got an audition |
| [00:41.593] | I started the story |
| [00:42.592] | Rehearsal pianist |
| [00:43.342] | |
| [00:43.342] | So where are we eating? |
| [00:44.592] | I' m moving to Playboy |
| [00:45.592] | The publisher called me |
| [00:46.342] | I' m doing a rewrite |
| [00:47.093] | |
| [00:47.343] | My parents are coming |
| [00:48.342] | I saw My Fair Lady |
| [00:49.342] | I rewrote the rewrite |
| [00:50.093] | I sort of enjoyed it |
| [00:50.843] | |
| [00:51.342] | I threw out the story |
| [00:51.843] | I' m meeting an agent |
| [00:53.092] | We' ll all get together on Sunday |
| [00:54.343] | |
| [00:54.592] | We' re opening doors |
| [00:55.843] | Singing, ' Here we are' |
| [00:58.093] | We' re filling up days |
| [00:59.593] | On a dime |
| [01:01.342] | |
| [01:01.843] | That faraway shore' s |
| [01:03.343] | Looking not too far |
| [01:05.342] | We' re following every star |
| [01:07.343] | There' s not enough time |
| [01:10.093] | |
| [01:15.843] | I called a producer |
| [01:16.594] | I sent off the one act |
| [01:17.593] | I started the story |
| [01:18.593] | He said to come see him |
| [01:19.342] | |
| [01:19.593] | I dropped out of college |
| [01:20.593] | I met this musician |
| [01:21.592] | I' m playing a nightclub |
| [01:22.593] | They' re doing my one act |
| [01:23.343] | |
| [01:23.592] | I' m working for Redbook |
| [01:24.593] | I rewrote the ballad |
| [01:25.592] | I finished the story |
| [01:26.342] | We started rehearsals |
| [01:27.344] | |
| [01:27.344] | I threw out the story |
| [01:28.342] | And then the musician |
| [01:29.343] | I' m moving to Popular Science |
| [01:30.592] | |
| [01:30.842] | We' re opening doors |
| [01:32.343] | Singing, ' Look who' s here' |
| [01:34.342] | Beginning to sail |
| [01:35.843] | On a dime |
| [01:37.843] | |
| [01:38.092] | That faraway shore' s |
| [01:39.593] | Getting very near |
| [01:41.842] | We haven' t a thing to fear |
| [01:43.843] | We haven' t got time |
| [01:47.342] | |
| [01:48.791] | How' s it coming? |
| [01:49.291] | Good, You? |
| [01:50.291] | Done |
| [01:50.791] | One minute |
| [01:51.542] | |
| [01:51.791] | Hamburg Heaven |
| [01:53.041] | Hi |
| [01:53.540] | Mary |
| [01:53.791] | Say hello |
| [01:54.541] | |
| [01:54.791] | I got another job |
| [01:56.290] | Where? |
| [01:56.790] | Chic |
| [01:57.291] | What' s that? |
| [01:57.792] | |
| [01:58.041] | A brand new concept: |
| [01:58.540] | Pop up pictures |
| [01:59.541] | What about the book? |
| [02:00.291] | What about the book? |
| [02:00.791] | |
| [02:01.041] | Did you give the publisher the book? |
| [02:02.041] | Yes |
| [02:02.540] | Good |
| [02:03.041] | No |
| [02:03.291] | |
| [02:03.541] | Mary |
| [02:04.041] | Look, I |
| [02:04.291] | Finished |
| [02:04.790] | Let me call you back |
| [02:05.291] | Right |
| [02:05.541] | |
| [02:06.290] | This is just a draft |
| [02:06.540] | Right |
| [02:07.041] | Probably it stinks |
| [02:07.541] | Right |
| [02:08.040] | I haven' t had the time to do a polish |
| [02:09.727] | Will you sing |
| [02:10.228] | |
| [02:10.477] | Right |
| [02:10.978] | " Who wants to live in New York? |
| [02:13.727] | Who wants the worry, the noise, the dirt, the heat? |
| [02:16.477] | Who wants the garbage cans clanging in the street? |
| [02:19.477] | Suddenly I do |
| [02:21.477] | |
| [02:22.226] | They' re always popping the cork |
| [02:24.227] | I' ll fix that line |
| [02:25.727] | The cops, the cabbies, the salesgirls up at Saks |
| [02:28.227] | You gotta have a real taste for maniacs |
| [02:30.977] | Suddenly I do |
| [02:33.227] | |
| [02:33.726] | That' s great, that' s swell |
| [02:36.727] | The other stuff as well |
| [02:39.727] | It isn' t every day |
| [02:40.977] | I hear a score this strong |
| [02:42.727] | But fellas, if I may |
| [02:43.728] | There' s only one thing wrong |
| [02:45.227] | |
| [02:45.478] | There' s not a tune you can hum |
| [02:48.477] | There' s not a tune you go bum, bum, bum, di, dum |
| [02:51.477] | You need a tune you can bum, bum, bum, di, dum |
| [02:54.477] | Give me a melody |
| [02:56.421] | |
| [02:57.420] | Why can' t you throw ' em a crumb? |
| [03:00.171] | What' s wrong with letting ' em tap their toes a bit? |
| [03:02.920] | I' ll let you know when Stravinsky has a hit |
| [03:05.921] | Give me some melody |
| [03:08.421] | |
| [03:08.670] | Oh sure, I know |
| [03:11.672] | It' s not that kind of show |
| [03:14.671] | But can' t you have a score |
| [03:16.170] | That' s sort of in between? |
| [03:17.671] | Look, play a little more |
| [03:18.921] | I' ll show you what I mean |
| [03:20.420] | |
| [03:20.670] | Who wants to live in New York? |
| [03:23.420] | I always hated the dirt, the heat, the noise |
| [03:26.171] | But ever since I met you, I |
| [03:29.365] | |
| [03:29.615] | Listen, boys, maybe it' s me |
| [03:31.616] | But that' s just not a humable melody |
| [03:36.865] | Write more, work hard |
| [03:38.116] | Leave your name with the girl |
| [03:39.116] | |
| [03:39.616] | Less avantgarde |
| [03:41.116] | Leave your name with the girl |
| [03:43.116] | Just write a plain old melodey |
| [03:57.366] | |
| [04:01.866] | They' re stopping rehearsals |
| [04:02.615] | They ran out of money |
| [04:04.865] | We lasted one issue |
| [04:05.617] | My book was rejected |
| [04:06.866] | |
| [04:07.865] | The nightclub was raided |
| [04:08.866] | I have to start coaching |
| [04:11.616] | My parents are coming |
| [04:12.615] | They screwed up the laundry |
| [04:13.866] | |
| [04:14.115] | My wallet was stolen |
| [04:14.866] | I saw the musician |
| [04:15.865] | We' re being evicted |
| [04:16.865] | I' m having a breakdown |
| [04:17.865] | We' ll all get together on Sunday |
| [04:18.616] | |
| [04:19.365] | They' re slamming doors |
| [04:20.615] | Singing, ' Go away' |
| [04:22.865] | It' s less of a sail |
| [04:24.616] | Than a climb |
| [04:26.365] | |
| [04:26.617] | That faraway shore' s |
| [04:28.366] | Farther every day |
| [04:30.616] | We' re learning to ricochet |
| [04:32.366] | We still have a lot to say |
| [04:33.866] | |
| [04:34.615] | You know what we' ll do? |
| [04:35.866] | What? |
| [04:36.616] | We' ll do a revue |
| [04:37.615] | What? |
| [04:38.365] | |
| [04:38.616] | What? |
| [04:39.115] | We' ll do a revue of our own |
| [04:41.366] | What? Where? |
| [04:41.866] | Why? When? |
| [04:42.865] | |
| [04:43.116] | Not just songs but stories, scenes |
| [04:44.616] | Piano pieces, mime |
| [04:46.115] | Yeah |
| [04:46.867] | |
| [04:47.366] | Frankly Frank |
| [04:47.865] | A showcase of our own? |
| [04:49.116] | Where? |
| [04:49.615] | |
| [04:49.615] | The club' s reopening |
| [04:50.616] | We' ll write a lot of new stuff |
| [04:51.616] | Rewrite the old stuff |
| [04:52.366] | |
| [04:52.615] | What about the girl? |
| [04:53.116] | What about the girl? |
| [04:53.865] | Only that we' re gonna need a girl |
| [04:55.116] | Well, Mary |
| [04:55.866] | |
| [04:56.116] | Thanks, I don' t perform except at dinner |
| [04:58.615] | |
| [04:58.866] | Who wants to live in New York? |
| [05:02.116] | Who wants the worry, the noise, the dirt, the heat? |
| [05:05.116] | Who wants the garbage cans clanging in the street? |
| [05:08.365] | |
| [05:08.615] | Thank you, but we are looking for |
| [05:10.116] | Someone with more experience |
| [05:10.865] | |
| [05:11.365] | They' re always popping their cork |
| [05:14.115] | Up a tone |
| [05:14.615] | The cops, the cabbies, the salesgirls up at Saks |
| [05:16.866] | Up a tone |
| [05:19.062] | You gotta have a real taste for maniacs |
| [05:20.812] | Thank you, you' re hired |
| [05:23.062] | |
| [05:23.561] | I' m Beth |
| [05:24.562] | I' m Frank |
| [05:25.561] | I really thought I stank |
| [05:27.061] | I' m Mary |
| [05:27.561] | Charley |
| [05:28.061] | |
| [05:28.311] | By the way |
| [05:28.811] | I' m told we open Saturday |
| [05:31.562] | What |
| [05:32.061] | You' re not serious |
| [05:32.561] | Nobody' s ready |
| [05:33.311] | |
| [05:33.561] | Apparently someone cancelled a booking |
| [05:35.562] | The songs aren' t finsihed |
| [05:36.561] | And what about costumes? |
| [05:37.561] | And how do I learn all these numbers? |
| [05:39.062] | I' ll bring you the copies of everything later this evening. |
| [05:39.561] | |
| [05:40.061] | Okay, but I' ll have to have all the music and |
| [05:40.561] | Saturday I' ve got to sing at a wedding |
| [05:40.811] | Oh God, is there dancing ' cause I' m not a dancer? |
| [05:41.310] | Not to mention I still haven' t finished the |
| [05:41.811] | Synanon song or the Kennedy number |
| [05:42.312] | |
| [05:42.562] | You don' t have to, we' ll segue the |
| [05:43.062] | End of it into the dance we cut out |
| [05:43.312] | And what' ll we do about getting publicity |
| [05:43.811] | Run around town putting stickers on windows? |
| [05:44.312] | |
| [05:44.811] | And have we decided or not on the restaurant sketch? |
| [05:45.311] | I need two or three days to replace it |
| [05:45.812] | No, we' ll use it but not with the long introduction |
| [05:46.811] | We' ll worry about it on Sunday |
| [05:47.812] | |
| [05:48.061] | We' re opening doors, singing, ' Here we are' |
| [05:51.811] | We' re filling up days on a dime |
| [05:55.312] | That faraway shore' s looking not too far |
| [05:59.508] | We' re following every star |
| [06:00.758] | There' s not enough time |
| [06:04.008] | |
| [06:04.508] | We' re banging on doors, shouting, ' Here again' |
| [06:08.007] | We' re risking it all on a dime |
| [06:11.759] | That faraway shore' s looking near again |
| [06:15.508] | The only thing left is when |
| [06:17.507] | We know we should count to ten |
| [06:19.258] | We haven' t got time, we haven' t got time |
| [00:19.093] | How' s it going? |
| [00:19.842] | Good, you? |
| [00:20.593] | Fair |
| [00:21.093] | Yeah, tell me |
| [00:22.093] | |
| [00:22.592] | Chinese laundry |
| [00:23.342] | Hi |
| [00:23.843] | Mary |
| [00:24.342] | Say hello |
| [00:25.092] | |
| [00:25.343] | I think I got a job |
| [00:26.593] | Where? |
| [00:27.092] | True Romances |
| [00:27.843] | |
| [00:28.092] | Posing? |
| [00:28.842] | Thank you, writing captions |
| [00:30.093] | What about the book? |
| [00:30.842] | What about the book? |
| [00:31.343] | |
| [00:31.592] | Nothing, are you working on your book? |
| [00:32.592] | Yes |
| [00:33.092] | Good |
| [00:33.343] | No |
| [00:33.843] | |
| [00:34.092] | Mary |
| [00:34.593] | Right, I know, yes, me and Balzac |
| [00:36.343] | |
| [00:39.842] | I finished the one act |
| [00:40.592] | I got an audition |
| [00:41.593] | I started the story |
| [00:42.592] | Rehearsal pianist |
| [00:43.342] | |
| [00:43.342] | So where are we eating? |
| [00:44.592] | I' m moving to Playboy |
| [00:45.592] | The publisher called me |
| [00:46.342] | I' m doing a rewrite |
| [00:47.093] | |
| [00:47.343] | My parents are coming |
| [00:48.342] | I saw My Fair Lady |
| [00:49.342] | I rewrote the rewrite |
| [00:50.093] | I sort of enjoyed it |
| [00:50.843] | |
| [00:51.342] | I threw out the story |
| [00:51.843] | I' m meeting an agent |
| [00:53.092] | We' ll all get together on Sunday |
| [00:54.343] | |
| [00:54.592] | We' re opening doors |
| [00:55.843] | Singing, ' Here we are' |
| [00:58.093] | We' re filling up days |
| [00:59.593] | On a dime |
| [01:01.342] | |
| [01:01.843] | That faraway shore' s |
| [01:03.343] | Looking not too far |
| [01:05.342] | We' re following every star |
| [01:07.343] | There' s not enough time |
| [01:10.093] | |
| [01:15.843] | I called a producer |
| [01:16.594] | I sent off the one act |
| [01:17.593] | I started the story |
| [01:18.593] | He said to come see him |
| [01:19.342] | |
| [01:19.593] | I dropped out of college |
| [01:20.593] | I met this musician |
| [01:21.592] | I' m playing a nightclub |
| [01:22.593] | They' re doing my one act |
| [01:23.343] | |
| [01:23.592] | I' m working for Redbook |
| [01:24.593] | I rewrote the ballad |
| [01:25.592] | I finished the story |
| [01:26.342] | We started rehearsals |
| [01:27.344] | |
| [01:27.344] | I threw out the story |
| [01:28.342] | And then the musician |
| [01:29.343] | I' m moving to Popular Science |
| [01:30.592] | |
| [01:30.842] | We' re opening doors |
| [01:32.343] | Singing, ' Look who' s here' |
| [01:34.342] | Beginning to sail |
| [01:35.843] | On a dime |
| [01:37.843] | |
| [01:38.092] | That faraway shore' s |
| [01:39.593] | Getting very near |
| [01:41.842] | We haven' t a thing to fear |
| [01:43.843] | We haven' t got time |
| [01:47.342] | |
| [01:48.791] | How' s it coming? |
| [01:49.291] | Good, You? |
| [01:50.291] | Done |
| [01:50.791] | One minute |
| [01:51.542] | |
| [01:51.791] | Hamburg Heaven |
| [01:53.041] | Hi |
| [01:53.540] | Mary |
| [01:53.791] | Say hello |
| [01:54.541] | |
| [01:54.791] | I got another job |
| [01:56.290] | Where? |
| [01:56.790] | Chic |
| [01:57.291] | What' s that? |
| [01:57.792] | |
| [01:58.041] | A brand new concept: |
| [01:58.540] | Pop up pictures |
| [01:59.541] | What about the book? |
| [02:00.291] | What about the book? |
| [02:00.791] | |
| [02:01.041] | Did you give the publisher the book? |
| [02:02.041] | Yes |
| [02:02.540] | Good |
| [02:03.041] | No |
| [02:03.291] | |
| [02:03.541] | Mary |
| [02:04.041] | Look, I |
| [02:04.291] | Finished |
| [02:04.790] | Let me call you back |
| [02:05.291] | Right |
| [02:05.541] | |
| [02:06.290] | This is just a draft |
| [02:06.540] | Right |
| [02:07.041] | Probably it stinks |
| [02:07.541] | Right |
| [02:08.040] | I haven' t had the time to do a polish |
| [02:09.727] | Will you sing |
| [02:10.228] | |
| [02:10.477] | Right |
| [02:10.978] | " Who wants to live in New York? |
| [02:13.727] | Who wants the worry, the noise, the dirt, the heat? |
| [02:16.477] | Who wants the garbage cans clanging in the street? |
| [02:19.477] | Suddenly I do |
| [02:21.477] | |
| [02:22.226] | They' re always popping the cork |
| [02:24.227] | I' ll fix that line |
| [02:25.727] | The cops, the cabbies, the salesgirls up at Saks |
| [02:28.227] | You gotta have a real taste for maniacs |
| [02:30.977] | Suddenly I do |
| [02:33.227] | |
| [02:33.726] | That' s great, that' s swell |
| [02:36.727] | The other stuff as well |
| [02:39.727] | It isn' t every day |
| [02:40.977] | I hear a score this strong |
| [02:42.727] | But fellas, if I may |
| [02:43.728] | There' s only one thing wrong |
| [02:45.227] | |
| [02:45.478] | There' s not a tune you can hum |
| [02:48.477] | There' s not a tune you go bum, bum, bum, di, dum |
| [02:51.477] | You need a tune you can bum, bum, bum, di, dum |
| [02:54.477] | Give me a melody |
| [02:56.421] | |
| [02:57.420] | Why can' t you throw ' em a crumb? |
| [03:00.171] | What' s wrong with letting ' em tap their toes a bit? |
| [03:02.920] | I' ll let you know when Stravinsky has a hit |
| [03:05.921] | Give me some melody |
| [03:08.421] | |
| [03:08.670] | Oh sure, I know |
| [03:11.672] | It' s not that kind of show |
| [03:14.671] | But can' t you have a score |
| [03:16.170] | That' s sort of in between? |
| [03:17.671] | Look, play a little more |
| [03:18.921] | I' ll show you what I mean |
| [03:20.420] | |
| [03:20.670] | Who wants to live in New York? |
| [03:23.420] | I always hated the dirt, the heat, the noise |
| [03:26.171] | But ever since I met you, I |
| [03:29.365] | |
| [03:29.615] | Listen, boys, maybe it' s me |
| [03:31.616] | But that' s just not a humable melody |
| [03:36.865] | Write more, work hard |
| [03:38.116] | Leave your name with the girl |
| [03:39.116] | |
| [03:39.616] | Less avantgarde |
| [03:41.116] | Leave your name with the girl |
| [03:43.116] | Just write a plain old melodey |
| [03:57.366] | |
| [04:01.866] | They' re stopping rehearsals |
| [04:02.615] | They ran out of money |
| [04:04.865] | We lasted one issue |
| [04:05.617] | My book was rejected |
| [04:06.866] | |
| [04:07.865] | The nightclub was raided |
| [04:08.866] | I have to start coaching |
| [04:11.616] | My parents are coming |
| [04:12.615] | They screwed up the laundry |
| [04:13.866] | |
| [04:14.115] | My wallet was stolen |
| [04:14.866] | I saw the musician |
| [04:15.865] | We' re being evicted |
| [04:16.865] | I' m having a breakdown |
| [04:17.865] | We' ll all get together on Sunday |
| [04:18.616] | |
| [04:19.365] | They' re slamming doors |
| [04:20.615] | Singing, ' Go away' |
| [04:22.865] | It' s less of a sail |
| [04:24.616] | Than a climb |
| [04:26.365] | |
| [04:26.617] | That faraway shore' s |
| [04:28.366] | Farther every day |
| [04:30.616] | We' re learning to ricochet |
| [04:32.366] | We still have a lot to say |
| [04:33.866] | |
| [04:34.615] | You know what we' ll do? |
| [04:35.866] | What? |
| [04:36.616] | We' ll do a revue |
| [04:37.615] | What? |
| [04:38.365] | |
| [04:38.616] | What? |
| [04:39.115] | We' ll do a revue of our own |
| [04:41.366] | What? Where? |
| [04:41.866] | Why? When? |
| [04:42.865] | |
| [04:43.116] | Not just songs but stories, scenes |
| [04:44.616] | Piano pieces, mime |
| [04:46.115] | Yeah |
| [04:46.867] | |
| [04:47.366] | Frankly Frank |
| [04:47.865] | A showcase of our own? |
| [04:49.116] | Where? |
| [04:49.615] | |
| [04:49.615] | The club' s reopening |
| [04:50.616] | We' ll write a lot of new stuff |
| [04:51.616] | Rewrite the old stuff |
| [04:52.366] | |
| [04:52.615] | What about the girl? |
| [04:53.116] | What about the girl? |
| [04:53.865] | Only that we' re gonna need a girl |
| [04:55.116] | Well, Mary |
| [04:55.866] | |
| [04:56.116] | Thanks, I don' t perform except at dinner |
| [04:58.615] | |
| [04:58.866] | Who wants to live in New York? |
| [05:02.116] | Who wants the worry, the noise, the dirt, the heat? |
| [05:05.116] | Who wants the garbage cans clanging in the street? |
| [05:08.365] | |
| [05:08.615] | Thank you, but we are looking for |
| [05:10.116] | Someone with more experience |
| [05:10.865] | |
| [05:11.365] | They' re always popping their cork |
| [05:14.115] | Up a tone |
| [05:14.615] | The cops, the cabbies, the salesgirls up at Saks |
| [05:16.866] | Up a tone |
| [05:19.062] | You gotta have a real taste for maniacs |
| [05:20.812] | Thank you, you' re hired |
| [05:23.062] | |
| [05:23.561] | I' m Beth |
| [05:24.562] | I' m Frank |
| [05:25.561] | I really thought I stank |
| [05:27.061] | I' m Mary |
| [05:27.561] | Charley |
| [05:28.061] | |
| [05:28.311] | By the way |
| [05:28.811] | I' m told we open Saturday |
| [05:31.562] | What |
| [05:32.061] | You' re not serious |
| [05:32.561] | Nobody' s ready |
| [05:33.311] | |
| [05:33.561] | Apparently someone cancelled a booking |
| [05:35.562] | The songs aren' t finsihed |
| [05:36.561] | And what about costumes? |
| [05:37.561] | And how do I learn all these numbers? |
| [05:39.062] | I' ll bring you the copies of everything later this evening. |
| [05:39.561] | |
| [05:40.061] | Okay, but I' ll have to have all the music and |
| [05:40.561] | Saturday I' ve got to sing at a wedding |
| [05:40.811] | Oh God, is there dancing ' cause I' m not a dancer? |
| [05:41.310] | Not to mention I still haven' t finished the |
| [05:41.811] | Synanon song or the Kennedy number |
| [05:42.312] | |
| [05:42.562] | You don' t have to, we' ll segue the |
| [05:43.062] | End of it into the dance we cut out |
| [05:43.312] | And what' ll we do about getting publicity |
| [05:43.811] | Run around town putting stickers on windows? |
| [05:44.312] | |
| [05:44.811] | And have we decided or not on the restaurant sketch? |
| [05:45.311] | I need two or three days to replace it |
| [05:45.812] | No, we' ll use it but not with the long introduction |
| [05:46.811] | We' ll worry about it on Sunday |
| [05:47.812] | |
| [05:48.061] | We' re opening doors, singing, ' Here we are' |
| [05:51.811] | We' re filling up days on a dime |
| [05:55.312] | That faraway shore' s looking not too far |
| [05:59.508] | We' re following every star |
| [06:00.758] | There' s not enough time |
| [06:04.008] | |
| [06:04.508] | We' re banging on doors, shouting, ' Here again' |
| [06:08.007] | We' re risking it all on a dime |
| [06:11.759] | That faraway shore' s looking near again |
| [06:15.508] | The only thing left is when |
| [06:17.507] | We know we should count to ten |
| [06:19.258] | We haven' t got time, we haven' t got time |
| [00:19.093] | 进展如何? |
| [00:19.842] | 还行,你呢? |
| [00:20.593] | 一般 |
| [00:21.093] | 得了,跟我说说 |
| [00:22.093] | |
| [00:22.592] | 这里是华人洗衣房~ |
| [00:23.342] | 嗨 |
| [00:23.843] | 玛丽 |
| [00:24.342] | 快打招呼 |
| [00:25.092] | |
| [00:25.343] | 我想我有工作了 |
| [00:26.593] | 哪儿? |
| [00:27.092] | 《真实罗曼史》 |
| [00:27.843] | |
| [00:28.092] | 当模特? |
| [00:28.842] | 谢谢你,不过是写文案啦 |
| [00:30.093] | 你的书怎么样了 |
| [00:30.842] | 我的书怎么了 |
| [00:31.343] | |
| [00:31.592] | 没什么,你还在忙着写你的书吗 |
| [00:32.592] | 在写啊 |
| [00:33.092] | 不错 |
| [00:33.343] | 其实没有啦 |
| [00:33.843] | |
| [00:34.092] | 玛丽...... |
| [00:34.593] | 好了,我知道,是的,我“写得和巴尔扎克一样好”... |
| [00:36.343] | |
| [00:39.842] | 我完成了独幕戏 |
| [00:40.592] | 我得到试演机会... |
| [00:41.593] | 我开始写新故事 |
| [00:42.592] | ...是排练的钢伴 |
| [00:43.342] | |
| [00:43.342] | 那我们在哪儿吃饭? |
| [00:44.592] | 我跳槽去了《花花公子》 |
| [00:45.592] | 出版商打我电话 |
| [00:46.342] | 我正在重写那段 |
| [00:47.093] | |
| [00:47.343] | 我的爸妈来看我 |
| [00:48.342] | 我去看了《窈窕淑女》... |
| [00:49.342] | 我重写了重写版 |
| [00:50.093] | ...我还有点喜欢 |
| [00:50.843] | |
| [00:51.342] | 我推倒了之前的故事 |
| [00:51.843] | 我要去见个经纪人 |
| [00:53.092] | 我们要在周日聚在一起 |
| [00:54.343] | |
| [00:54.592] | 我们将大门开启 |
| [00:55.843] | 高唱,“我们来了” |
| [00:58.093] | 我们的每一天 |
| [00:59.593] | 在夹缝中充实忙碌 |
| [01:01.342] | |
| [01:01.843] | 那遥远彼岸 |
| [01:03.343] | 看起来不再遥远 |
| [01:05.342] | 跟随着星辰流转 |
| [01:07.343] | 我们不够时间 |
| [01:10.093] | |
| [01:15.843] | 我给一个制作人打了电话... |
| [01:16.594] | 我寄出了独幕剧 |
| [01:17.593] | 我又开始了一个故事 |
| [01:18.593] | ...他让我去见他 |
| [01:19.342] | |
| [01:19.593] | 我从大学辍学了 |
| [01:20.593] | 我认识了一个乐手 |
| [01:21.592] | 我在夜总会演奏 |
| [01:22.593] | 他们在演我的独幕剧 |
| [01:23.343] | |
| [01:23.592] | 我现在为《红皮书》工作 |
| [01:24.593] | 我重写了叙事曲 |
| [01:25.592] | 我完成了那篇故事 |
| [01:26.342] | 我们开始排练了 |
| [01:27.344] | |
| [01:27.344] | 我又放弃了那篇故事 |
| [01:28.342] | 也甩了那个乐手 |
| [01:29.343] | 我跳槽去了《大众科学》...... |
| [01:30.592] | |
| [01:30.842] | 我们将大门开启 |
| [01:32.343] | 高唱,“看看谁来了” |
| [01:34.342] | 我们开始扬帆 |
| [01:35.843] | 哪怕港口狭窄 |
| [01:37.843] | |
| [01:38.092] | 那遥远彼岸 |
| [01:39.593] | 已经越来越近 |
| [01:41.842] | 我们不怕任何事情 |
| [01:43.843] | 我们没有时间 |
| [01:47.342] | |
| [01:48.791] | 进展如何? |
| [01:49.291] | 还行,你呢? |
| [01:50.291] | 搞定了 |
| [01:50.791] | 等我一分钟 |
| [01:51.542] | |
| [01:51.791] | 这里是汉堡天堂~ |
| [01:53.041] | 嗨 |
| [01:53.540] | 玛丽 |
| [01:53.791] | 快打招呼 |
| [01:54.541] | |
| [01:54.791] | 我找了另一份工作 |
| [01:56.290] | 哪儿? |
| [01:56.790] | 《奇客》 |
| [01:57.291] | 那是什么刊物 |
| [01:57.792] | |
| [01:58.041] | 一个全新的概念: |
| [01:58.540] | 立体书杂志 |
| [01:59.541] | 那你的书怎么样了 |
| [02:00.291] | 我的书怎么了 |
| [02:00.791] | |
| [02:01.041] | 你把你的书给了出版商吗? |
| [02:02.041] | 是的 |
| [02:02.540] | 不错 |
| [02:03.041] | 其实没有 |
| [02:03.291] | |
| [02:03.541] | 玛丽 |
| [02:04.041] | 听我说,我从来没有...... |
| [02:04.291] | 搞定了! |
| [02:04.790] | 等会儿我再打给你 |
| [02:05.291] | 好吧 |
| [02:05.541] | |
| [02:06.290] | 这只是份草稿 |
| [02:06.540] | 可以 |
| [02:07.041] | 可能还挺糟糕 |
| [02:07.541] | 没事 |
| [02:08.040] | 我没时间再打磨了 |
| [02:09.727] | 你会唱吗 |
| [02:10.228] | |
| [02:10.477] | 我可以 |
| [02:10.978] | “谁会想住在纽约? |
| [02:13.727] | 谁想要那些烦恼,那些噪音、污染和热气? |
| [02:16.477] | 谁想要听街上的垃圾桶哐当声响起? |
| [02:19.477] | 突然 我想—— |
| [02:21.477] | |
| [02:22.226] | 他们总在借酒浇愁 |
| [02:24.227] | (我会改改这句) |
| [02:25.727] | 那些条子,那些的士司机,萨克斯百货的售货女孩们 |
| [02:28.227] | 你需要真正爱上那帮疯子们 |
| [02:30.977] | 突然 我喜欢——” |
| [02:33.227] | |
| [02:33.726] | 这很棒,这很好 |
| [02:36.727] | 其他的也不错 |
| [02:39.727] | 我并不是每一天 |
| [02:40.977] | 都能听到这么有料的歌曲 |
| [02:42.727] | 但小伙子们,请容许我 |
| [02:43.728] | 说说这里面唯一的问题 |
| [02:45.227] | |
| [02:45.478] | 这儿没有一个可以哼唱的调调 |
| [02:48.477] | 这儿没有那种“邦邦邦嘀当”的调调 |
| [02:51.477] | 你得写个“邦邦邦嘀当”的调调 |
| [02:54.477] | 给我点旋律行不行 |
| [02:56.421] | |
| [02:57.420] | 为什么你不给他们点甜头? |
| [03:00.171] | 让他们随着旋律抖起腿来有什么不好? |
| [03:02.920] | 你们看斯特拉文斯基有没有热单就明白了 |
| [03:05.921] | 得有些动听的旋律才行 |
| [03:08.421] | |
| [03:08.670] | 哦当然,我晓得 |
| [03:11.672] | 这不是那种商业秀 |
| [03:14.671] | 但你们就不能写点 |
| [03:16.170] | 雅俗共赏的东西 |
| [03:17.671] | 试试看,多弹几段 |
| [03:18.921] | 我给你们展示一下 |
| [03:20.420] | |
| [03:20.670] | 谁想要住在纽约? |
| [03:23.420] | 我一直讨厌那些污染,热气和噪音 |
| [03:26.171] | 可自从我遇见你,我 |
| [03:29.365] | |
| [03:29.615] | 听着,小伙子,可能是我的问题 |
| [03:31.616] | 但这里没有那种可以哼~~~唱的旋律 |
| [03:36.865] | 多写点东西,努力创作 |
| [03:38.116] | 在那个前台女孩那儿登记一下 |
| [03:39.116] | |
| [03:39.616] | 少一些前卫派念头 |
| [03:41.116] | 在那个前台女孩那儿登记一下 |
| [03:43.116] | 只要写点平实老派的旋律~~~~~~ |
| [03:57.366] | |
| [04:01.866] | 他们停止了排练... |
| [04:02.615] | ...资金不够用了 |
| [04:04.865] | 我们杂志只撑了一期... |
| [04:05.617] | ...我的书稿被拒了 |
| [04:06.866] | |
| [04:07.865] | 夜总会被突击搜查... |
| [04:08.866] | ...我开始接私教 |
| [04:11.616] | 我爸妈要来看我 |
| [04:12.615] | 他们洗坏了我的衣服 |
| [04:13.866] | |
| [04:14.115] | 我钱包被偷了 |
| [04:14.866] | 我又见了那乐手 |
| [04:15.865] | 我们被赶出来 |
| [04:16.865] | 我有点崩溃了 |
| [04:17.865] | 我们还是会在周日聚在一起 |
| [04:18.616] | |
| [04:19.365] | 他们将大门紧闭 |
| [04:20.615] | 高唱,“滚蛋吧” |
| [04:22.865] | 不再能够远航 |
| [04:24.616] | 只能负重登攀 |
| [04:26.365] | |
| [04:26.617] | 那遥远彼岸 |
| [04:28.366] | 越来越遥远 |
| [04:30.616] | 我们试着背水一战 |
| [04:32.366] | 我们还有很多要表达 |
| [04:33.866] | |
| [04:34.615] | 你们知道我们该怎么办吗? |
| [04:35.866] | 什么? |
| [04:36.616] | 我们要做一个讽刺剧 |
| [04:37.615] | 啊? |
| [04:38.365] | |
| [04:38.616] | 啊? |
| [04:39.115] | 我们要做一个自己的讽刺剧! |
| [04:41.366] | 什么?去哪儿演? |
| [04:41.866] | 为什么?什么时候? |
| [04:42.865] | |
| [04:43.116] | 不只是歌曲,还有故事、情景 |
| [04:44.616] | 钢琴曲、哑剧...... |
| [04:46.115] | 对 |
| [04:46.867] | |
| [04:47.366] | 要不就叫《坦率的弗兰克》呗 |
| [04:47.865] | 这是我们自己的演出节目 |
| [04:49.116] | 哪儿有? |
| [04:49.615] | |
| [04:49.615] | 夜总会要重新开张了 |
| [04:50.616] | 我们可以写一堆新东西 |
| [04:51.616] | 再改写一些旧东西 |
| [04:52.366] | |
| [04:52.615] | 那女主角怎么办? |
| [04:53.116] | 什么女主角怎么办? |
| [04:53.865] | 我们得有一个女演员做主角 |
| [04:55.116] | 那就,玛丽 |
| [04:55.866] | |
| [04:56.116] | 谢谢你,我只有晚餐上的助兴表演经验 |
| [04:58.615] | |
| [04:58.866] | 谁会想住在纽约? |
| [05:02.116] | 谁想要那些烦恼,那些噪音、污染和热气? |
| [05:05.116] | 谁想要听街上的垃圾桶哐当声响起? |
| [05:08.365] | |
| [05:08.615] | 谢谢你,但我们得找一个 |
| [05:10.116] | 更有经验的演员 |
| [05:10.865] | |
| [05:11.365] | 他们总在借酒消愁 |
| [05:14.115] | 升个调 |
| [05:14.615] | 那些条子,那些的士司机,萨克斯百货的售货女孩们 |
| [05:16.866] | 升个调 |
| [05:19.062] | 你需要真正爱上那些疯子们—— |
| [05:20.812] | 感谢你,你被录用了 |
| [05:23.062] | |
| [05:23.561] | 我是贝丝 |
| [05:24.562] | 我是弗兰克 |
| [05:25.561] | 我真的以为我搞砸了 |
| [05:27.061] | 我是玛丽 |
| [05:27.561] | 我是查理 |
| [05:28.061] | |
| [05:28.311] | 顺便说一句 |
| [05:28.811] | 我刚被告知 演出周六开始 |
| [05:31.562] | 啊? |
| [05:32.061] | 你不是在开玩笑吧 |
| [05:32.561] | 大家都没准备好 |
| [05:33.311] | |
| [05:33.561] | 看上去是有人取消了原本的预约 |
| [05:35.562] | 但歌没写好 |
| [05:36.561] | 服装怎么办? |
| [05:37.561] | 我要怎么学完这些曲目? |
| [05:39.062] | 今晚晚些时候我会把曲子的副本都带给你 |
| [05:39.561] | |
| [05:40.061] | 行,但我得把所有歌准备好 |
| [05:40.561] | 周六我得去给一场婚礼演唱... |
| [05:40.811] | ...哦天呐,会有舞蹈片段吗,我可不会跳舞 |
| [05:41.310] | 更别说我还没有搞定... |
| [05:41.811] | ...锡南浓的歌和肯尼迪的歌 |
| [05:42.312] | |
| [05:42.562] | 你不必都写完,我们会... |
| [05:43.062] | ...在结尾处切入我们删掉的舞蹈部分 |
| [05:43.312] | 我们应该怎么做宣传... |
| [05:43.811] | ...跑遍整个城市把海报贴在窗户上? |
| [05:44.312] | |
| [05:44.811] | 我们决定好要不要用那个餐厅笑话了吗? |
| [05:45.311] | 我需要两到三天来改动它 |
| [05:45.812] | 不,我们会用到它,但不要那个很长的序曲 |
| [05:46.811] | 我们到周日再一起纠结这些事吧 |
| [05:47.812] | |
| [05:48.061] | 我们将大幕拉起,高唱,“我们来了” |
| [05:51.811] | 我们的每一天,在夹缝中充满新鲜 |
| [05:55.312] | 那遥远彼岸,看起来不再遥远 |
| [05:59.508] | 眼看着星辰流转 |
| [06:00.758] | 多希望时间能停歇 |
| [06:04.008] | |
| [06:04.508] | 我们将大门叩响,高喊,“我们又来了” |
| [06:08.007] | 无路可退,可我们要冒一次险 |
| [06:11.759] | 那遥远彼岸,好像又近在眼前 |
| [06:15.508] | 能阻挡我们的只有时间 |
| [06:17.507] | 我们倒数十个数等待开演 |
| [06:19.258] | 我们时间紧迫,我们迫不及待! |